Late Phases / Night of the Wolf (2014)

Director : Adrián García Bogliano
Starring : Nick Damici, Ethan Embry, Lance Guest. USA/Spain. 1h 35m

I had been looking for this film for some time as i made it a personal mission to watch every werewolf movie when I was a creepy deathrock teenager and preferred them over vampires any day. Werewolf Order!!!

It’s an unusual set up to a lot of other horror movies with wild beasts involved, and the strange concoction of seasoned cast seems to side step the normal for a set of very unusual and slightly surreal characters, at times I wondered if this was a metaphor for something more profound?

A cantankerous veteran Ambrose (Damici) moves into a quiet and peaceful retirement home in a gated community called Crescent Bay, after the loss of his wife, the aging, blind vet and his dog are settled in by Will (Embry), Ambrose’s adoring son but it’s clear their relationship has been through the the wars there’s respect but something gloomy from the past under the surface. Ambrose’s exceptional smell and hearing leads him to his adorable neighbour who he befriends, but later on that night she’s brutalised by a hairy beast, Ambrose attempts to save her but he and his dog are injured in this unexpected animal attack. Sadly the beloved dog dies from his injuries but Ambrose goes into survival mode and begins a personal hunt for the beast.

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Frankenstein Vs The Mummy (2015)

Director: Daniel Leone
Starring: Constantin Tripes,Ashton Leigh, Max Rhyser, Brandon deSpain, Boomer Tibbs. USA. 1h 45m

I find it’s adorable that this century old story is still influencing directors today, Mary Shelley’s Frankenstein has been one of my all time favourite novels since I was a wee bearn, and the ancient histories of North Africa has been a huge influence, both villains have been huge horror characters since cinema began and finally they meet in the dank basement of an American University in this sketchy horror, it could have flourished into something with more substance but is still entertaining, more so than others in the genre but don’t expect your socks to be blown off.

Heavily inspired by the Gothic novella and possibly a few Hammer Horrors in between, this tepid horror attempts to pull together two monsters for an epic battle but totally misses its own mark and churns out a terrible romance story which slows the movie down and doesn’t give much space to maneuver these foes.

Frankenstein: Day of the Beast (2011)

Director: Ricardo Islas.
Starring: Michelle Shields, Adam Stephenson, Tim Krueger .USA. 1h 31m

This indie Frankenstein movie has it unique charms but ultimately falls at a few hurdles before crashing through a dull and predictable ending.

Dr Frankenstein (Stephenson) returns to his family home with a new bride, a gorgeous black woman who is fluent in French and slowly learning English with his attentive sister,on returning to his family’s modest cabin in the woods his sister is enchanted to have a fellow woman around his blind father is a bit more reserved.While praying in the woods, Victors bride is murdered by a vicious monster, who then goes a step further and kills the rest of his family. Victor is aware of the monster and soon awakens to the reality that the monster is determined to kill any person Victor becomes attached to, but it doesn’t stop him, the prat decides to get married again to a young lady named Elizabeth (Shields) but to ensure that the wedding goes ahead without a hitch he hires some mercenaries to protect him and his bride.

The Thing (2011)

Director:Matthijs van Heijningen Jr.
Starring:Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje, Eric Christian Olsen. USA/Canada. 1h 43m

From the first viewing of the thing I had a love and hate relationship with it, I was about 6 or 7 and it scared the crap outta me but I had to watch it, and i dealt with the sleepless nights and nightmares, but what always inreguided me was the events that happened prior to this cult classic in the Norwegian camp. But after all this hard work I think maybe it should have been left alone or given to someone with more dedication to the horror genre.

It could have gone either way there could have been an equally creepy body horror, on par with what changed the game in the early 80’s or someone could play by the rules and make a move fall into line with all the typical cliches that the Thing tried to break away from. but while the movie didn’t live up to my expectations it was made with all the best intentions.

Possum (2018)

Director: Matthew Holness
Starring: Sean Harris, Alun Armstrong  .UK. 1h 25m

There’s a place that some dark artist like to go, it often involves gloomy and eerie aspects from a fuzzy past that are easily recognised but often pushed back to those obscure corners of our minds, like a suppressed memory Possum manages from slither its way out of the dank interior of an old English home, and hides itself in the brown bag carried by a disgraced children’s puppeteer as he embarks on a journey to confront his stepfather and his own inner demons.

