Macumba Sexual (1983)Director: Jesús Franco
Starring: Ajita Wilson, Lina Romay, Antonio Mayans, Lorna Green, Jose Ferro .USA/Ita. 1h 20m
Franco’s attempt to build a provocative romp around African magic, works in as much as it combines a staggering round of art house prono with a loose story about a powerful witch princess who’s attempt to take over the world one orgasm at a time is going to plan.
A lithe Spanish real estate agent, Alice (Romay), and her partner, a French writer, are holidaying in the Canary Isands when she has a highly erotic dream about a tall black woman who walks through the desert with two human slaves on chains. That very day she’ll recieve a message from her boss to visit Princess Obongo (Wilson) for business, but soon she realises the prophetic nature of her dream and embarks on a journey of sexual awakening.
Director: Karen Arthur Starring: Lee Grant, Crole Kane, Will Geer, James Olson, Budar. USA. 1h 42m Éric Westphal (play “Toi et les nuages”)
Ever so often, a film is made that’s so unique, strange and plain batshitcrazy that it sets itself apart from all the rest and nothing could be as true as this masterpiece from a seasoned director Karen Arthur. Starring two gorgeous American actresses Carol Kane and Lee Grant in their prime, set in a romantic home and alongside a primate or two it’s strange that the unspoken realisations are the key to the stroy when the visuals are so strong. Freud would stay up all night in cold sweats trying to define what’s going on are so very different it’s hard to define or digest, it is just simply great and very unsettling and utterly beautiful to behold.
Director: Richard Lowenstein Starring: Michael Hutchence, Kylie Minogue, Paula Yates, Helena Christensen. Australia/USA. 1h 42m
For all of their creative lives, Richard Lowenstein and Michael Hutchence, spent a great deal of time together being best buddies, and they experienced their highs and lows. So it’s only apt that after dedicating the movie He Died With A Felafel In His Hand (2001) to him, Richard should make a documentary about his bright and troubled life.
Director: John Schlesinger Starring: Dustin Hoffman, Laurence Olivier, Roy Scheider. USA. 2h 5m
John Schlesinger’s classic thriller, Marathon Man is the type of genre movie that makes a few faux pa’s but through many bizarre plot choices, for the sake of keeping an audience on their toes, the movie generates a lot of massive plot holes but whether you mind them or not, you’ll still be blown away by the sterling acting and gripping story that plunges lead Thomas, better known as Babe (Hoffman), a simple inner city student, into unpredictable situations that make your teeth ache.. if you know you know..
Director: Simon McQuoid Starring: Tadanobu Asano, Hiroyuki Sanad, Chin Han, Nathan Jones, Lewis Tan, Jessica McNamara, Josh Lawson, Joe Taslim, Mechad Brooks, .USA. 1h 50m
Despite the long running time, just shy of 2 hours, McQuoid and his team didn’t managed to fill in enough story to fully rewrite the Mortal Kombat universe, however they did manage to cobble together a film just entertaining and intriguing enough to keep a viewer or two entertained for the duration.
Director: Sean Foley Starring: Julian Barratt, Simon Farnaby, Essie Davis, Steve Coogan, Richard Cabe, Andrea Riseborough, Russell Tovey, David Schofield, Harriet Walter, Simon Callow, Kenneth Branner. UK. 1h 29m
When your indie retro styled Brit Flick has major stars like Andrea Riseborough, Kenneth Brannagh and Simon Callow playing minor little cameos then you’d assume you’ve hit the big time or at least have an idea so crazy it might just work!? Mindhorn is a triumph of British comedy, starring Julian Barratt, who’s made us all laugh in comedy shows like The Mighty Boosh but has also astounded fans in solid trippy dramas like A Field In England, but let’s face it, if you don’t laugh at he antics in the Ben Wheatly classic then you’d end up in an asylum. But in this ridiocusly production he takes the lead and delivers an outstanding performance as a dated washed up actor who is called in by Isle of White police to help them fight a devious criminal.
It’s the truth time!
