Tag Archives: murder

Erskineville Kings (1999)

Director: Alan White Starring: Hugh Jackman, Andrew Wholley, Joel Edgerton, Leah Vandenberg, Aaron Blabey, Marty Denniss. Australia. 1h 30m

When Barky (Denniss) returns home for his fathers funeral he thinks is safe from the pain and attempts to reunite with his brothers and find some closure however the mood isn’t quite what he expected, his presence sets off a keg of love, hate, resentment and frustrations. After two years of living away, the young 20-something has no regrets about leaving the grip of his fathers violent rages which are painfully detailed in flashbacks.

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The Raven (2012)

Director: James McTeigue
Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m

Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.

The only one who can stop a serial killer is the man who inspired him

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Brothers In Arms / Semper Fi (2019)

Director: Henry Alex Rubin
Starring:Jai Courtney, Nat Wolff, Finn Wittrock, Arturo Castro, Beau Knapp .USA. 1h 39m

It’s hard not to feel a little bit conflicted with the ending of Brothers In Arms AKA Semper Fi. The film successfully builds up a golden camaraderie between a pair of brothers Callahan (Courtney) and Oyster (Wolff) who, along with their Marine Corp Reserve Brothers, they manages to pull off the impossible and with the best intentions but in the big scheme of righter and wronger, was it really justified?

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Censor (2021)

Director: Prano Bailey-Bond Starring: Niamh Algar, Nicholas Burns, Adrian Schiffler, Guillaume Delause, Richard Glover, Michael Smiley, UK. 1h 24m

An unfaltering, visually stunning movie outlining the effects of censorship and suppression on the persona and a precise documentation of the departmentalisation of one’s repressed memories. If you’ve had the privilege of seeing Prano’s short movie, Nasty then you’ll be prepared for the vivid colours, the frantic style of her curious retrowave tales. Nasty is a perfect introduction to her love of tracking, video culture and a warped perception of reality taking over her characters.

Don’t Press Play

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Kaleidoscope (2016)

Director: Rupert Jones
Starring: Toby Jones, Anne Reid .UK. 1h 40m

Rupert Jones, brother of lead actor Toby Jones, has curated a chilling deep cerebral exploration of an ex-con’s relationship with his domineering mother as he attempts to reason with a new insurrection and the secrets of his past. Kaleidoscope is only shy of being perceived as disturbing, because of TJ’s amazing character portrayal of a shy man searching for love. This down to earth portail is so poignant and beautiful raw, that the mystery surrounding his latest date is ever intertwining through reality and fantasy beings to pale in comparison. Maybe the two brothers working together was one of their best moves or maybe they are both just so brilliant at what they do anyway?

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My Friend Dahmer (2017)

My Friend Dahmer (2017)

Director: Marc Meyers Starring: Ross Lynch, Alex Wolff, Anne Heche, Zachary Davis Brown. USA. 1h 47m

After the massive success of the indie graphic novel, this disturbing film steps into the shoes of the adolescent, much “loved” serial killer Jeffrey Dahmer. A highly attuned retro aesthetically driven adventure, does what a lot of serial killer films avoid, it dives right into the beginning and shows that a killer was born and wasn’t nurtured into his sadism. Obviously there were shitty aspects to his childhood but the strange obsessions with dead flesh seemed to always be in him.

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Blade of the Immortal (2017)

Director: Takashi Miike
Starring: Takuya Kimura, Hana Sugisaki, Sota Fukushi, Hayato Ichihara. Japan. 2h 20m

Miike’s career has turned into a long line of massive remakes of Japanese Classic cinema for some time now. I’ve been racking my brain why, but I’m still unsure what he’s trying to achieve, but it’s working out for him and I wonder what’s next? He’s making some solid and faithful remakes but I do wonder if we really need them all despite their powerful impact? This just seems to be another one, however even while watching the series after the film.. I found it’s expressionary style and character depth on a different planet entirely, and yet each are ridiculously impressive but in their own way. 

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An American Woman (2018)

Director: Jake Scott
Starring: Sienna Miller, Christina Hendricks, Aaron Paul, Will Sasso, Pat Healy, Amy Madigan  .USA. 1h m

What starts out to be a melodrama about a woman, almost down on her luck but making the best of her life. Eventually turns into a homage to the resilience of all women, especially those mothers who have had to fight adversity and their own demons and manage to come out bigger and stronger on the other side.

Sienna Miller stars as Debra, a gorgeous thirty something year old single mother, who lives with her daughter and grandson, life is simple in their small town in Pennsylvania. Debra is forever young, she jokes around, enjoys her freedom and is more of a friend to her daughter, Bridget (Sky Ferreira), offering advice about men more than good wholesome patenting, but their bonds is strong, so when Bridget goes missing and Debra is left to look after her grandson Jesse.

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Chicago Massacre: Richard Speck (2007)

Director: Michael Feifer
Starring: Corin Nemec, Andrew Divoff, Tony Todd, Debbie Rochon  .USA. 1h 32m

This was Michael Feifer’s first, bold attempt to retell the bloody history of a serial killer. Chicago Massacre follows the childhood and killing spree of one of America’s most deranged individuals, Richard Speck. This debut saw Feifer pair up with Corin Nemec, playing the lead role of a prominent killer. A year later the two would reunite for Bundy: A Legacy of Evil (2008). This could have continued with Nemec playing Gacy, Gein and even Kemper if the duo had the desire but it seems this is all we’re getting folks!?

It feels that the movie was conceived with a lot of promise, a couple of well known names were thrown into the mix, Todd and Divoff , who seemed eager to help as law enforcement officers trying to understand and track a man who single handedly slaughtered a number of women in july 1966, but their acting expertise is often overshadowed by the need to show Speck not killing people, they could have been the B Movie versions of Somerset and Mills, however the focus is on Speck and not the people tracking him, although their scenes are quite special, but always seem like some kind of pensive Film Noir. 

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