Director: Takashi Miike Starring: Takuya Kimura, Hana Sugisaki, Sota Fukushi, Hayato Ichihara. Japan. 2h 20m
Miike’s career has turned into a long line of massive remakes of Japanese Classic cinema for some time now. I’ve been racking my brain why, but I’m still unsure what he’s trying to achieve, but it’s working out for him and I wonder what’s next? He’s making some solid and faithful remakes but I do wonder if we really need them all despite their powerful impact? This just seems to be another one, however even while watching the series after the film.. I found it’s expressionary style and character depth on a different planet entirely, and yet each are ridiculously impressive but in their own way.
Director: Matt Winn Starring: Mischa Barton, Robert Knepper, Andrew Buckley. USA. 1h 24m
Quietly unassuming but a strangely profound thriller, that draws on all the good aspects of the Descent (2005) mixed with all the horrors of Storage Wars !!?
Matt Winn sets his chilling horror mystery in the basement of a complicated system within a self storage unit. With a set up that begins like an episode of Steve Wilkos show. Ella (Barton) is attempting to discover if her future husband is cheating on her. After suspecting that his lock up is holding nasty secrets, Ella entices her bestie, Molly (Atack) to help her gain access to the unit, using a lock pick and borrowed card key, which they discover will change their lives forever.
Director: Charlie Steeds Starring: Kate Davies-Speak, Mark McKirdy, Makenna Guyler .UK. 1h 18m
The opening of Mutants is a love letter to 70’s horror, it has a true retro feeling about it, chunky yellow fonts with a boombing synth soundtrack and fuzzy graphics, you’d be forgiven for thinking this is a re release of an older movie, as it’s so authentic rather than imitation, you’ll also be excused to wondering why the movie is called Mutants, it seems to exist with two titles, Mutants shown at the beginning and Barge People shown at the very end..
Director: Jon McBride and Tom Fisher Starring: Jon McBride, Amy Chludzinski, Christopher A. Granger.USA. 1h 28m
For me this is one of the very definitions of BMovie, an illegal romp in the woods with a VHS camcorder as a bunch of friends desperately trying to film a feature length horror while on the run from a local park keeper.
The duo of directors managed to cobble together a cohesive movie however its production does drop a little bit on some levels, but you don’t really expect to have amazing special effects and wonderful acting then a movie is forged around ducking and diving around a local park. Film is borderline so bad it’s brilliant, while still retaining a small cult following it’s definitely something you would need to see to tick off all of your bingo card of cannibal hillbilly movies. Continue reading Cannibal Campout (1988)→
Director: Tod Browning. Starring. Wallace Ford, Harry Earles, Olga Baclanova, Leila Hyams, Roscoe Ates, USA. 1h 04m.
This has long been one of my favourite movies since I was a young child, I think my parents realised that I was going to be watching what I liked but my mother was always a spokeswoman for learning history and basics, so I read and watched the classics, which included The Freaks! I had a hand me down horror book which I still hold dear to my heart, I obsessed over the grainy black and white photos and was really drawn to the sideshow misfits of Tod Browning’s The Freaks which I still have to admit are a huge thing for me, not just the movie but the history and scientific research and study, encouraging me to travel the world visiting museums like Mutter and seeking out Cabinet of Curiosities worldwide.
Being one of the first and (possibly) only movie with a predominant cast of genuine “circus freaks” this tale is quite European in it’s make up, with a range of fair maidens, lost love and bitter revenge it’s something quite magical, but don’t get lulled into a false sense of security this fairy tale is grotesque and dark as fuck. Continue reading The Freaks (1932)→
Director: Andy Milligan Starring: Allan Berendt, Hope Stansbury, Patricia Gaul, Michael Fischetti . USA. 1h 9m
This bloodfest has everything in it, monsters, romance, carnivorous plants, a host of deformed servants, affairs, crooked solicitors and a batshit crazy old woman, and all in just over an hour, Andy Milligan really knew how to make a thrilling movie on no budget but with a bucket of originality and a touch of lowbrow comedy.
