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POST DISCUSSION – Inside Llewyn Davis (2013)

Please note this post discussion is a post discussion, therefore it’s full of spoilers it discloses information about the ENTIRE film (yes including the ending) and these following movies,Groundhog day (1993), Devil (2010).

So if you’ve not seen them it’s probably better not to read on..

The Coen’s deliver another poetic surreal drama in the guise of the melancholy comedy musical drama that is the life of Llewyn Davis, or at least a pivotal few days…

 Inside Llewyn Davis 2

WHAT IS INSIDE LLEWYN?

It’s the obvious question right? No it isn’t but it makes for good movie chitchat. It’s just a title right, but any title about the forlorn Llewyn could have been chosen. So what does this film reveal about what is really inside Llewyn davis?!  To be honest I don’t think that i have ever worked it out. Personally I see the film as a justification of the magic of the entire Greenwich Village folk seen as being “born” out of Llewyn. Bare with me,  this is a far out idea. I mentioned it slightly in my review,  but it seems like the pathetic llewyn is suffering as a mother would in childbirth a recurring theme in the movie, and fun as lot at the end Bob Dylan appears then he gets his final beatdown in the alleyway by the faceless hulk. Boom!! Folk Scene is here! So the birth of the folk scene was a baby inside Llewyn..  Yeah I told you the idea was far out.

SIGNIFICANCE OF THE CAT /CATS

Personally I can’t stand cats and they contributed to the only cringe worthy scenes in the film. But was the presence of the cat all that significant or just a Coen red herring?

The cat escapes at the beginning, Llewyn’s luck starts to change and go downhill not that he was flying high to start with. He ends up leaving the apartment and starts his journey chasing the cat. It’s alike the chasing of the white rabbit,  down the hole Llewyn goes..

While having a caustic discussion with his ex he spots a cat, runs out and chases it, again getting out of his rut and back to his destiny.

Later on, it’s discovered that the cat is not the cat! How can the cat not be the cat!? Holy shit. Llewyn had gone down the wrong path, picked up the wrong cat,  where is the real cat?!  Whose cat had he stolen?? This scene was particularly funny and bizarre as Llewyn decides to kick off against an overly nice couple who ‘s couch he started out on, and in the melodramatics and whaling that concur it’s discovered that the kitty has the wrong tackle, oh shit not again dude.

Later on Llewyn is travelling with another cat? This one mimics his every move and is one of the best scenes in the film. I doubt it was planned but it’s simply magic, he ends up leaving the cat in the car, hitching a ride. While driving his ride, he almost hits another cat or the same cat?  What’s going on?! This film has way too much pussy.

Llewyn assumes it’s the list cat and carries on. When he returns to his friends apartment their cat has returned and all is well. Them the movie starts to repeat itself….  But in this time around Llewyn stops the cat from escaping. And despite everything cycling around again… There is no destiny run from Llewyn.He doesn’t have a great adventure he just gets his ass slapped down.

It’s probably a red herring but… It’s an interesting one.

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CURSED BY THE DEVIL?

Is Llewyn cursed?! It’s a little something that crops up in the movie that’s simply too hard to ignore.

Let’s play out this scenario, LLewyn is going through a rough time, more so than any mortal man. Now it’s not a black cat that has crossed his path but at first I thought the cat had carried away his luck when it darts out the door. Then John Goodman turns up in the guise of a eccentric jazz musician called Ronald Turner! He’s so very unusual and does threaten the young folk singer with a curse of bad luck. From that point on you can’t help wondering if the curse worked or if Goodman is actually the Devil! It’s a long shot but I’m just chucking it out there, he’s the most useless devil if he is one as he’s a fucking junkie who nearly OD’s..  But we can’t forget that the devil got caught stealing in Devil (2010). I quite like that Llewyn leaves him and the cat in the car when he legs it for his freedom.

REPEATED HISTORY

But why does history start repeating!? Or does it??

The first time around we see the beating in the alleyway, cut scene llewyn wakes up and his life is a mystery then when we see the beatdown the second time around there are differences, the music being the significant one. But the scene continues. The first time i saw it I thought the beatdown guy was John Goodman at first. The cut scene is the most important part. it’s not a continuation. The coens don’t do anything by mistake and are very clever into grabbing your attention and hurling it around. Here’s what I think!