The film opens with Philip (Harris) wandering aimlessly around a remote area of Norfolk with his bag clutched tightly to him, after some atmospheric art house scenes backed by a heavy Radiophonic Workshop soundtrack. He spys a few teenage boys on a train he tries to talk with one but he runs away from the creepy man, Philip returns to his home, a dank rundown home with a disheveled garden, here he opens his bag and chucks the contents into a metal barrel with the promise to destroy the leggy creature, eventually we are made aware of Maurice (Armstrong), a sly and controlling character who seems to want to encourage Philip to keep his puppet, while constantly keeps asking if he’s going to burn it, which Philip agrees to but then never does. Little by little Maurice exerts control over Philip and suggests different places for him to visit, while the puppet is slowly revealed  and each time the effects on Philip get more disastrous. As a news story about a missing school boy flourish in the news, questions are raised over Philips possible involvement.

Alien 2 – Sulla Terra / Alien 2 – On Earth (1980)

AKA Alien Terror AKA Strangers

Director: Ciro Ippolito
Starring: Ciro Ippolito, Belinda Mayne, Mark Bodin, Michele Soavi,Judy Perrin. Italy. 1h 32m

Before the Alien (1979) film could be fully licenced and trade marked, it obviously had a profound effect on Italian director Ciro Ippolito decided to take it upon himself to craft a unauthorised sequel, and while this film has a low budget, the scope is there for a much bigger and impressive project, but the Alien lifeform is more affiliated with The Thing (1982)– In a Cave.. and has little to do with Ridley Scott’s cult classic.

While the earth eagerly await the return of a group of astronauts, meanwhile in an unrelated television studio, Thelma Joyce (Mayne) appears to talk about Spelunking and caves but she had a terrible psychic episode and violent visions forces an abrupt ending to her interview. The spaceship arrives but the crew are missing, in theory I believe this is supposed to be the derelict Nostromo. Meanwhile a young girl playing on the beach finds a pulsating blue rock, when her mother finds her, she’s missing her face.

Black Mountainside (2014)

Director: Nick Szostakiwkyj
Starring: Shane Twerdun, Michael Dickson, Carl Toftfelt, Marc Anthony Williams, Andrew Moxham, Timothy Lyle, Steve Bradley. Canada. 1h  39m

Like a creepy love letter to John Carpenter’s; The Thing (1982) from a methed out HP Lovecraft, Black Mountain assembles a dark story the slowly gets more sinister until a bleak but strong ending.

Much like the thing, there are a small crew working in harsh icy conditions of Northern Canada, but this team are a group of archaeologists who uncover an ancient structure and some artifacts which date around the last ice age, perplexed by the date of the objects and in wonderment of the people who crafted them, the men continue to investigate and study the pieces but their presence spook the native members of the crew who quickly abandon them then their communications fail and their supplies are cut off, but this is the least of their problems.

The Ritual (2017)

Director: David Bruckner
Writers: Joe Barton and Adam Nevill’s The Ritual
Starring: Rafe Spall, Arsher Ali, Robert James-Collier, Sam Troughton. UK. 1h 34m

One of the perks with Netflix is that it gives you the opportunity to watch on the go, which I tried to do with Ritual, but after watching the opening scene I had to stop the film, get home, get comfortable and absorb this film as it instantly grabbed my attention.

It opens with a few guys, not really willing to admit they are getting older but needing to get out on an adventure,  or just the yearly lads holiday, Ibiza!? no they are getting to old, camping, that’s too boring.. so what? The discussion goes into the street and on the way home a couple stop to get some vodka, the night is young and it must be continued while picking up the booze in the offie, they become aware that the place is being robbed, Luke (Spall) hides behind a display while his best friend tries to talk the situation down, it doesn’t work they start attacking him, and he bleeds to death while staring at his cowardly friend… this is the first lesson of this movie but the location changes to the deep dark forests of Sweden and the stakes get higher.

X the Unknown (1956)

Director: Leslie Norman, Joseph Losey
Starring: Dean Jagger, Edward Chapman. UK. 1h 21m

There are a lot of familiarity about this 50’s Hammer Horror sci fi mystery film. Being from the classic horror company there are quite a few familiar faces especially the young round face of Michael Ripper who masquerades with Christopher Lee and Peter Cushing in a lot of Dracula and other Hammer monster projects.

Sadly Nigel Keale refused to give permission for his beloved character Bernard Quatermass to be used in this pseudo third chapter, but the similarities are there, and this contains the relevant allegorical threads revealing Cold War anxieties.

Favourite Scene – Viy (1967)

In this 1960’s folklore inspired horror fest, a young monk, Khoma;  is tasked with saying prayers over the body of a beautiful maiden who is in fact a witch and she terrorising him each night, the tormenting intensifies until the last night where the showdown unleashed all the goblins and trolls the witch can muster and the novice monk has an epic show down and has to basically exorcise the witch. This show down is amazing and I feel that for these scene alone the film should be recognised by more people.