Director: Hank Braxtan Starring: James Remar, Sherilyn Fenn, Ron Carlson, Graham Greene, Gregory Crux .USA. 1h 29m
A year after his gross toxic adventure featuring a group of strong femme friends in Chemical Peel (2014), Hank Braxtan is back with a similar environmental disaster movie, but this time a similar uncaring tech company aren’t illegally transporting chemicals but instead they have something dangerous brewing in their icy labs.
There seems to be a drive within Braxtan to warn us of the dangers of covert labs and the dark secret organizations who are totally ruthless with their chemical waste and with arcane unrelenting needs to control nature. In the opening scene we have a gleaming smile from the cult actor Ray Wise who is the spokesman for Clobirch claiming to be an environmentally conscious company they have everyone’s interests at heart.. But no one is fooled.
Every explorer deserves some kind of detailed recognition of their sacrifices for their “art” and this sentimental epic really touches on the sacrifices made by Roald Amundsen, the first man to arrive at the South Pole.
From a historical perspective there’s a lot missing and a few facts that have been replaced by nurtured cinematography rather than being 100% factual, however the overall sentiment and gratitude from director Espen Sandberg is firmly stamped on every scene.
Director: Jeremy Saulnier Based on: Hold the Dark by William Giraldi Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)→