Ignoring the beginning.. Llewyn wakes up and then everything else runs up to that point where he gets the beatdown in the alley way, the beginning is merely a  transition but not in a coherent theme, it’s a taste of whats to come, a very dramatic one, showing you to look out for this point. It’s an interesting way to introduce a character, check out this guy getting his ass whopped. then look at him being a  loser and feel sorry for him, so why was he getting beat up he’s not that bad, he doesn’t deserve that.. then wham he’s a total tosser to the folk singer doing exactly the same thing as him, okay he’s had a bad week and was drunk but no call for that behavior man. and boom! payback and the end to a beautiful week.  One other clue is the conversation about when llewyn is told he has a space at Papi’s to play a gig, he says he was there less than a month ago, if it is a loop then he would have been there less than a week ago.

I don’t think it’s a case of Groundhog day (1993) just some interesting cut work, for what reason I can’t work out.

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DEATH

Is Llewyn dead? I love dead characters so i try and play it all in, but I don’t think Llewyn died in the alleyway after his injuries although it could play into the the whole theme of redemption, after all he does seem to be living through, uncovering and facing all of his mistakes both past and present. I don’t think he passed away and this is some sort of redemption, I can see why some people have jumped to that conclusion, as there is a chance of him learning from mistakes and getting things right. You could also class it all as a vivid dream.

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SEQUEL

I dont see the film as carrying on in anyway, the luckless Llewyn has run his course and done his duty, I suppose future stories could illustrate him finding out more about being a father and take that route of him trying to do the right thing, although if his luck holds out then it might be just a tragic as this. the alternative is that he just bums around doing what he did in this movie and that doesn’t need to be repeated.

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PREQUEL

The Coen’s always find really strange pivotal points to write their movies around. Let’s face it stories only really work when something bad happens,  but for llewyn… Everything bad happens!!  While this is still very interesting it’s strange that so much has gone on that we discover by the way of off the cuff remarks, like Llewyn’s ex, the pregnancy of yet another ex and other fuck ups along the way. Maybe he was a different person then, or even further back when he was a sailor and decided to give it all up for the folk scene. There is so much backstory and character to this that it captures the imagination.

WHAT I LIKE

I’m slightly biased when it comes to the Coens as I adore a lot of their work, there are no prizes for working out that I’m not a fan of a lot of their comical work..  Still they have a lot of Je ne sai quoi and constantly astound me with movies that I adore without really understanding why. The appeal to my senses.  Llewyn Davis, has this odd dreamlike state to it, often enough you’re brought back to reality with a slap of venom from the moody bitch of an ex girlfriend Jean (Carey Mulligan) or a quip from the know it all oversized John Goodman.

I love the trip up of the repeating history and potential I also devil character or curse involved. It’s just so detailed and well acted. The scenarios are surreal and just remarkably recognisable.

WHY IS LLEWYN A JERK

From the onset of the film Llewyn is subject to a run of bad luck, he gets his ass whooped at the beginning (end) and you start to feel sorry for him, until his past catches up and then you realise what a jerk he is. Half of me does wonder if it’s a continuation of his terrible mojo but  there are certain things he could have handled better.

Get gets a chick pregnant and pays for the abortion then has nothing to do with her afterwards

He gets another chick pregnant and offers to pay for “another” abortion (he needs another form of family planning). He signs away the rights to a song that’s about to hit it big, and constantly insults innocent people around him.

At some points it’s really hard to watch Llewyn struggle against all odds, but as the obstacles start to mount against him he’s inner rage begins to grow slowly turning him into a jerk which in turn causes more stumbling blocks.

Overall I adore the film throughout, it’s a thrilling and beautiful drama with a hint of black comedy enough for a stickler like me to enjoy without any struggle.

 

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THE HERO

Llewyn is kinda my hero, yes he’s flawed but he’s got a lot of heart. He did use the very last of his money to pay for an abortion to appease a girl who obviously hated him, he went to the ends of the earth to be recognised as a folk icon. He gets drunk and insults people, I don’t have to be drunk to insult people but I’d like to have a drink with Llewyn.

VERDICT

Overall the movie is golden from beginning to end, I honestly couldn’t stop watching and adore it as much as I adore a lot of the other Coen movies, (I’m feeling a list coming on here.. ). The film submerges you into a piece of history in a strange and surreal way. It’s filled with beautiful moments, and black comedy, just enough music to capture the folk scene but not enough to make it into a musical or a “show”.

