Director: Rupert Jones Starring: Toby Jones, Anne Reid .UK. 1h 40m
Rupert Jones, brother of lead actor Toby Jones, has curated a chilling deep cerebral exploration of an ex-con’s relationship with his domineering mother as he attempts to reason with a new insurrection and the secrets of his past. Kaleidoscope is only shy of being perceived as disturbing, because of TJ’s amazing character portrayal of a shy man searching for love. This down to earth portail is so poignant and beautiful raw, that the mystery surrounding his latest date is ever intertwining through reality and fantasy beings to pale in comparison. Maybe the two brothers working together was one of their best moves or maybe they are both just so brilliant at what they do anyway?
Director: Marc Meyers
Starring: Ross Lynch, Alex Wolff, Anne Heche, Zachary Davis Brown. USA. 1h 47m
After the massive success of the indie graphic novel, this disturbing film steps into the shoes of the adolescent, much “loved” serial killer Jeffrey Dahmer. A highly attuned retro aesthetically driven adventure, does what a lot of serial killer films avoid, it dives right into the beginning and shows that a killer was born and wasn’t nurtured into his sadism. Obviously there were shitty aspects to his childhood but the strange obsessions with dead flesh seemed to always be in him.
Director: Takashi Miike Starring: Takuya Kimura, Hana Sugisaki, Sota Fukushi, Hayato Ichihara. Japan. 2h 20m
Miike’s career has turned into a long line of massive remakes of Japanese Classic cinema for some time now. I’ve been racking my brain why, but I’m still unsure what he’s trying to achieve, but it’s working out for him and I wonder what’s next? He’s making some solid and faithful remakes but I do wonder if we really need them all despite their powerful impact? This just seems to be another one, however even while watching the series after the film.. I found it’s expressionary style and character depth on a different planet entirely, and yet each are ridiculously impressive but in their own way.
Director: Jake Scott Starring: Sienna Miller, Christina Hendricks, Aaron Paul, Will Sasso, Pat Healy, Amy Madigan .USA. 1h m
What starts out to be a melodrama about a woman, almost down on her luck but making the best of her life. Eventually turns into a homage to the resilience of all women, especially those mothers who have had to fight adversity and their own demons and manage to come out bigger and stronger on the other side.
Sienna Miller stars as Debra, a gorgeous thirty something year old single mother, who lives with her daughter and grandson, life is simple in their small town in Pennsylvania. Debra is forever young, she jokes around, enjoys her freedom and is more of a friend to her daughter, Bridget (Sky Ferreira), offering advice about men more than good wholesome patenting, but their bonds is strong, so when Bridget goes missing and Debra is left to look after her grandson Jesse.
Director: Michael Feifer Starring: Corin Nemec, Andrew Divoff, Tony Todd, Debbie Rochon .USA. 1h 32m
This was Michael Feifer’s first, bold attempt to retell the bloody history of a serial killer. Chicago Massacre follows the childhood and killing spree of one of America’s most deranged individuals, Richard Speck. This debut saw Feifer pair up with Corin Nemec, playing the lead role of a prominent killer. A year later the two would reunite for Bundy: A Legacy of Evil (2008). This could have continued with Nemec playing Gacy, Gein and even Kemper if the duo had the desire but it seems this is all we’re getting folks!?
It feels that the movie was conceived with a lot of promise, a couple of well known names were thrown into the mix, Todd and Divoff , who seemed eager to help as law enforcement officers trying to understand and track a man who single handedly slaughtered a number of women in july 1966, but their acting expertise is often overshadowed by the need to show Speck not killing people, they could have been the B Movie versions of Somerset and Mills, however the focus is on Speck and not the people tracking him, although their scenes are quite special, but always seem like some kind of pensive Film Noir.
Director: George Basha Starring: George Basha, Richard Green, Brian Eillson David Field, Franc Violi, Millie Rose Heywood, David Roberts. Australia. 1h 50m
While it doesn’t feel that there’s a shred of originality in this epic b-movie prison flick, there’s a lot of reports suggesting it’s based on a true story!? but i’m yet to verify these claims. Either way, fact or fiction won’t make it digest any easier. A harrowing story of a man who, through a one off accident ends up in prison for manslaughter. Unbeknownst to him there’s a hidden agenda which will see him fight a tougher sentence than any other inmate.
While his girl is being preyed on by strangers, Ray, a burly war veteran, steps in as a hero to defend her honor, the altercation ends in an accidental death. The father of the murdered bully makes a deal with the Prison Warden to make Rays stay unusually difficult. not that prison life isn’t hard enough. Rays struggles enough, working his way through cryptic prison politics, race wars, gang pressure, creepy showers and the occasional trip to the hole, but unlike Andy Dufranes he doesn’t have a guy who knows how to get things to ease his time inside.
Director: Kristian Levring. Starring. Mads Mikkelsen, Eva Green, Eric Cantona, Mikael Persbrandt, Douglas Henshall, Michael Raymond-James, Jeffrey Dean Morgan, Jonathan Pryce.USA/Denmark/South Africa. 1h 32m.
Westerns have long been a tough genre for me, I grew up watching them with my mother and grandfather and I really started to hate them. I suppose any entertainment that makes the adults lose interest in how cute you are will do that to a child’s psyche.. the only entertainment was playing with Gramps while he slept through some of the classics. Later on in life, when I got over the trauma, I rediscovered Spaghetti Westerns and I started to accept the genre back into my life, unless there’s a Mexican revolution a haunting Ennio Morricone soundtrack and less white people attempting to make believe that America has always been white, then the better things start to get. I’ve loved the reassurance of darker and more graphic horror westerns such as Seraphim Falls (2006), Brimstone (2016) and the almost instant cult classic Bone Tomahawk (2015), which have won me over. But without having a mythical foe or a revolution, there’s a striking grasp of The Salvation which has a more believable story of two immigrant brothers just trying to get ahead in the wild west and meeting ugly adversity.
Director: Fruit Chan Starring: Jin Zhang, Anderson Silva, Kevin Cheng, Suet Lam .Hong Kong. 1h 25m
The UFC is an absolute goldmine not only does it make super fighters, but it and generally if you can nurture a dynamic Hong Kong action movie with at least one big name you’ll take in cash.. But blend the two poorly and you’ll end up with this disjointed mess, that feels as if the producers knew what they wanted to do, but wrote any bull in to make it happen.
What starts as a really engaging crime thriller following a determined gun happy cop, Officer Kowloon (Jin) who opens the film boiling in a cooking pot, in a seedy backstory restaurant, Lam Suet taunting him as the two compare Dragon tattoos, fortunate that our hero has a better back story featuring an adorable (brightly coloured cgi) Dragon that he met as a child…after the bonding he shoots Lams hand off in a function room and gets suspended, this becomes a trend with Kowloon even while investigating a spate of murders targeting female police officers he manages to fudge the operation, not only letting the only suspect go, but losing his fiancee\fellow officer. Continue reading The Invincible Dragon (2019)→
Director: Guillermo Del Toro Starring:Mia Wasikowska, Jessica Chastain, Tom Hiddleston, Charlie Hunnam. USA. 1h 59m
With the lack of modern genuine gothic literature making it to the big screen, Crimson Peak had a lot to make up for, however despite it’s well crafted story, delicious cast amongst opulent sets, I wasn’t blown away by this epic ghost story. There’s a massive divide between Guillermo Del Toro’s Spanish and American work. Crimson Peak battles with its style and substance, for the most part it will wow it’s audience with an oil slick blend of colours but it seems to pluck the worse elements of gothic literature to mix but remains true and doesn’t step a foot out of the box. Continue reading Crimson Peak (2015)→