Tag Archives: K

Kong: Skull Island (2017)

Director: Jordan Vogt-Roberts
Starring: Samuel L. Jackson, Tom Hiddleston, John Goodman, Brie Larson, John C Reilly, Toby Kebbell, Corey Hawkins. USA. 1h48m.

When I first heard about this film I was shaking my head crying about Another remake, but I still headed out to see it, just because I wanted to have a sofa to myself at the new local Empire Cinema,so I booked those two seats baby!

So it’s not a remake but it is a remake, yet again we’re discovering Kong but he’s not King anymore, in the same was that Spider man is not just a spider man he’s the AMAZING Spiderman, so now that King Kong had been downgraded and a slightly different persona and his tastes for blondes has been abandoned.
Continue reading Kong: Skull Island (2017)

Advertisements

Killer Force AKA The Diamond Mercenaries (1976)

killerforceii

 

Director: Val Guest
Starring : Telly Savalas, Peter Fonda, Christopher Lee, O J Simpson, Maud Adams. USA. 1h 42m

Basically this is just five guys out to complete a diamond heist, but the in depth plot is a bit more tit for tat, the head of security, Harry Webb (Savalas) believes there is going to be a robbery in one of the diamond mines out in the desert and soon becomes unpopular with everyone including a cover girl model who happens to be the daughter of his boss and owner of the mine who is love with one of his team, Mike Bradley (Fonda). Nelson, the mind administrator, gives Bradley the task of stealing a diamond not only to test him but to get him involved with a group who are planning a major heist. Continue reading Killer Force AKA The Diamond Mercenaries (1976)

L’assassino e costretto ad uccidere ancora/The Killer Must Kill Again (1975)

the-killer-must-kill-again-2

Director: Luigi Cozzi.
Starring: George Hamilton, Antoine Saint-John. Italy. 1h 28m.

This nifty little Giallo film is actually quite intriguing if not totally underpowered. A juggalo boyfriend, Giorgio(Hamilton) is about to be cut off from his stunning rich girlfriend and her fortune after she’s had enough of his player ass, so he storms out and witnesses a man dumping a woman’s body into the river…instead of calling the police he confronts the man, invites him out, get his prints on his lighter and blackmails him into killing his girl, a similar setup is manufactured in Strangers on a Train (1951), but starts spinning his own web of deceit by claiming that she has been kidnapped and asks her father to pay up a million for her, which is about the figure the two haphazard dial a crooks got in Fargo (1996), the local police aren’t ready to buy that bullshit so keep on digging,  the only minor problem is that the killer has lost the body, a couple of hipster kids managed to steal his car with the body in the trunk so the killer (who is only known as “the killer throughout the film) must chases them down and must kill and kill again until he can put things to rights… Continue reading L’assassino e costretto ad uccidere ancora/The Killer Must Kill Again (1975)

K Pax (2001)

k pax

Director : Iain Softley
Writer : K Pax by Gene Brewer
Starring : Kevin Spacey, Jeff Bridges.David Patrick Kelly. USA. 2h

You’ll want to believe him, or so the poster claims but this film delivers two very different stories and makes them both very believable. And years after watching K Pax for the first time I still have the (guilty) pleasure of sitting down and enjoying the beefed up psychological thriller/ sci fi adventure as Prot builds bonds with the characters of a mental hospital and horrible suspicions are realised. Continue reading K Pax (2001)

Killing Season (2013)

Killing Season

quickflick-1.jpg

Woah Robert De Niro AND John Travolta.. seriously!?? That is the only reason why I watched this, just to see if Travolta could possibly match De Niro’s acting ability even at this stage in his career.

Beginning with the atrocities of an Eastern European war, the movie diverts to a grumpy mumbling Benjamin Ford (De Niro) who has isolated himself from his family and his past, he chances upon a stranger one night in the rain. They spend a good portion of the night together (drinking Jagermeister, good product placement there) but they part ways and agree to go hunting the next day. Emil Kovac (John Travolta) turns up early and the pair goes out deer hunting (what’s with De Niro and deer hunting??). So they head out and during a bad nun joke, suddenly  De Niro takes an arrow to the knee (lol) and becomes the hunted. A cat and mouse chase starts and the stakes get higher and more sadistic. Continue reading Killing Season (2013)

Kantemir (2015)

 

Kantimer

quickflick-1.jpg

Director: Ben Samuels.
Starring: Robert Englund, Diane Cary, Daniel Gadi, Sean Derry. USA. 1h 24m.