LINK – Original review

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Into the Wild (2007)

Into the Wild (5)

Into the Wild (2007) (Biography, Adventure, Drama,  2007) (15) D: Sean Penn W: Into the Wild by Jon Krakauer P: Sean Penn C: Emile Hirsch, Marcia Gay Harden, William Hurt, Vince Vaughn, Kristen Stewart, Hal Holbrook. 2h 28m. USA.

Synopsis : After graduating from Emory University, top student and athlete Christopher McCandless abandons his possessions, gives his entire $24,000 savings account to charity and hitchhikes to Alaska to live in the wilderness. Along the way, Christopher encounters a series of characters that shape his life.

TAGLINE : Into the heart Into the soul

Sean Penns 6th film comes in the form of a nonlinear biographical road trip detailing the inspirational and curious life of Christopher McCandless played by the young multitalented Emile Hirsch. Boasting a bittersweet and soulful and soundtrack from Eddie Vedder and detailing the literary works of Jon Krakauer. Penn manages to draw together the details from the book to form an almost romantic optimistic view on this quite scary mystery filtered through an ever changing landscape.

Starting off near the end and skipping forwards and backwards throughout the timeline is always a little confusing but for this story where no one fully really knows what happened or why, it doesn’t hinder how the storytelling at all, it does mimic the way that the story was revealed in real time. Christopher (Emile Hirsch) is shown through various stages of this life, but is constant in his need to live his life on the hippy trail, without money or fancy cars, his strong sense of life and living outside of what we accept as the norm.

Abandoning his (oppressive) parents, keeping in touch with his sister through letters and hitting the road Christopher spends the film living off the land and picking up jobs and survival information for his Alaskan dream. Constantly avoiding convention he works in burger places, learns how to crop and enriches the lives of everyone he meets while keeping his distance from personal relationships he learns how to work leather while reminding the aged Hal (Ron Franz) that there is life is outside the workshop and shouldn’t be put off doing something new until another day,  instantly recognising problems between Rainy (Brian Dierker) and Jan (Catherine Keener) his love and understanding bonds him with the couple throughout the film and they almost adopt him. Vince Vaughn manages to inspire him and teaches him how to work the fields before his arrest.

He questions everything, in one great scene he just wants to canoe along a river, but there is way too much red tape, waiting lists, instructions and laws which to Christopher and anyone who thinks about it, it’s just pointless, so he goes alone, lawless and courageous.

Switching between the stark contrasts of hot happy scenes in the desert with friends and laughter and the sorrows of the snowy lonesome Alaskan wilderness the film is almost split between the two parallels all surrounding the man and his environment.

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The beautiful road trip turns into an isolated nightmare. As Christopher collects his worldly possessions, some money and a few books, he heads into the frosty wild. The movie starts to change pace and mood as it details a desperate challenge of survival. Even though scenes of this have been seen throughout the movie in the latter half it really focuses in on his desperate plight. The connection he had with nature soon unravels and everything changes, depression, starvation and his grasp on his personal ideology start to fall away.

The film comes across as being honest, in relation to it offering no answers just a recount of known facts. It does romanticise along the way, capturing little golden moments. There is some interesting effects using two different scenes cut on the screen which give an impression of what’s going on around Chris and what he’s concentrating on. Ultimately everything rotates near the end and as Christopher loses his grip with the natural world he does make a very poignant realisation about love and a very detailed case study of a very distinctive individual.

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7/10

V : I tracked this movie down after seeing a photo of Christopher McCandless in one of those “haunting last photos” videos on YouTube,  when I found out a tiny bit of information about Chris’s journey into the wild and tracked down the movie and book. No one knows the full story and I like that this movie doesn’t try to give any answers why any of this happened and just documents the life of a very unusual character, it doesn’t try to sensationalise anything. It is a slightly frustrating movie in that it really focuses in on him getting to Alaska more than him being there, with me being a morbid girl, I must say that I am more interested in the Alaska chapter more. On the whole it’s still a cinematic dream and gorgeous movie filled with great characters and an unforgettable story. Hopefully it will open a few eyes to the fact that life can exist outside the norm and it’s free to be a good human being, hopefully it won’t put anyone off going it alone. It’s a great homage to Christopher.

Into the Wild (2)

R: Hunger (2009), This must be the place (2011), Nebraska (2013)

T : Based on a True Story. Father details on the demise of Christopher here from the new yorker http://www.newyorker.com/books/page-turner/how-chris-mccandless-died

Q : “When you want something in life, you just gotta reach out and grab it.”

