Director: Darren Lynn Bousman
Starring: Sabrina Kern, Carolyn Hennesy, Courtney Halverson, Hannah Fierman. USA. 1h 43m
Motherhood and the church are two of the most ancient and powerful stories we have in human history. The two are often blended together in twisted tales of the rebirth of Christ or the Antichrist, or blended into complex conspiracy theories as in DaVinci Code. St Agatha pokes at the vulnerability of young women who need help when they find themselves pregnant with nowhere to go but the group of perverse sadistic nuns who run the home have darker motives for gathering such women together. Continue reading St Agatha (2018)
Director: Brian T Jaynes
Starring: Larry Jack Dotson, Audrey Ellis Fox, Holt Boggs, Billy Blair .USA. 1h 15m
In the seemingly inexhaustible Bigfoot Indie Movie sub-genre, Bigfoot Wars has a many thriving backstories (originating from Eric S Brown’s book series) but doesn’t appear to do anything outstanding with the subject matters. It tries to offer a crazy alternative idea to most bigfoot mythologies that points; not only to the existence of Bigfoot but that there is a community living on the outskirts of a small town, that once threatened, will turn on the local human population until the one or the other is extinct.
Holt Boggs stars as Sheriff Jim Taylor, a dutiful officer loving father who struggles to find his feet when the carpet is swept out from underneath him when a spate of violent animalistic murders shakes his sleepy little town, Boggy Creek. The movie opens with the violent (offscreen) murder of the mayor, then some teens are slaughtered by a unknown beast while “partying” and camping in the woods, but the locals aren’t all that shocked, as a local news reports reveals that a majority of town folk believe that Bigfoot and aliens are all real and out there waiting to be discovered. Continue reading Bigfoot Wars (2014)
Director: Babak Anvari .
Starring. Armie Hammer, Dakota Johnson, Zazie Beetz. USA. 1h 34m.
This strange and dutifully tragic movie owes a lot to Cronenberg and H.P Lovecraft despite opening with a quote from Joseph Conrad’s Heart of Darkness, that ends with “it echoed loudly within him because he was hollow at the core”. It’s hard to recognise the significance at this early stage of the movie but recalling back to the character it’s now easy to see how the main characters overall weakness as a human being made him so vulnerable for the nightmare that is about to unfold before his eyes. Continue reading Wounds (2019)
Starring. A lotta people WORLDWIDE. 1h 25m.
There aren’t many movies series that I fangirl over but the ABCs of Death and VHS are certainly anthologies that I got my teeth firmly into. I had lost hope for a 3rd part to turn the duo into a trilogy, and in my haste I didn’t realise this strange collection has been compiled. It definitely seems to be a marmite movie, but if you enjoyed the previous then you’ll probably see a lot of charm in this selection of movies which seem to be just as creative and diverse as the rest.
During the original submissions, there was an outstanding amount of M’s submitted, and this ABC, is really an MMM as it complies the 26 favourites from the M list, which begs me to ask why the hell isn’t there a box set of 26 movies for each letter in an epic box set, but alas we have the MMM’s of death to enjoy for now. Continue reading ABC’s of Death 2.5 (2016)
Director: Brad F Grinter and Steve Hawkes
Starring . Steve Hawkes, Dana Cullivan, Randy Grinter, Heather Hughes. USA. 1h 26m
This film is often classed as one of the worst of the worst and while it’s cringey as hell I do to try and take a film serious, even if it’s about a bloodthirsty killer turkey man hybrid… At some point during horror history nearly every animal, creature insect and persona has had their own killer version so it had to be done at some point although unfortunately for the turkeys it’s just resulted in one giant Turkey of a movie. But playing Devil’s Advocate I would have to say that there is an interesting back story and concept of the film unfortunately it was just executed so badly, but I don’t hate it.
The movie opens with a biker helping out a woman on the highway it turns out the swimming is a god-fearing Christian who invites him back to her place where she shares with her sister unfortunately has sister it is one of the no smoking hippie chicks from the 70s and the tooth start fighting over this tall dark handsome biker obviously with any good horror film everybody makes the worst choices and he ends up with the druggy sister. Continue reading Blood Freak (1972)
Director: Toby Wilkins:
Starring: Shea Whigham, Paulo Costanzo, Jill Wagner, Rachel Kerbs. USA. 1h 28m.
Seemingly inspired by The Thing (1982) on a heavy dose of meth, Splinter brings the horror a little closer to home, you don’t have to visit the arctic to encounter a viral creature, there could be one out back right now. Along with the threat of this insane and unforgiving monster we also have to deal with two very different couples one of them being a redneck version of Bonny and Clyde, yet surprisingly the two story lines do work.