Without having seen Robert in a lot of films since 2001 Maniacs (20??) I was pleased to see him doing something new of late, and of course it’s horror but strangely it seems to be a gothic style horror, I would have guessed that this would be to slow and boring for such a lively character? But alas stranger things have happened. Continue reading Kantemir (2015)

Killer Klowns from Outer Space (1988)

31dayshalloweenhorror2015

Day 8 of 31

klowns

Killer Klowns from Outer Space  (Horror, Comedy, Science Fiction,  1988) (15) D: Stephen Chiodo C: grant Cramer, Suzanne Snyder, John Allen Nelson, John Vernon Royal Dano. 1h 28m. USA.

Synopsis : Aliens who look like clowns come from outer space and terrorize a small town.

TAGLINE : It’s Craaazy!

This oddity of the horror world is a unique slapstick fright fest. Not really satisfied with being a true comedy instead it uses the Klown aspect to add in some cheerful ploys and colourful props to almost mask the true underlying sadistic actions of some peculiar visitors from outer space. Seemingly inspired by a blend of any clown phobia, a few urban legends and retro comics, it’s often overlooked that this movie is also a tribute to old school sci fi!? The aliens, despite being over sized sharp toothed clowns aren’t ever really detected by the locals in the town they are terrorizing with comedy antics and eventually death, as they harvest the idiot townspeople wrapped up in candyfloss.

There isn’t a huge amount that you can say about the plot, it’s very simple, some aliens disguised as clowns descended upon a town, wreak havoc, queue every single cliche about evil clowns imaginable, the end. There is a steady flow of surreal antics and it’s pretty unrelenting. A blend of slapstick comedy to the pure farcical, this film will serve up all the typical clown antics in the most bloody thirsty manner. While it’s ridiculous at times and the klowns themselves are very dark in their character it’s almost impossible not to notice the homage to retro 50s/60s sci fi throughout the movie, apart from the use of the words rayguns! Oh wait hold on…

klowns Continue reading Killer Klowns from Outer Space (1988)

Kill List (2011)

image

Kill List (Crime, Horror, Thriller, Supernatural 2011) (18) D: Ben Wheatley: P: W: Amy Jump, Ben Wheatley: C:Neil Maskell, MyAnna Buring, Michael Smiliey, Struan Rodger 1h 35m. UK.

Synopsis: Nearly a year after a botched job, a hit man takes a new assignment with the promise of a big payoff for three killings, What starts off as an easy task soon unravels, sending the killer into the heart of darkness.

Nearly a year after a disastrous job; a hitman Jay (Maskel) and his trusty sidekick Gal (Smilie) take on a new assignment with the promise of a big payoff for a mere three killings. What begins as an effortless task soon unravels; sending the killers on a wild psychological roller coaster.

Kill List opens as a fairly mundane drama set around a dysfunctional and violent couple and a quiet often ignored son. Gradually the plot descends into bloody gore, shrewd psychological disturbances, occult and a healthy lashing of “thrill  kill”.

It encapsulates the downward spiral of a semi retired hitman, We being to feel sympathy for Jay, his mission in Kiev and now potters around his house imagining himself as having a bad back, pissing off his spouse Shel (Burning) and the two constantly switch between love and hateful outbursts over Jay’s inactivity and the families poor financial situation. The pace starts to sharpen once Jay finds a new contract and a mysterious character known simply as The Client (Rogers) offers the duo a 3 person kill list during an unsettling meeting in a hotel.

At this point the pair start to drift apart as Jay starts to rage more and loses control and his grip on reality and the walls close in.

The screenplay is very characteristic of Wheatly/Jump’s style of film like Sightseers (2012) and Down Terrace (2009). Filmed in a similar manner of a fly on the wall documentary, the cinematography follows suit with shaky cam and close ups, zooming in on the graphic violent scenes, all of this is backed up with raw and unprepared script sporadic soundtrack, sometimes holding up and allowing space for deep personal scenes.