OST: Unique Eddie Vedder OST throughout.

TIL : I must admit that i learnt a lot from the movie but there is a lot more in the book (as always).

BS : I really enjoyed the scene when Chris returned to Rainy and Jan, it gave off some really good vibes of friendship. Chris has only known the couple for a short while but they had bonded together in such a solid way it was like meeting up with your oldest bestest friend and was utterly charming.

DGI : NONE

5B : William Hurt, Sean Penn,

L: Based on a real story (and kept it real).

PD : Coming Soon

 

Inside Llewyn Davis (2013)

inside llewyn davis

Inside Llewyn Davis (Drama, Music 2013) (15) D: Ehan and Joel Coen: P: W: Joel and Ethan Coen: C: Oscar Isaac, John Goodman, Justin Timberlake, Garret Hedlund, F Murray Abrahm 1h 44m. USA. 

Synopsis: A week in the life of a young singer as he navigates the Greenwich Village folk scene in 1961.

A traumatic and emotional week in the life of a folk singer called Llewyn Davis (Oscar Isaac) in this melancholic twilight hazed film.  Its simplistic, thought provoking and heavily sprinkled with the Coen Brothers special blend of unusual characters and situations. The pathetic Llewyn is subjected to a run of shitty luck. Starting out crashed on a friends sofa his luck continually finds new lows past rock bottom, he loses his friends cat, has a foul run in with his ex, pisses off a ton of people and makes a ton of bad decisions while dragging his sorry ass from sofa to sofa via the freezing back streets all in the pursuit of becoming a world famous folk singer superstar, there are several injections of authentic live performances throughout..
The Coens have given some hints that the film is loosely based on a concept of something that could have happened to Dave Van Ronk, a similar Greenwich Village folk singer/songwriter from the 6-s

Hiding between all the rejection and tense situations there is a suggestion that Llewyn might actually have some talent, this is summed up in one quiet but magnificent scene, when he meets a goatee faced F. Murray Abraham’s in a small cameo who after hearing Llewyn play, candidly sums up the matter as “I don’t see any money in it..” this is just another knock down of many for Lleywn who by this time is taking it all in his stride. Along the way he meets an aggressive jazz player Ronald Turner (John Goodman), who gives his much useless rambling advice and mocks the suicide of a former partner of Llewlyn and everything to do with folk music, there is a pivotal names hulk who supplies an alleyway beat down, a righteous do good singer/soldier and a hairy aloof Johnny Five (Garrett Hedlund) who just doesn’t give a shit.

inside llewyn davis goodman

With many intertwined themes running throughout, the most obvious the cat or cats who are lost and found that seems to spark subtle changes in luck but for every step forwards there are two steps back.

It brings together significant elements from the early ‘60s scene through the missed opportunities and run of bad luck of one mild mannered and beaten down folk singer, it seems that his downfall is merely a catalyst for the Greenwich scene. The un-named sacrifice.

Skilfully filmed with a grand cast and exceptional script, even if your not into folk music, there isn’t enough singing to turn this into a musical. It’s bleak yet funny having a complex back story smartly embroidered all over. It’s charming as well as being dark, another triumph for the Coens.

You are certain to miss much during the first viewing and it’s a charm the second time around.

AOFA10

Rating : 10/10

R: A Serious Man (2009) O Brother Where Art Thou? (2000) Nebraska (2013) This must be the place (2011)

Q: “Folk singer with a cat, you queer?”
“Your like king Midas’s idiot brother”
“This will interest you”

BS: I really adore a simple scene where Llewyn is in the car with the cat on his lap, and him and cat move together throughout the scene..
OST: Live singing by Oscar Isaac throughout!
L: Musicians in film, Musicians on film, Road Trips, Cats on Film,
5B: John Goodman, Coen Movies
DGI: Knock a shot for all of Llewyn’s bad luck.. I’m sure he could do with one too.

 

 

The Iceman (2012)

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The Iceman (Crime, Biography, Drama, Thriller 2012) (15) D: Ariel Vormen: W: Morgan Land (screenplay), Anthohny Bruno (book): C: Michael Shannon, Winoa Ryder, Ray Liotta, Chris Evans 1h 46m. USA.

 TAGLINE : Loving husband. Devoted father. Ruthless killer.

 Synopsis: The true story of Richard Kuklinski, the notorious contract killer and family man. When finally arrested in 1986, neither his wife nor daughters have any clue about his real profession.