The beginning of this is great, there is a petrol attendant attacked by what looks like a rabid animal in the toilets of a station. Then; after some creepy credits showing lots of dead and mutilated animals we’re introduced to a preppy couple who get carjacked by the redneck Bonny and Clyde,she’s missing her fix and he’s just trying to get to the border. When they stop for gas, everything changes, the characters, atmosphere and just everything. The addict goes to shoot up in the toilet and finds the attendant who’s begging for death as he’s being taken over by the virus the spiny creature has given him, she’s soon attacked and taken out and the jail bird and preppy kids are now locked in the service station trying to figure out what is attacking them and how to fight back. Continue reading Splinter (2008)
Director: Richard Shepard
Starring: Allison Williams, Logan Browning, Steven Weber. USA. 1h 30m
There is something surprisingly poetic about, Paul Haslinger’s unabating film, a movie which is pretty easy to fall into and follow despite it constantly throwing the audience a curved ball by rewinding time and showing things from a different perspective, it’s charming but for me there just wasn’t enough obscure strangeness, instead that was reserved until the bitter…. sweet end.
Opening with a somber tone, a woman lays wide eyed on her deathbed, her daughter looking on with a 1000 yard stare, there is a slight sign that something is not quite right , through a montage we see her getting pulled from a prestigious school to return home and look after her mother, scenes of self harming and a girl desperate to escape , but also something much darker from her past. She’s damaged but is hopeful of a better future. She calls her old mentor for help, her mother has gone and now she wants to return to Anton (Webber) the person who was painstakingly training her to be the best cellist in the world but the world has moved on and he has a new best, the stunning Lizzie (Browning) her face plastered all over the streets of Shanghai, China, she’s utter perfection but the hint of jealousy falls into lust when the two virtuoses spend a night on the town then ends up in the bedroom, something pretty strange for rivals but these girls are also striving for the best and see it in each other but this flashy romance won’t last. Continue reading The Perfection (2018)
Director:David Cronenberg .
Starring: James Woods, Debbie Harry, David Cronenberg, David Dvorsky, Leslie Carlson, Julie Khaner. Canada. 1h 29m.
Having watched Videodrome at quite a young age the film fascinated me for all the wrong reasons, pulsating VHS tapes, clips of dodgy torture rooms and people morphing into guns and machines really lit my young mind on fire, this was something that really carried on through my teens while lapping up underground comic books and really came to life when I discovered tales of the dark web and Tetsuo Iron Man (1989) which hit home this idea of bio mechanics along with my love of Giger’s artwork but nothing was quite on that level of bizarre as Videodrome, covering so many aspects of the darker side of the human psyche it’s science fiction body horror touches on some worrying habits and disgusting practices but all in such a way that it’s almost too clever for it’s own good.
James Woods takes centre stage as Max, as the CEO of a small UHF television station specialising in sensationalist programming he’s constantly displeased with his current line up which is mostly soft core, while looking for ways to boost the station, he stumbles on a bizarre broadcast featuring extreme violence and torture which he believes is staged and wants the show known as Videodrome for his station as he perceives it as something that everyone wants to see. While searching for the source of the broadcast, he employs his cameraman Harlan, to record the shows for him, eventually he deduces that the show is being transmitted from Malaysia, and soon Max orders that Harlan to broadcast the show unlicensed via his network. The more Max watches Videodrome the more he begins to hallucinates the world around him, mechanical items become soft and fluid, pulsating with life and breathing, but this is only the beginning. Continue reading Videodrome (1983)
Director:Jeffrey Obrow and Stephen Carpenter.
Starring: Amanda Pays, Talia Balsam, Kim Hunter, Rod Steiger, David Allen Brooks .USA. 1h 32m
80’s horror will always be remembered for being gutsy and it really liked to spill those guts all over the screen, This film is mild i some respects as it tries to build a respectable story but as the monster is slowly revealed there’s healthy lashings of tentacles and slime but without much actual blood, a strange combination that remains interesting but is noticeably lacking all the right ingredients to make it a stand out from all the other films of the era.
A brilliant scientist Amanda Hollins (Hunter) awakes from a coma and informs her equally brilliant son (Brooks) that he must destroy her journals and her final experiment aka his brother, bewildered he arranges to take his research staff and his girlfriend out to his mother’s house to carry out her request but soon she dies, unknown to him she’s killed by a rival (mad) scientist Dr. Phillip Lloyd (Steiger), who can’t be trusted around small animals and to be honest I wouldn’t trust him with kids either, but he’s desperate to find out what Amanda has been up to. Continue reading The Kindred (1987)
Director: Jeff Maher.
Starring. Colin Price, Alysa King, Gwenlyn Cymyn, Dennis Andres, George Kirssa, Hamza Fouad. Canada. 1h 25m
After watching the long lost and brilliant psychotropic Death Bed : The bed that eats (1977) , I chanced upon this modern gore thriller about a similar piece of haunted furniture and thought I’d see how far we’d come in terms of awesome cinema and to sum it up in one sentence, watch the 1970’s classic instead..
This film is based on one wishy washy idea then introduces another and another then forgets to actually define why any of this is happening! But it all respect it has a respectable level of cinematography, effects and tries to be devious with a semi intelligent plot but it runs out of steam after the initial 20 minutes and fades from memory. Continue reading Bed of the Dead (2016)