The acting is brilliant, it looks very realistic which is the entire angle of this movie, its main point of driving home the message that this could happen to anyone is to see it happening to people you can easily identify with. It feels as if Wheatley is bringing this story to the viewer. trying to force them to digest everything for themselves. This identification with the main cast helps pull you into the movie. Suddenly Jay isn’t James Bond, he’s doing what you would in that situation, but when he starts going off the rails does this mean you could also. For an example when Jay and Gal find some disturbing videos, Gal is very passive and Jay goes off all half cocked, which is what most people would do in his place but would they really press it as hard as him?

Wheatly and Jump work together so well, constantly they are producing characters that could live on your street but who have this dark and sinister backgrounds. The quiet family down the street are revealed as trained killers and yet blend seamlessly, everyone has a hidden face, everyone is hiding a secret.

With its raw and uncompromising dialogue, Kill List hits hard, it’s raw with a gloomy undercurrent, you have no where to hide. Combining the difficult family drama such as Once Were Warriors (1994) with a brutal hitman action movie and topping it off with constantly surreal occult references the melting pot is set to dish up a curious and unique movie.


09

Rating : 9/10
AOFAPD

R: Sightseers (2012), A Field in England (2015) Devil Rides Out (1968) Borderlands (2013), Rosemarys Baby (1968)
Q: Gal “I fucking hate dirty soap”
BS: Some of the most realistic blood is scene in the hotel scene when Jay gets his hand cut. The brutal killing of he Librarian is very gruesome ans violent!
OST: Nb. Sharksong used in tunnel chase.
L: Selected Occult Movies, Hitmen Movies, Modern British Thrillers
5B: Ben Wheatley, Michael Smiliey, Neil Maskell
DGI: Chug a bear for each of the killings..

Kisha

the Krays (1990)

image

Krays (Biography, Crime, Drama 1990) (18) D: Peter Medak: P: W: Philip Ridley: C: Gary Kemp, Martin Kemp, Billie Whitelaw, Susan Fleetwood, Kate Hardie 1h 59m. UK.

TAGLINE : When People are afraid of you, you can do anything. Remember that.

 

Synopsis: This fact-based movie follows the life of the twin crime-lord in London’s ’60s underworld.

A sentimental and raw biography of twin London gangsters, this film documents their rise from the back streets of London to the headlines of the international press. The film charismatically details their devotion to their mother and the unique bond.

As with a lot of biographical movies, it is difficult to encapsulate a lifetime into a short piece. So the movie only touches on several key events in the lives of the Kray twins. While some of the grimy and often violent crimes that are still evident in the London boroughs, are recorded in the movie. It still misses some of the more difficult and hard hitting facts about the crime duo.

Maybe a lot was missed out purposely, as the overall theme of the movie that comes across suggesting, quite rightly; that the brothers were seen as celebrities during their time. The film oozes scenes of the twins dressing up models in tailored suits and being spoken of highly among the local people almost as robin hood type characters and getting their photograph taken with lots of other celebrities in their lavish clubs. i think this image was the main purpose of the film. Secondly they are portrayed as being extremely devoted to the elder female figures within their family primarily the mother and aunt rose (Susan Fleetwood) and then finally they are described as being  violent and psychotic criminal masterminds.

While the screenplay itself is quite simplistic it is highlighted with casually placed well-directed scenes not always making the most of cinematography or soundtrack track, the character and energy from the film comes mostly from the sincere acting of the two brothers and ballsy cameos from Whitelaw as opposed to any background music camera mechanics.

The first half of the movie focuses in on the twins at children growing up during the London blitz, going to school, and a protective mother and a almost invisible father. the second half of the movie lands them is grown men in the middle of a ready made empire. A large part of the building of a criminal hq and dodgy businesses was completely missed and is possibly one of the more interesting aspects of their lives.