Luke warm and sentimental melodrama of a heartless serial killer Richard Kuklinski. The original story of this ruthless mob based killer could write the most chilling and gritty crime film by simply details a disturbing childhood, and the various stone cold assassinations he preformed during the four decades that he killed over 100 people in many grisly ways. Unfortunately film encapsulates a mushy warm non eventful drama version in which Kuklinski emerges as a compulsive murderer who’s pussy whipped by the mob but takes on the role of their very own terminator to fulfill his need to kill.

Michael Shannon gives a solid performance in a character that is only similar to w Kiklinski, this doesn’t develop or grow as the movie plods through the timeline missing out most gruesome details.

Starting out not with the traumatic childhood but instead the life of Kuklinski as a quiet mild mannered decent guy, falling in love with Deborah (Winona Ryder) later to become his wife and mother of his two daughters. He keeps his psychotic dealings from her while his violent streak sparks interest in the mob namely wise guy Roy Demeo (Ray Liotta) who gets Kuklinski into the distribution of porn movies for him then doubling up his wages through hit jobs. Soon he is out whacking people in partnership with Robert Pronge (Chris Evans) who is the tutor showing him how to freeze bodies and dispose of them later so the cops can’t determine the time of death.

There are various déjà vu scenes throughout detailing hints of a troubling childhood, possibly pointing blame in that direction. The odd change in haircut and clothing gives a hit of the times but there isn’t really any attention to details in this, no bother to link it with other historical events. The brutal slayings, family drama, mob bravado and dirty night clubs is a reminder of Goodfellas (1990 ) but without the depth in the characters, wit, or catchy soundtrack and it has no hint of the black comedy of other gangster style movies.

Iceman

Great attention is paid to Kuklinski’s character throughout, after all this is a movie about him, but the sinister nature of the iceman is translated into a the many stony faces Shannon, not giving much emotion or depth when dealing with killings or his family, makes the film stagnant. There is a lot more going on with the mob politics which is important but the interesting aspects about Kuklinski lie more within the beast inside the man, He kills people, a lot of people but there are only a few scattered death scenes, a montage or two would have been fierce, instead we are presented with an opaque peep into what we already know. If there is a movie to be made of this real life devil then it will deal with coarse details of the murders, and what happened outside of his mob instructions, real flashbacks of his antics as a child and more emphasis on the duality of his adoration of his family and his ability to switch that off in a second then back on again. He was cold but he had character a lot of it, but it’s lacking in this film.

Yet this film does demonstrate an accurate timeline of events, the acting is good throughout but it’s just lacking that kick to the gut, that real shock and horror of events. It is certainly effective and is one of the better serial killer recounts.

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Rating : 6/10

R: Bundy: An American Icon (2008), Ed Gein (2000), Henry: Portrait of a Serial Killer (1986), Drifter: Henry Lee Lucas (2009)

Q: Mr Kiklinski, do you have any regrets about the things you’ve done?

BS: Ending Sequence where Michael Shannon re inacts part of the Iceman Tapes is the best acting in this film. He immiates Kuklinski perfectly.

L: Selected Serial Killer Films,

5B: Michael Shannon, Winoa Ryder

DGI: Chug a beer for every murder.

Isolation (2005)

Isolation

(Horror, Thriller, Gore. 2005) (15) D/W: Billy O’Brien C:  Sean Harris, John Lync, Marcel Iures.  1h 35m. UK / Ireland.

On a remote Irish farm, five people become unwilling participants in an experiment that goes nightmarishly wrong.

TAGLINE : A horror film set on a lonely farm in rural Ireland.

 

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Well I don’t remember how I came about finding this flick, but it has two of my al time favourite UK actors in it and both were very hot to watch.. oh man!! It’s a keeper, just for Sean Harris and John Lynch visuals.

I do vaguely remember seeing this previewed on another DVD possibly Unearthed or the Decent and it looked terrible, I only recognised the movie from one of the final scenes..  I thought trailers were supposed to turn you onto a movie, make it look dazzling and schit? If they showed Sean Harris making out and John Lynch’s birthing scene the movie would have been higher on my to buy list!

The movie revolves around an out of work farmer, Dan (John Lynch)  and the use of his farm by scientist unknown  to breed a more fertile bovine, he’s Irish but he’s not f*cking lucky at all, he is kept in the dark  over many aspects of the “project”.

