Starring: Alfred Abel, Gustav Frohlich, Rudolf Klein Rogge, Fritz Rasp, THeodor Loos, Brigitte Helm. Germany. 2h 28m
Despite the age and the various cuts of this groundbreaking movie it’s still a powerful and disturbing film, it’s one of those titles that a lot of people are aware of but haven’t really watched and I have to admit that I’ve only seen it 3 times and each time it’s been a different cut but the darkness of the story remains constant, Regardless of HG Wells comments about the plot being “silly” it’s hard not to see how it’s a forerunner for those stark dystopian projects such as 1984 (1949), High Rise (1975-2015) and dare I even say Terminator (1984).
Opening with lavish scenes of an efficient and idealist future cityscape, the Metropolis is busy and filled with beautiful people, one of these stunning hipsters is Freder (Frohlich) his father Joh Fredersen, is a rich and powerful man who basically owns the city and runs the world above and below from his penthouse office. While Freder is playing with his friends in a pleasure garden, their playtime is interrupted when Maria (Helm) intrudes with a group of children who exist in the underground, who have come to see how the other half live, Freder is bewitched by Maria’s beauty and follows her into the depths of the city, and into a world which he’d been kept apart from all of his privileged life by this rich father who just happened to own the city.. Continue reading Metropolis (1927)
Director: Umberto Lenzi
Starring: Tomas Milian, Henry Silva, Ray Lovelock and Anita Strindberg .Italy. 1h 40m
This movie could easily be called “Il criminale più stupido d’Italia” as it follows the misadventures of a total psychotic loser criminal who couldn’t con his way out of a paper bag successfully but his constant efforts do cause some sensational cinema.
Opening with a bunch of robbers/kidnappers, snatching a young boy, their (not so trusty) getaway driver is Giulio Sacchi (Milian) manages to kill an officer while waiting and soon the gang is being chased around the city, they manage to speed past a train which cuts them off from the cops in time for them to drop the child and ditch the cops, they find a secluded place to recoup and kick the crap out of Giulio for foiling their efforts, after threatening to castrate him he heads back into the city alone. The brute roughs up his girl for some money and kills another cop while robbing a cigarette machine, while other officers arrive to investigate he starts displaying disturbing behaviour by squaring up to Inspector Walter Grandi (Silva). Eventually the bad tempered loose cannon, devises a scheme of kidnapping the daughter a wealthy businessman, who his girlfriend works for, but with a crazed moral compass and no scruples his manages to mess up each step of the way, but just manages to stay one step ahead of Inspector Grandi but mostly by mistake. Continue reading Milano odia: la polizia non può sparare / Almost Human (1974)
Director: Panos Cosmatos
Starring: Nicholas Cage, Andrea Riseborough, Linus Roache, Ned Dennehy Olwen Fouere, Richard Brake, Bill Duke. USA. 2h 1m
Cosmastos seems obsessed with 1983, where his previous movie was also set, is there a parallel here? Same year with possible answers to Professor Arboria’s mystic drug… but nothing is laid out in a straightforward way, he keeps the viewer guessing about what is real and what might just be fantasy, eventually your not sure what you believe in anymore, questions are raised especially about the drugs involved and at times this film really pushes the envelope. Continue reading Mandy (2018)
Director: Jon Turteltaub.
Based on: Steve Alten
Starring. Jason Statham, a giant fish, some other people. USA. 1h 52m.
Opening mid disaster was probably a good idea for this film cos that’s what it turned into. I was so psyched for a new Jaws (1975), and it’s impossible for me to see this as anything else. Don’t get me wrong I wasn’t expecting it to be similar in anyway but I was hoping for a new quality shark horror movie that wasn’t just another Sharknado (2013). But this lackluster adventure, is only just above par for a Sharknado movie for me and i was greatly disappointed on so many levels, but it did have some charm, what’s not to like about a cheesy thriller with a jumbo sized shark, suitable for 12 year olds with a theme tune of Hey Mickey in Filipino!? Continue reading The Meg (2018)
Director: George Miller
Starring: Mel Gibson, Hugh Keays-Bryn, Joanne Samuel, Steve Bisley, Tim Burns, Roger Ward, Geoff Parry. Australia. 1h 35m
Let me just start this off with a short introduction to explain that I absolutely live for this film and can’t even come close to express my obsession with it with mere words, I’m going to try and remain as calm as possible while writing this short review as I feel I need to put something on my blog but there will be a Post Discussion where I’ll get into much more details and pour my heart out even more..
