Starring. Aura Garrido, David Oakes, Ray Stevenson. Spain. 1h 48m.
The background of this mesmerising thriller is reminiscent of stories straight from the imagination of HP Lovecraft, but the film is actually based on a story by Albert Sanchez Pinol with the same title. They both involve a lone man on the edge of his sanity who lives locked tight in a light house on a remote and uninhabited island, existing like a hobo and fighting off deadly sea creatures each night.
The film breaks open at sea, a fine-looking ship is being chased by dolphins as a young Irishman named Friend (Oakes) travels to this remote island in the South Atlantic to work as a meteorologist, the only inhabitant of the island is the caretaker of the lighthouse, a tough character called Gruner (Stephenson). After a cold and abrupt introduction Gruner informs Friend that the previous meteorologist died from typhus. The crew depart leaving Friend to cosy in his new cabin he watches Gruner in his fortified lighthouse with intense curiosity, why would someone need to defend a lighthouse? Friend unpacks and finds a journal from the late meteorologist, detailing nightly attacks from strange creatures form the sea, assuming this was feverish dreams of a dying man he drifts off to sleep until a slimy webbed hand feels under the door and he finds himself under attack. He managed to fight off the intruders, the next day he tries to get Gruners attention but is ignored. He spends the day fortifying the cabin and finds a gun. Awaiting another attack but he’s overrun and in the fight ends up burning the cabin to the ground, hiding on the rocks of the beach with a blanket he spends the night hiding. Continue reading La Piel Fria / Cold Skin (2017)
Day 3 – The Void
Director: Steven Kostanski and Jeremy Gillespie .
Starring. Aaron Poole, USA. 1h 30m.
It’s not often a film grips my attention quite like this one. The first trailer I chanced upon was quiet mysterious and the poster had tentacles, that’s pretty much me sold on any movie. So the Void didn’t promise much, it kept 90% of the fun a secret and that added to the fun and intensity of the gory film. Starting with a curious scene a man escapes from some crazy occultist and flees into the woods, bleeding and disorientated. A lone cop sees him the road and takes him to the nearest hospital to get him patched up. The hospital is in the process of being relocated, so there is minimal staff and they are caring for one pregnant girl and packing, quite reminiscent of Assault on Precinct 13 (1976) and before you know it, they are soon surrounded by shrouded occultist and have to barricade themselves but unlike the 70’s siege film they are fighting unknown metaphysical forces that are beyond comprehension, yet very familiar to those lured tales from HP Lovecraft. Continue reading The Void (2016)
Director/Screenplay/Producer: Willard Huyck, Gloria Katz
Starring: Marianna Hill, Michael Greer, Elisha Cook Jr . USA. 1h 30m.
Also known under the delightful title of Dead People this early 70’s horror co written, directed and produced by the husband and wife team of Willard Huyck and Gloria Katz is a often overlooked deeply atmospheric and psychotropic horror movie.
Starring Marianna Hill as Arletty who drives to Point Dune, California to visit her estranged father, an artist who has abandoned his home but upon uncovering his diary she finds vital information concerning the horrible nightmare that is consuming the town and ignoring her father’s pleas to NOT look for him, she continues her search and tracks down the owner of a gallery who sells her father’s work, but he vaguely remembers him and informs her about the vibrant “art culture” that thrives in Point Dune. Still searching for information she meets a visiting Portuguese/American aristocrat, Thom (Michael Greer) and his two extremely provocative groupie companions Toni (Joy Bang) and Laura (Anita Ford). Thom interviews Charlie (Elisha Cook Jr) an old eccentric who tells of dark and chilling tales of his mother and “the dark stranger” who will return after a 100 years hiatus, he also informs Arletty that her father is one of “them” and moments later he’s murdered. Continue reading Messiah of Evil (1973)