There has always been a strong comedy troupe, about that one guy who won’t let go of the past, He’s the chap in the corner of the pub, talking about his old band and possibility of being a Rockstar, but he just missed a great opportunity, all of this is maximised in Mindhorn. Julian Barrat plays the role of a hasbeen actor, who once had the role of a lifetime the lead in a hit TV show where he is a blend of 6 million dollar man and James bond, but today he’s washed up, he can’t get a role, drinks too much, no one takes him seriously and he still wears his retro 70’s clothing and a ridiculous mishmashed toupe.
Mindhorn is totally pathetic but he truly believes in himself as his tv character and with the chance to live that lifestyle again he jumps at the opportunity but fails miserably at every hurdle, the man can’t even make a phone call without wrecking the room. As a blend of Mr Magoo and Inspector Clouseau he’s a tornado of antics but at least he’s hysterically funny for the audience otherwise this would be jarring. Any hero who wakes up part naked on a police officer’s desk, half naked and high on pills having to explain drawing a pair of tits on someone’s land rover, is worth a few minutes of your attention, am i right?
If you’re a fan of the Boosh and subversive British humour then this can’t be missed, let your hair down and don’t take life too seriously, alongside the cast and have a super funny night even is Barret does wear black face for part of the film, i doubt anyone will be triggered due to the circumstances.
Related: Hot Rod (2007), Black Dynamite (2009)
Lists: Modern British Comedies
Spotlight:Julian Barratt, Andrea Riseborough, Simon Callow, Kenneth Branner.
There’s a necessary moment near the end of Sabastian Lelios eye opening movie where the lead is jogging with her dog, a carefree run as her favourite track plays and she can finally take a deep breath and attempt to just live the best life, like anyone else. It’s at this moment where we, as an audience, can also take a breath as the entire film is just filled with small minded petty people who do nothing to wind up anyone with a rational thinking mind as the film zeroes in on intolerance and unbiased love.
A Fantastic Woman is a strangely lighthearted take on a pretty deep and complex story. And there was definitely a vibe going on at the time as it almost duped with Disobedience an equally challenging love struggle but with a heavy religious setting. This thought provoking movie will drag you to places that you wouldn’t imagine a person would need to go based purely on their choice of gender.
AKA Mortal Kombat, The Return of the Five Deadly Venoms
Director: Chang Cheh Starring: Philip Kwok, Chen Kuan Tai, Chiang Sheng, Kuo Chui, Lo Mang, Lu Feng, Wang Lung Wei .Hong Kong. 1h 40m
Just when I was positive that the Five Deadly Venoms was the best 70’s martial arts film, it turns out that the (lose) sequel actually outdoes the cult classic. In a similar vein the film runs through a deadly storyline featuring a diabolical jaded kung fu master and a group of unlikely heroes.
When a brilliant wealthy fighter’s family is brutally attacked, his wife left slaine and his son now armless, the Tiger expert finds a way to restore his son’s arms with mechanical extensions but now with a blackened heart he bullies and terrifies his hometown. Finding pleasure in crippling those to cross his pat, Four of his latest victis form a bond and seek revenge, A hawer, who has been blinded, a blacksmith, made mude and deaf and a drifter whose legs are cut off all attempt to band together with a fighter who is known as tier “idiot friend”. While finding ingenious ways to overcome their disabilities they conjure a cunning plan to take on the evil gang and the four are tested time and time again and demonstrate strengths and abilities.
Over the years, a majority of the serial killer cinematic adventures have always been a total let down. Not giving enough of the gory insights for hardcore fans, or trying to make excuses for killing patterns that we may never understand as the killers have been long gone or don’t wish to talk. In stark contrast Monster Preacher manages to almost circumnavigate the killer himself and tightly focuses on two victims, two brave women who survived an horrendous ordeal the killers hands, and yet somehow had never reunited until this documentary.
Director: Marc Meyers
Starring: Ross Lynch, Alex Wolff, Anne Heche, Zachary Davis Brown. USA. 1h 47m
After the massive success of the indie graphic novel, this disturbing film steps into the shoes of the adolescent, much “loved” serial killer Jeffrey Dahmer. A highly attuned retro aesthetically driven adventure, does what a lot of serial killer films avoid, it dives right into the beginning and shows that a killer was born and wasn’t nurtured into his sadism. Obviously there were shitty aspects to his childhood but the strange obsessions with dead flesh seemed to always be in him.