Director: Mark Mylod
Starring: Ralph Fiennes, Anna Taylor Joy, Nicholas Hoult, Hong Chau .USA. 1h 47m
An incredible bold and brilliant descent into the dizzying depths of revenge and devotion with the best possible silverware. The Menu follows a dinner date with an eccentric chef, Chef Slowik (Fiennes), who is about to unveil his magnum opus among a few hand picked patrons at his exclusive island retreat. It becomes apparent early on that one of the guests, Margot (Taylor Joy) isn’t on the painstakingly selected guest list and is a total spanner in the works.
Director: Sean Foley Starring: Julian Barratt, Simon Farnaby, Essie Davis, Steve Coogan, Richard Cabe, Andrea Riseborough, Russell Tovey, David Schofield, Harriet Walter, Simon Callow, Kenneth Branner. UK. 1h 29m
When your indie retro styled Brit Flick has major stars like Andrea Riseborough, Kenneth Brannagh and Simon Callow playing minor little cameos then you’d assume you’ve hit the big time or at least have an idea so crazy it might just work!? Mindhorn is a triumph of British comedy, starring Julian Barratt, who’s made us all laugh in comedy shows like The Mighty Boosh but has also astounded fans in solid trippy dramas like A Field In England, but let’s face it, if you don’t laugh at he antics in the Ben Wheatly classic then you’d end up in an asylum. But in this ridiocusly production he takes the lead and delivers an outstanding performance as a dated washed up actor who is called in by Isle of White police to help them fight a devious criminal.
It’s the truth time!
There has always been a strong comedy troupe, about that one guy who won’t let go of the past, He’s the chap in the corner of the pub, talking about his old band and possibility of being a Rockstar, but he just missed a great opportunity, all of this is maximised in Mindhorn. Julian Barrat plays the role of a hasbeen actor, who once had the role of a lifetime the lead in a hit TV show where he is a blend of 6 million dollar man and James bond, but today he’s washed up, he can’t get a role, drinks too much, no one takes him seriously and he still wears his retro 70’s clothing and a ridiculous mishmashed toupe.
Mindhorn is totally pathetic but he truly believes in himself as his tv character and with the chance to live that lifestyle again he jumps at the opportunity but fails miserably at every hurdle, the man can’t even make a phone call without wrecking the room. As a blend of Mr Magoo and Inspector Clouseau he’s a tornado of antics but at least he’s hysterically funny for the audience otherwise this would be jarring. Any hero who wakes up part naked on a police officer’s desk, half naked and high on pills having to explain drawing a pair of tits on someone’s land rover, is worth a few minutes of your attention, am i right?
If you’re a fan of the Boosh and subversive British humour then this can’t be missed, let your hair down and don’t take life too seriously, alongside the cast and have a super funny night even is Barret does wear black face for part of the film, i doubt anyone will be triggered due to the circumstances.
Related: Hot Rod (2007), Black Dynamite (2009)
Lists: Modern British Comedies
Spotlight:Julian Barratt, Andrea Riseborough, Simon Callow, Kenneth Branner.
Director: Martin Scorsese Starring:Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsle, Max Von Sydow, Patricia Clarkson, Ted Levine, John Carroll Lynch, Elias Koteas USA. 2h 18m
Scorsese is a legendary director but more often I find I can work out his films from the get go and this one I called in the intro and then didn’t enjoy a single second of the movie because for me it was so clear what was going on. But in hindsight I can see the appeal for anyone who didn’t clique what was going on, it must have been gripping and playing on all of their emotions.
(a.k.a. Zombies, Zombie Bloodbath and Voodoo Blood Bath)
Director: Del Tenny Starring: William Joyce, Heather Hewitt, Betty HyattLinton, Dan Stapleton .USA. 1h 25m
There’s a kitchy comic wanderlust feeling about this movie which is what makes it so memorable, no matter how cheesy or racist it ends up, it’s from the mid 60’s it’s going to be questionable by todays standards but it had a great vibe, a goofball story and possibly the first suicide bomber zombie?
Written, Produced and Directed by Del Tenny in the mid 60’s there wasn’t much scope for getting the movie released until 1971 when it was unshelved and became a drive in legend with a similar named production called I Drink Your Blood (1970) and as off key freaky duo they work together however with the addition of savage natives, zombies and evil scientist neither are really all that scary. Tenny’s other swinging flicks include The Horror of Party Beach and The Curse of the Living Corpse both from 1964 and share all the psychobilly themes of any halloween tiki party. Continue reading I Eat Your Skin (1964/1971)→
Director: J.D Dillard Starring: Kiersey Clemons, Emory Cohen, Hanna Mangan Lawrene, Benedict Samuel, Andrew Crawford .USA. 1h 22m
I love the quote that goes something like, “you have to lose yourself to find yourself” and while it’s not the associated quote of this gripping horror, it seems to apply to the lead, Jenn a girl who doesn’t show much fear in her unusual castaway situation, but one who grows with the movie into something much stronger in this somewhat subtle new take to being stranded on an pewny island.
At first glance and in the opening, there’s not a huge amount going on in J D Dillards stomach churning thriller, but in reflection there’s a lot of social criticism a brilliant new monster and new heroine that with her faults is brilliant, brave and with some work could easily be the new Vasquez (Aliens). Dillard manages to make a lot happen on a really tiny island and with a minimal cast, but there isn’t a dull moment and he keeps a steady methodical pace. Continue reading Sweetheart (2019)→
Director: Robin Hardy Based on: The Ritual by David Pinner Starring: Edward Woodward, Christopher Lee, Britt Ekland, Ingrid Pitt, Diane Cilento .UK. 1h 27m
In the past decade Horror Folklore as a genre has raised its curious demonic fiery head. This new dawning, pioneered by new cult directors such as Ben Wheatley, Ari Aster, Gavin Liam and Roger Eggers to name a few haven’t been able to make a movie without it being likened to the pioneering game changer, Robin Hardy’s slow-burning chiller The Wicker Man.
Looking back at it’s small budget and menial takings at the cinema, numerous cuts and actors paying for critics seats, it’s rise to cult status wasn’t a simple one but what it achieved was truly unique, not even it’s remake was able to mimic it’s true sense of dread and horror. Continue reading The Wicker Man (1973)→
Director: Makinov Starring: Vinessa Shaw, Ebon Moss-Bachrach .Mexico. 1h 40m Based on: El juego de los niños by Juan José Plans
In a bold attempt to update and update the 1976 classic Who Can Kill a Child but Narciso Ibanes Serrador, Makinov has basically just remade it with little care to really expand the story and somehow it now seems slightly underpowered and drawl in all areas which could have been improved.
A young couple, Beth (Shaw) and Francis (Moss-Bachrach) are on holiday and travelling around remote islands before the birth of their child. On arriving at a new island they discover a lone boy fishing but make their way into town finding it pretty vacant. Settling down in an abandoned bar they make themselves drinks and food, assuming that everyone is sleeping off the after math of festival season. Continue reading Come out and play (2012)→