This bleak dystopian thriller stars Mel Gibson as “Mad” Max Rockastansky, a seasoned police officer who prefers to work alone but begins to fear that he’s becoming as crazy as the people he hunts down in high speed chases across the Australian desert roads. Continue reading Mad Max (1979)
Director: Bong Joon-ho
Starring: Kim Hye-ja, Won Bin, Jin GooSouth Korea. 2h 8m
This very daring South Korean movie is both alarming and fascinating, with what seems like an extremely simple premise, a young man; with marginal intelligence is accused of murdering a local girl. it’s an open and shut case, as an item with his name is found near the body and an eye witness places him at the scene of the crime. But his ever doting mother turns into a dynamic Miss Marple and tries to unravel the case and prove her some innocence. So here we have it he’s either innocent or guilty, sure either prove his Innocence or find evidence to prove his guilt, it can’t be any simpler than that?
If this film was made for the American audience, this would indeed be the narrative, and any deviation would result in an uproar, the audiences would be frenzied, but this is a South Korean movie and a film by Bong Joon-ho the creative genius behind Host (2006) and unusual creature feature about a toxic waste squid like beast that managed to terrorize a small community; dragging one young victim away causing her family members to tackle it for her return as the authorities would not help or listen to them. In a similar stance, Mother shows that blood ties are strong and the state cannot be trusted to get the job done. Continue reading Hangul / Mother (2009)
Director: Roy Belfrey .
Starring.Lanore Van Buren Belfrey, Sanya Belfrey, Don Benjamin, Luenell, Faizon Love USA. 1h 41m.
This all black horror movie takes it’s religion in young people way more serious that I had expected. Being coined as the scariest African american movie of all time I struggled to try and work out what it was in competition with, Blackula (1972)? Abby (1974)? The Sorrows of Elizabeth (2016)? There aren’t too many that come to mind but it’s an subgenre of cinema that I’m not fully clued up on unless it’s a Nollywood epic. Centering around one young girl who thinks she’s too smart for faith, Michelle Jamieson (Lanore) was raised in a deeply religious family but wants to express her independence, by moving away and thinking for herself, when an opportunity arises for her to flee her bible thumping parents she’s takes a scholarship in a medical program and skips town to her aunt’s house, a large mansion which has been in the family for generations but what she encounters rocks her beliefs to the core. Continue reading Matthew 18 (2014)
This is the first ever film, 16 frames made by the LPCC Type-16 camera by the godfather of film, Louis Le Prince before his mysterious disappearance in 1890. You can find out more about the great man here https://en.wikipedia.org/wiki/Louis_Le_Prince#Man_Walking_Around_a_Corner_(LPCC_Type-16). The film has been amaturely put together and if you’ll blink you’ll miss it! But it shows a man walking around the corner as advertised in the title.
It’s amazing just how far we’ve come…
Day 7 – Monster Project
Director: Victor Mathieu.
Starring. Jamal Quezaire,Justin Bruening,Murielle Zuker, Toby Hemingway, Yvonne ZimaUSA. 1h 34m.
I want to kick myself after watching this film, I had high hopes and every one of them was smashed into pieces. It’s particularly hard for me as I often defend found footage movies, it’s such a unique genre that is often hated on and with movies like this… I have to hold my hands up and agree.
A couple of YouTube pranksters film fake monster and paranormal videos, they’re in it for the YouTube Bucks and the Likes, but they want to try and be more authentic and want to find real monsters to film to prove their existence. After making this snap decision they just pop out and find a few real critters, including a sleepwalker, a vampire tattooist, a real possessed Japanese chick who levitates and does the usual Sadako shit, after confirming their credentials, they hook up with their long lost ex’s and go to a remote location and begin the interviews. It’s quite apparent that one of the main members of the cast has a few inner demons to exorcise from his past and soon he becomes a focal point but why? Continue reading Monster Project (2017)
AKA The Mansion of Madness
Director:Juan López Moctezuma .
Starring.Claudio Brook, Arthur Hansel, Ellen Sherman. Marin LaSalle. Susana Kamini. Mexico. 1h 39m.
The concept of this darkly macabre path into insanity is simple, the inmates have taken over the asylum. This vision of madness come from the king of the unusual, the film is loosely based on Edgar Allan Poe’s The System of Dr Tarr and the Professor Feather. A reporter (Brook) and his entourage have been invited to 19th century asylum hidden deep in the woods, their guide promises easy access but they are confronted by two armed guards, eventually they are let in and split up, the reporter takes one route while his beloved is chased through the woods and abused. After meeting various groups of people acting out wildly in the forest he meets the megalomaniac who’s running the whole affair and soon realises that the inmates have taken over and the prisoners are the redundant staff. In the absence of medical care they are left to their own crazy devices and act out their basest fantasies and have incredibly surreal urges. Continue reading Dr Tarr’s Torture Dungeon (1973)