A stuffy estate agent takes a doctor to view a new property, there he attempts to make his excuses about the state of the property and show the man around but before he can lay on the bullshit he’s given a hefty cheque and forced out the house with reasoning not to return, the second his foot is out the door screaming shrouded figure is rushed in the back door by two crippled servants and a crazy freakish woman. The ghoulish melting corpse they uncover is one of the more gross scenes in the movie and it’s legendary that it’s done so early in the production, it turns out this vile thing is really the beautiful wife of Doctor Orlovsky, a brilliant scientist who’s returned home to claim his family fortune to further fund his experiments.
This is Russia’s slightly underpowered answer to movies like The Avengers (2012) and came out the same year as Guardians of the Galaxy vol.2 (2017), initially the movie was hyped but instantly bombed in the Russian Charts and started to receive numerous negative reviews mostly in Russia, but it’s slowly gained a trickle of fans worldwide despite its flaws it’s an ok movie, for me it’s way more enjoyable than other blockbusters that try to take themselves too seriously so if you’re into B-Movies or anything psychotropic then it might just be the super flick you’ve been looking for.
Kicking off in the Cold War, a secret organization called “Patriot” gathered some heroes together from former states in order to defend the homeland, altering their DNA these different nationalities of the Soviet Union all have their own individual special powers, a quick run down, and I’m only using their codenames, Ursus (Serbia) (Pampushnyy) who’s generally a strong man but is also a cuddle Werebear, Khan (Kazakhstan) (Madi) who looks a lot like Casshern but he’s super fast and uses curved swords and flashes around like Nightcrawler, Ler (Armenia)(Sisak) can control the earth and rocks, a bit like Bluto and Ben from Fantastic 4, and finally Xenia (Moscow) (Lanina) who can turn invisible and transform into water and all sorts of lady shit..yadda yadda… Continue reading The Guardians / Zaschitniki / Защитники (2017)→
Director: Hope Perello Starring: Michelle Matteson, Bruce Payne, Carol Lynley, Deep Roy, Brendan Hughes, Antonio Fargas . USA . 1h 42m
(Loosely) based on The Howling Series of novels by Gary Brandner especially Howling III Echoes.
Have you ever woken up from a hazy dream and tried to piece it back together to make a story..that’s kinda how this installment of Howling plays out. Loosely based on the third Howling book, it’s set around the life of a unusual drifter who stumbles on the wrong town. Despite his natural ability to look like Charlie Chaplin he actually has a much more dangerous and darker secret, being part of the Howling series it’s no surprise really but there’s more, just follow him down the rabbit hole…Continue reading Howling VI : The Freaks (1991)→
I’ve never really been swept off my feet by Bond movies, although I did get sweaty palms over some of the wonderful toys and gadgets. But the actual bond character changed with every incarnation and while everyone brought their own twist I couldn’t really find him all that believable. In contrast we have Rambo (stay with me here) Rambo is the toughest man alive (no question about it) a tough hombre who little kids wanted to be when they were all growed up, but then I discovered Riki-O (1991) a amazing invincible tough guy who makes Rambo look like a pussy. In the same vein Golgo 13 makes Bond looks equally pussified. He’s an assassin who is always one step ahead of the game, women falling over themselves willing to die just for one night with him, no shot if ever off and he’s like teflon in hand to hand combat. There really isn’t anyone better than Golgo 13.
With that mighty introduction, what else is left to say? You now have the opportunity to see the toughest man alive do bossanova things.. Get going.
Director: Alex Garland. Based on: Southern Reach Trilogy by Jeff VanderMeer Starring. Natalie Portman, Jennifer Jason Leigh, Oscar Isaac. USA. 1h 57m.
This newest visionary delight from Alex Garland, doesn’t fit into the typical science fiction category, with other Netflix releases like Bright (2017) and Cloverfield Paradox (2018), where the effects and story are both weak in the later and jarring this side step into the cerebral is exactly what a lot of dedicated science fiction fans have been craving for so very long now. Taking on a model similar to the legendary Tarkovsky’sStalker (1979) or Solaris (1971), Annihilation plunges it’s audience into a lavish and dangerous new world to explore along with a scattering of emotive flashbacks added purely for good measure.