Like a rare and obscure borja wine, the history of Yoshihiko Matsui’s film making is sporadic but filled with really unusual gems, with themes of suicide, the understanding of love blended with cannibalism and genuine strange behavior you’ll always know who you”re watching and often question why you’re still watching. For me this unreal expression is one of the blessings of cinema, seeing something genuinely new that is al altered, heightened sense of the world around you. At times you’ll almost be able to feel Matsui’s message through the combination of imagery, a feeling of an idea that doesn’t need language for expression, or you might be left scratching your head wondering what the hell is going on.
Director: Denar Ahmad Starring: Dar Salim, Stine Fischer Christensen, Roland Møller, Ali Sivandi Denmark 1h 28m
Denmark has produced some amazing gritty gut wrenching crime thrillers over the years, but this one really stands out on the international scene with it’s ultra-modern approach to filming but the story remains so very familiar.
After migrating to Denmark Zaid (Salim) becomes a successful surgeon with a child on the way his life is bliss, on the flip side his younger brother has fallen in with a bad crowd and after a botched bank robbery he is left short of cash and needs help. Zaid has had enough of handing out cash and refuses to help his brother one more time and during a painful altercation he tells his brother to leave, the following day he’s pulled away from his work as his brother had been admitted to the emergency room, but there’s nothing they can do for him, after informing his parents he oversees his brother’s life support being switched off. After the funeral be becomes obsessed with that happened to his brother, going back to his boxing training he uses both mind and body to infiltrate the criminal underground to get revenge.