Director: Stefan Ruzowitzky.
Starring. Eric Bana, Olivia Wilde, Charlie Hunnam, Kate Mara, Treat Williams, Kris Kristofferson, Sissy Spacek. USA/Canada. 1h 35m.
Children change everything, but asshole parents and terrible family relations are the driving force of this strange thriller. Everything about the opening suggests that this is going to be a cold heartless chase to the death, that can only get grittier and more dangerous but each step of the way but each step towards this badass edge is followed by some daddy issue drama until family relations eventually kills the fun completely.
Eric Bana plays Addison a wild eye psychopath on a mission to get across the border to Canada, his beloved sister is making a similar route but the choice to split up is a necessity and for her protection. Despite his quick trigger finger Addison does have a strange moral compass which does sometimes sway in favour of protecting women but this soft approach doesn’t reduce his kill count by much. Continue reading Deadfall (2012)
Director: Chris Sun.
Starring. Bill Moseley, Nathan Jones, John Jarratt, Simone Buchanan, Melissa Tkautz. Australia. 1h 35m.
With all of the cult success of Razorback you’d think that a future giant killer pig movie would try to work on that cult goodness and up the ante, but for so many reasons Boar kept trying to deliver but for me it stumbled and fell flat in the mud.
There are two intermingling storylines, one surrounds an Australian family, with a new American patriarch, Bruce (Moseley) who’s pretty iconic when it comes to the horror scene but sadly he’s really out of place and underused in terrible way, people really should be arrested and jailed for this kind of neglect. The family is on vacation and are aiming to camp out and meet family, kicking back and having a good time. Meanwhile an eagle eyed wisen old man of the land Ken (Jarratt) is looking to kick back with some beers and a friend when he notices something strange and head out in the night to investigate. After this laborious introduction the movie fails to pick up the pace but it does try to delight it’s audience with a few blood thirsty killings and they are pretty mediocre. Continue reading Boar (2017)
Starring: Vinessa Shaw, Ebon Moss-Bachrach .Mexico. 1h 40m
Based on: El juego de los niños by Juan José Plans
In a bold attempt to update and update the 1976 classic Who Can Kill a Child but Narciso Ibanes Serrador, Makinov has basically just remade it with little care to really expand the story and somehow it now seems slightly underpowered and drawl in all areas which could have been improved.
A young couple, Beth (Shaw) and Francis (Moss-Bachrach) are on holiday and travelling around remote islands before the birth of their child. On arriving at a new island they discover a lone boy fishing but make their way into town finding it pretty vacant. Settling down in an abandoned bar they make themselves drinks and food, assuming that everyone is sleeping off the after math of festival season. Continue reading Come out and play (2012)
Director: Simon Rumley.
Starring.Terry Stone, Leo Gregory, Jamie Foreman, Roland Manookian. UK. 1h 51m.
I have to admit that I was spellbound by the cover of this lovely movie, but within seconds of the opening scene I was soon knocked off my feet that this is basically a retro version of Rise of the Footsoldier! In all fairness I really enjoyed the footsoldier movies, they started out with a purpose and were watered down but they had their own unique, balls in your face charm and a recurring cast, although a few characters are a little bit different in this war time london escapade, the most notable is Roland Manookian usually he plays the role of a drugged up loser who basically a bit of a plonker but he’s resurrected as a psychotic killer who’s not afraid to bleed. It’s pretty interesting to see him take on such a grisly role, maybe the boy will go far.
The film is based on real people and events, mostly surrounding Billy Hill and Jack Corner, again much like Rise of the Footsoldier (2007), and possibly with as much dreamy fantasties. The film looks authentic but doesn’t feel genuine in any way, it certainly feels like a modern movie but with just a cosmetic change and some different clothes, which is a shame as it could have been a real opportunity to branch out and try something an off key. The film seems to be poorly researched but the delivery is bold, a bit too forceful at times, it seems the use of shouting and violence takes the place of intense drama. Continue reading Once Upon A Time In London (2019)
Director: José Padilha
Starring: Rosamund Pike, Daniel Brühl, Eddie Marsan, Ben Schnetzer, Lior Ashkenazi, Denis Ménochet . USA/UK. 1h 47m
I think this film was made with the idea that it would be considered as a critically acclaimed masterpiece but while it’s based on a tough hostage situation from 1976 It seems to be more determined to connect the horrific events with a dance routine than to give a clear and “entertaining” account, and while the dance is interesting it feels like a failed attempt to add some art house to an already downtrodden film that in hindsight is just a series of the depressing sight of actors struggling through dreadful material. Continue reading 7 Days in Entebbe (2018)
Director: Brian Smrz
Starring Ethan Hawke, Xu Qing, Paul Anderson, Rutger Hauer, Tyrone Keogh, Nathalie Boltt, Liam Cunningham, Jeremy Yong .USA. 1h 39m
The overall character is like a science fiction bourne movie, the strengths lie in the espionage action thriller but you can’t ignore the countdown timer in the leads arm. But the film has a huge anchor and this drags along in a sea of theology Travis is a man on a mission but it’s plagued with ghosts of the afterlife, as he stands looking into the abyss it’s looking back at him and he’s reminded that he needs to make amends.
