Director : Zack Snyder Starring : Gerard Butler, Lena Headey, David Wenham, Vincent Regan, Michael Fassbender, Andrew Plevan, Andrew Tiernan, Rodrigo Santoro . USA | Canada | Bulgaria | Australia. 1h 57m
Out of all of the graphic novels and comics I’ve read over the years, this was surprisingly one I never considered to be a good candidate for a film adaptation. While I stand divided on if it should have been created, I’m forever blown away by every aspect 300, even with all the campy parodies and piss takes, for me, at least it’s still a rocking stylised story of ultimate bravery and sacrifice, but with so many of the pages from the novel coming to life periodically throughout the action, it seems I was wrong and 300 was made for the big screen. Continue reading 300 (2006)→
Director: José Padilha Starring: Rosamund Pike, Daniel Brühl, Eddie Marsan, Ben Schnetzer, Lior Ashkenazi, Denis Ménochet . USA/UK. 1h 47m
I think this film was made with the idea that it would be considered as a critically acclaimed masterpiece but while it’s based on a tough hostage situation from 1976 It seems to be more determined to connect the horrific events with a dance routine than to give a clear and “entertaining” account, and while the dance is interesting it feels like a failed attempt to add some art house to an already downtrodden film that in hindsight is just a series of the depressing sight of actors struggling through dreadful material.
Director: Andy Roberts Starring: Jack Angel, Andy Roberts, UK. 1h 06m
While not wanting to dumb down the power of this movie, but it has to be said that this is like a British version of The DaVinci Code (2006) set around the city of Bath
and surrounding countryside, Andy (Roberts) is a talented young student in photography and film hooks up with his psychic uncle Jack (Angel) and friends to uncover the secret mysteries behind the architecture and history of the city. Jack, has a knack of hearing supernatural entities and sensing presences that are ethereal in nature, after getting his young nephew to join him in filming his investigations, young Andy starts noticing some life-changing events.
Drawing on the success of various other found footage and mockumentary films, there’s a lot of charm in occult angel. Initially a digs deep into the history of the city and the formation of famous landmarks and churches, and then it starts to look at the prehistory, pagan beliefs and uncanny connections between prestigious buildings and pagan icons.Continue reading Occult Angel (2018)→
Director: Lance Daly. Starring. Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keogham, Sarah Greene. USA. 1h 40m.
This brilliantly dark poetic revenge flick from the bleakest part of Irish history is rough but so intense. Based on the Irish Language short called An Ranger by PJ Dillon and Pierce Ryan, this lengthy retelling is focused on an Irish Ranger returning home from war and finding his homeland is very different to how he left it.
Starting on another tangent, the film opens with Hanna (Weaving) losing his temper with a prisoner, a member of the Young Irelander movement, while losing his temper he strangles the man he sips from his canteen while another guard realises Hannah has killed the prisoner.
Meanwhile Martin Feeney (Frechville) a former Connaught Ranger arrives in Connemara, west Ireland in 1847, the worst part of the Great Famine, he finds family home hollowed out and filled with pigs, he learns that his mother died from starvation and his brother was hanged after stabbing a bailiff during the family’s evection. Feeney stays with his brothers widow (Greene) who are squatting in one of the few remaining houses. Soon the landlord arrives to evict the family, killing Feeney’s nephew and destroying the home. Feeney is arrested but managed to kill his captors and destroy the barracks and re returns to find his sister in law and her daughter dead from exposure. This sparks something dark inside of Feeney and he begins to seek a tortuous bloody revenge on the men who have wronged him.Continue reading Black 47 (2018)→
Director: Ben Wheatley Writer:Amy Jump~ Starring: Julian Barratt, Michael Smiley, Reece Shearsmith, Ryan Pope and Richard Glover. UK. 1h 30m
A Field In England came out at a time when I was only just discovering how amazing Ben Wheatley is, after Sightseers (2012), Down Terrace (2009) and Kill List (2011) it was easy to see that he was quite a phenomenal director in his own write, and I especially admired his edition of the Dark Arts in kill List which seem to appear in a lot of his titles, and for quaint little twists that bound each kill victim together, maybe one day if he was related to another Wheatley who had mystified his audiences with the dark hearts back in the 70s??!!
But now he’s taking an historical turn with this unique black and white drama, Instead of speaking about the black hearts he’s going back to the original source, a group of men wandering around the English countryside during the civil war, after walking away from a battle; an act that they could easily have been hung for, they managed to hook up with a devout and cruel necromancer and fall under his dark spells, O’Neill (Smiley) terrorises the rest of the men and provokes them into helping him find a stash of treasure, while under the influence of hallucinogenic mushrooms.
I only managed one movie last night.. it was only nearly 3 hours long!
DER UNTERGANG – DOWNFALL
(Biography, Drama, 2004) (15) D: Oliver Hirschbiegel W: Bernd Eichinger S:Ulrich Matthes, Bruno Ganz, Christian Berkel, Tomas Kretschmann. 2h 36m. GER
TAGLINE : April 1945, a nation awaits its…
Traudl Junge, the final secretary for Hitler tells of the Nazi dictators final days in his Berlin bunker at the end of WWII.
The final days of hitler.. whoo! What a pleasure to watch. Or is it? I’m not sure if the movie was trying to portray the homicidal f*ckwit as a fragile old man with 99 problems but he does come across as paranoid and feeling desperately abandoned. It’s enjoyable to see the downfall of a tyrant but it was never going to be a fun movie to watch, tons of suicides, killing off of the kiddies and doggies but ultimately the end of the war. It was different to see a screenplay deliberate the Second World War without really mentioning Jewish persecution or having yanks winning the war. It details the ignorance of the young. All in all it was interesting to see this from such a unique perspective with more humanist honesty than glamour.
Q : “And at that moment I actually realised that a young age isn’t an excuse. And that it might have been possible to get to know things.”
R: Schindlers List (1993), Pianist (2002) Medal of Honour