The acting could very well be described as polished. There is definitely some panache from each brother. It’s not the kind of acting that will win anybody an Oscar, but it will definitely be remembered as one of the more stylised British performances. Which in turn is homage to the two original characters. The film is often pulled back from the violence by inserts of wisdom and powerful performances from Fleetwood and Whitelaw (RIP to both) as they attempt to interject the raw emotion and thoughts of a strong iron lady who is the backbone of her community.

Hungarian born director Peter Medak at the time was typically filming numbers of shorter television shows. Maybe he lost his sense of timing when given something of much more magnitude to direct the pace seems to slow and quicken and the ending is sudden. It’s a homage to the Krays, it neglects the controversy, instead it presents a stylised history of the Krays as much as Goodfellas (1990) tried for Henry Hill Just placing the boys on a British pedestal instead.

 

 08

 

Rating : 8/10

R: The End (2008), Essex Boys (2000), Rise of the Footsoldier (2007)

Q: Aunt RoseOne day they’ll drain Victoria Park lake and you know what they’ll find? Babies, that’s what. Bullets and dead babies”..
BS: The big showdown finale is great, the set up is similar to the killing montages similar to the Godfather and Infernal Affairs.
L: London film, British Crime and Gangsters, Crime Biographies, Biographies, Twins in Film.
5B: Billie Whitelaw, Susan Fleetwood, Gary Kemp, Martin Kemp

Krampus : The Christmas Devil (2013)

image

 

Krampus : The Christmas Devil (Action, Horror, Thriller 2013) () D: Jason Hull: P: W: Jason Hull: C: Jay Dobyns, Paul Ferm, AJ Leslie 1h 22m. USA.

TAGLINE : Are you on the naughty list?

Synopsis: Jeremy, a local police officer leads a life of a confusing past, spending his current time searching for his kidnapper as a child. After other children begin missing, Jeremy pieces together the truth and realizes that his childhood kidnapper could be a creature of ancient yuletide lore, Krampus, who is the brother of St. Nick, and punisher of children who perform acts of unspeakable evil without repercussion. Can Jeremy kill Krampus and prevent more missing children?

image

A low budget horror not made for the critics but is something for the (psychotropic) fans!!! Krampus isn’t a masterpiece, it has buff acting, terrible timing and dialogue and crappy effects but its dreadfully entertaining if your not looking for a film that takes itself too serious.

 

The director Jason Hull has made some better films but nothing quite as unique as Krampus. It was hard for me to watch at the beginning, people fumbling around with the props and mumbling their lines instead of trying to portray their characters and not much happens, but after the team of expert cops figure out how to utilize their plastic guns the film gets a lot better (when I say better I mean.. less bad) and became less of a chore to watch. I personally like some of the unassuming quirks of the Krampus character, he’s a pervert so therefore a great bad guy, he has super speed when running over good guys in the woods, he’s now Santa’s brother. Maybe they could have added in some scenes of him kicking back with his sex slave. Oh yeah, Krampus has a naked plaything in his cave, therefore this film has boobies! and Krampus is really the Christmas Pervert.

Several aspects are unexplained. Like when did Santa and Krampus move to Pennsylvania and when did they become brothers? Why is no one looking for missing booby girl (she’s fun), why does Krampus only look for local children to punish? But this works for the duration of the film leaves us in some suspense as apposed to elongated explanations. And why is the best acting has been left to the credits. One of the features this B Movie has that I don’t see often is the blooper reel and out takes added into the closing credits, until then I really was going to rate it as a 1/10 but it brought it all home. Sometimes a movie is supposed to be fun, you’re supposed to have fun making it happen and this is clearly shown in this outtakes including more boobs so keep watching or at least watch the end.

The mayhem that is Krampus will be a love or hate movie, I’d imagine more people would hate it, as they will be expecting a well-scripted scary hard-hitting dark movie. When really it’s a confusing meld of darkly amusing slasher flick and slow paced cop drama with some fun bits blundered into the mix. Honestly steer clear if you take your filmage seriously. On the other hand if this is something you enjoy, there will be more with Krampus the Devil Returns (2016).

02

 

Rating : 2/10

R: River of Darkness (2011) Krampus (2015)

L: Christmas Movies, Legends Come Alive

DGI: Just drink constantly throughout.. Eventually it will get good.

Kisha