Travis Conrad (Hawke) is introduced as a drunk, hanging out with his father-in-law they are fishing and drinking in preparation for spreading some ashes, afterwards the old man, played by the enigmatic Rutger Hauer passes out and Travis heads to the tittybar, grabs a hit and notices some men following him, in a shifty trick he immobilize them and sits down next to the man who sent them, his old friend who offers him a job worth $2 million. Accepting his new job of executing a unknown man he has to find him, and so he starts tracking the family of an operative who’s been hired to protect him. While learning the whereabouts he spares Lin (Qing) but she kills him after plugging him in the chest, but Travis awakens on a hospital bed where’s he’s quizzed about the location, after givin up the news he soon realizes his mistake and that he’s time is up (again) but he breaks free, the doctor explains that he’s got a timer which gives him 24 hours to live again he spares another woman and escapes to get back at his employer by protecting his previous target but to summarize the film in one phrase, Travis is having a particularly bad day. Continue reading 24 Hours to Live (2017)
Director: Umberto Lenzi
Starring: Tomas Milian, Henry Silva, Ray Lovelock and Anita Strindberg .Italy. 1h 40m
This movie could easily be called “Il criminale più stupido d’Italia” as it follows the misadventures of a total psychotic loser criminal who couldn’t con his way out of a paper bag successfully but his constant efforts do cause some sensational cinema.
Opening with a bunch of robbers/kidnappers, snatching a young boy, their (not so trusty) getaway driver is Giulio Sacchi (Milian) manages to kill an officer while waiting and soon the gang is being chased around the city, they manage to speed past a train which cuts them off from the cops in time for them to drop the child and ditch the cops, they find a secluded place to recoup and kick the crap out of Giulio for foiling their efforts, after threatening to castrate him he heads back into the city alone. The brute roughs up his girl for some money and kills another cop while robbing a cigarette machine, while other officers arrive to investigate he starts displaying disturbing behaviour by squaring up to Inspector Walter Grandi (Silva). Eventually the bad tempered loose cannon, devises a scheme of kidnapping the daughter a wealthy businessman, who his girlfriend works for, but with a crazed moral compass and no scruples his manages to mess up each step of the way, but just manages to stay one step ahead of Inspector Grandi but mostly by mistake. Continue reading Milano odia: la polizia non può sparare / Almost Human (1974)
Director: Osamu Dezaki. Japan . 1h 31m
I’ve never really been swept off my feet by Bond movies, although I did get sweaty palms over some of the wonderful toys and gadgets. But the actual bond character changed with every incarnation and while everyone brought their own twist I couldn’t really find him all that believable. In contrast we have Rambo (stay with me here) Rambo is the toughest man alive (no question about it) a tough hombre who little kids wanted to be when they were all growed up, but then I discovered Riki-O (1991) a amazing invincible tough guy who makes Rambo look like a pussy. In the same vein Golgo 13 makes Bond looks equally pussified. He’s an assassin who is always one step ahead of the game, women falling over themselves willing to die just for one night with him, no shot if ever off and he’s like teflon in hand to hand combat. There really isn’t anyone better than Golgo 13.
With that mighty introduction, what else is left to say? You now have the opportunity to see the toughest man alive do bossanova things.. Get going.
Continue reading ゴルゴ13 / The Professional : Golgo 13 (1983)
Day 7 – It Comes At Night
Director:Trey Edward Shults .
Starring. Joel Edgerton, Riley Keough, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr. USA. 1h 37m.
In the aftermath of a apocalyptic virus that has wiped out most of our modern civilisation a family tries to carve out an existence in the backwoods of the USA, after bringing in some outsiders their laus trophic tale brings the two families together before everything gets ripped apart.
Trey Edwards Shults (a name that’s hard to forget but easy to misspell) worked as a crew member on Terrence Malick movies and it seems that the experience has left a big impression on him, after his low budget debut SXSW, about an eccentric woman show up to a family reunion, he now digs his heels into horror that’s not quite horror… *gulp* post horror? This impressive movie whose title seems to have little to do with the content of the film. Continue reading It Comes at Night (2017)
Day 6 – It Stains the Sands Red
Director: Colin Minihan
Starring: Brittany Allen, Juan Riedinger, Merwin Mondesir Canada. 1h 32m.
On days when I’m laid up with the flu I usually end up watching a terrible b movie while hallucinating on extreme flu remedies, it tends to make the film more enjoyable, that time I did this I watched Chemical Peel, this year I watched It Stains the Sands Red and I really enjoyed this offbeat zombie drama.
Molly, a powder sniffing pole dancer with a few daddy issues gets stranded in the desert while being hunted down by one lone unrelenting zombie. At first she enjoying keeping a few paces ahead of the foul smelling ghoul but soon she realises that the zombie doesn’t need to rest but strangely she forms a bond with it and the ordeal turns out to be therapy for the demons that have been chasing Molly all of her life. Continue reading It stains the sands red (2016)