Along with all these problems Dan has a young couple (Sean Harris and Ruth Negga) intruding on his laaand (oh wait he’s not from Somerset.. ) * ahem * on his land.. To the viewer it’s clear that the couple are on the run, to Dan they are just going to get him into trouble with the unknown powers, but he’s not a monster, he lets them stay, that kind act might have been a curse in disguise. Still Dan’s main concern is the livelihood of his herd.. although to be fair I only remember seeing one cow in the entire movie!

Things are wrong from the get go in this dark, biological nightmare of a movie, two people are bitten by an unborn calf.. bitten!!!  Mind you the little fekker gets swung around by the legs and over the head of Dan on entry into this world! Is this honestly common practice?? WOAH!

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Then things get weird (if that wasn’t weird enough) There is a vigorous dose of gore and yucky moments, Cronehberg would be proud of the viral creatures, sliding around and biting folk. There are various arms up cows A$$es, strange cuts and bites, autopsies, vomiting, blood and guts, at least there was enough to make a little gore queen like myself squeal with delight!

 

A dose of Sean Harris and John Lynch makes me happy and get the old juices flowing, both are really great actors who aren’t afraid to get dirty for their work and it pays off. To be honest I don’t think nay shy actors fair well in such films.

While being a frim Reality Checked Drama, a Biological Sci Fi Breakdown and a Gore Bursting Virus movie, Isolation holds true to the modern British horror genre, it is a good movie, it doesn’t open up any new doors for any of the aforementioned genres but it does touch on a possible future crisis. I know a lot of conspiracy theorist, vegans and those sensitive to genetically modified foods/crops/herds will see this as a harsh bite of reality that we might have to face.

I have to give this movie huge thumbs up for using animatronics and not GCI, I really love when films do this, CGI can work at times but for this style of gore and horror you really need to see something with substance. We need to bring back blood soaked, repulsive, textured monsters and look and feel real man!

R: Squirm (1976), Slither (2006), Shivers (1975), Growth (2010), Ruins (2008), Bug (2006), Splinter (2008) ß do you see a pattern emerging here, infection movies all with one word titles…

7/10

07

Iron Man 2 (2010)

IRON MAN 2
(Action, Remake, 2010) (12AD : Jon Favreau W : Stan Lee, Justin Theroux S : RDJ, Mickey Rourke, Don Cheadle  2h 4m. USA.

Tony Stark has declared himself as Iron Man and installed world peace.. or so he thinks, He soon realises that not only is there a mad man out to kill him with his own technology but there’s something more, he is dying.

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This was a bit pants.. for a 2 hour movie, it was filled with 20 minutes of story, 100 minutes of RDJ and Scarlet Johansson on full GODMODE!  Oh and and 4 minutes of RDJ crying about his dad! ROLL credits!

It seems Tony Stark has saved the entire planet by building one suit and is too cute to be prosecuted or beaten by anyone. I’m not quite sure how he has saved us all with one suit but we are forced to believe that he has.  We are also led to believe that some random Russian guy is just as awesome as his but because he lost his dad and Russian he’s evil.. and has bad hair extensions. Humm there is a lot about Tony dealing with life, lets face it he shouldn’t really have a lot to worry about but has to make up some drama, Pepper Pots stresses over everything far more than in the last movie, Mickey Rourke is like a Science Boyka and is just getting things did under the supervision of Sam Rockwell (T : Originally approached to play Iron Man) and there are some explosions and stuff going on.

It really could have been an hour shorter but I think when they are planning some kind of trilogy the movies are kept to a similar length, I suppose the punters would get peeved if the first movie was 2 hours and the second only an hour, but if the middle story is a bit shorter with an epic third I’m sure we will all live. Everyone knew this was being shoe horned in to help push the Avengers I don’t’ think we would have taken it as offensive if this was condensed. OK Rant over..

I was right about a couple of things in my predictions; there was a kind of sidekick, that was easy to guess from the first movie the whole writing of the Black Widow into the film was pants but I suppose it needed to lead directly into the Avengers which might be why this is such a crap Ironman movie but an OK superhero movie.  I do often wonder why there were no other super hero references in the previous movie or even in this one.. just a bit of Hulk on the news or sommit!?

I felt that a majority of the movie was spent on us watching RDJ fuck around and the plot was shoe horned in with little explanation or thought. Maybe this should have been RDJ Man 2?

Q:  “Fallaces sunt rerum species” RIron Man (2008 ), Avengers (2012 )

 6/10

06