Director: Corin Hardy.
Starring. Taissa Farmigna, Demian Bichir, Bonnie Aarons, Jonas Bloquet. USA. 1h 36m.
Supposedly the most terrifying chapter of the Conjuring Universe!! *queue the dramatic music* We have the NUN!!! *queue lightning and scary sound effects* But they say that about every new Conjuring related movie.
The Conjuring turned out to be a pretty decent horror movie a touch of class and a dash of “run of the mill” but overall it had a mix of scares and thrills which really enthralled it’s audience, detailing a real life couple who get their pleasures from investigating hauntings and other paranormal events. In their debut they mentioned Annabelle, a haunted doll unlike any other, and her short creepy clip gave way to a full length movie, which did ok, my only gripe is that it really should have featured a doll which resembled the original. But after the abysmal rendition of the Enfield haunting which was subject of the Conjuring 2, a new unrelated character got shoehorned into the mix, a rather scary Nun, and now she has her centre stage, but sadly she doesn’t get to play much in her own film. Continue reading The Nun (2018)
AKA Non Si deve profance il sonno dei morti, Don’t Open the Window, the film officially has 15 titles, so take your pick..
Director: Jorge Grau
Starring: Ray Lovelock. Arthur Kennedy, Cristina Galbo. Spain/Italy. 1h 35
There’s a subtle Giallo twist to this unusual but gripping science fiction zombie flick, undead, mystery, giallo, car crash, sci fi horror, pesticides, it’s got so much going on but all to the backdrop of the gorgeous English countryside and littered with the creeping dead.
The film focuses on two protagonists who until their vehicle crash led two totally different lives, there’s Edna (Galbó) Who’s trying to visit her family and the brash George (Lovelock) a hot tempered and pushy individual but his drive really powers the action. Continue reading The Living Dead at Manchester Morgue / Let Sleeping Corpses Lie (1974)
Director: David Cronenberg
Based on – Naked Lunch by William S Burroughs
Starring: Peter Welller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider. Canada, Japan, UK. 1h 55m
This bold, Kafkaesque putrid remake of the legendary novel by William S Burroughs, is possibly as vivid and imaginative as the original book, but if you’ve read the book you’ll realise that no film could ever really be a true adaptation, so the screenplay is a metatextual adaption. Detailing characters and scenes from a complex novel and other works from Burroughs, both fictional and from his journal and the events which lead to the 1951 death of Joan Vollmer, Burroughs’s common law wife. So while it’s not entirely Naked Lunch, it should at least FEEL like Naked lunch and at times it feels a lot like Burroughs but slightly more coherent.
As a surreal autobiographic piece the film follows the life of William Lee, who is basically Burroughs, a bug exterminator who discovers his wife is stealing his insecticide and using it to get high. Lee is arrested and starts hallucinating because of his exposure to the powder. Believing that he’s a secret agent he beings a strange relationship with two handlers, one is a insect typewriter and an alien “Mugwump“. The typewriter assigns him a mission of killing Joan, she’s allegedly an agent of an organization called “Interzone”, Lee dismisses this notion but on returning home he finds Joan having sex with a friend and kills her, inadvertently carrying out the mission, he flees to interzone, a city in North Africa where he spends his time writing reports to his handlers, this slowly becomes the Naked Lunch book and after taking more mind altering drugs and getting a new typewriter, a Clark Nova, this insect stresses that he needs to find Dr Benway by seducing Joan Frost who’s a doppelganger of his dead wife and then things get really weird, and with the addition of a drug that is made from a centipede. Continue reading Naked Lunch (1991)
Director: Rainer Sarnet
Based on Rehepapp ehk by Andrus Kivirähk
Starring: Rea Lest, Jörgen Liik, Arvo Kukumägi, Katariina Unt, Taavi Eelmaa, Dieter Laser, Jette Loona Hermanis. Estonia. 1h 55m
I’d like to think that I don’t award too many 10/10’s although I am always searching for perfect films and I believe I have just found another one, possibly the one. There’s so much to fall in love with in Sarnet’s November, based on a deeply chrasamisc novel Rehepapp by Andrus Kivirähk who’s possibly one of the most influential folk writers since Estonia’s classical epic Kalevipoeg and is just as extraordinary.
The film starts out curiously, a cow skull mounted on farming tools is captured rolling and creaking across the landscape using a chain it steals a cow, by grabbing the beast and flying into the air like a folklore chopper, the mechanism lands with the cow, on a farm miles away across the forest, the owner coming out to retrieve the animal and kicks the machine away, but it talks to him, asking for more work so he gives it an impossible task and it explodes. This “thing” is a Kratt and you’ll see a lot of these throughout the movie, and you can see the Kratts screen test here (https://vimeo.com/66493993)
The villagers find it hard to survive throughout the dark Estonian winters and often end up stealing from each other and the German nobility who are taking over their lands. In order to make a Kratt the villagers first have to go into the forest and make a pact with the devil written in blood in His book. Continue reading November (2017)
Director: Mark Pavia
Starring: Miguel Ferrer, Julie Entwisle, Dan Monahan, Michael H. Moss USA. 1h 37m.
I’ve never been all that interested in Stephen King novels, I’ve tried reading a few but I’m just not into his writing style, but the adaptations of his books do impress me from time to time, sadly this one had gone unnoticed for quite some time but I’m catching up so bear with me. I had seen a majority of this film from various gifs over the years and never really paid them much attention, it’s not real secret what the film is about, the DVD cover has the creature on it, but still the mystery and chase in the film keeps the story alive and it’s totally engrossing. Continue reading The Night Flier (1997)
Starring: William Fichtner, Jessica McNamee, Jean Louisa Kelly USA. 1h 45m
A quiet and unassuming man Mike (Fichtner) drifts through his morning routine, he writes technical manuals, his wife, Lisa (Kelly) is an ambitious teacher, they barely cross each others path, with little to talk about, his mind wanders…. He notices new neighbours unpacking and instantly becomes infatuated with Jenna (McNamee), and in turn he develops a deep hatred for her loud mouth and abusive boyfriend. Slowly things break down even further with his uncaring career driven wife as he comes to realise that he’s stuck in a stagnant relationship and dead marriage, but he has a strange backup plan, as a special friendship grows with Jenna to the point of obsession, he keeps a watchful eye over her and helps with her gardening, they even hit the pipe together so its gotta be love right?! Mike is meek, gentle and cares with his heart not his brain, you can see a deep ocean of emotions washing over this psychee ever time he sees her. After his wife kicks him out and Jenna promises to leave Mr quick fists everything seems to be okay but Mike is soon to becomes his worst enemy. Continue reading Last days of summer AKA The neighbour (2018)
Director:Zak Hilditch .
Starring. Thomas Jane, Molly Parker, Neal McDonough. USA. 1h 48m.
This hot and melting messy murder film is quite an interesting brooding moralistic thriller. At first the rocky love affair between Wilfred Jane) and his feisty wife Arlette (Parker) is something on parallel to a Tennessee Williams play, but it’s no secret that he’s planning to kill his wife for her land and cash, but it doesn’t seem plausible until he slowly bullies his son, Henry into helping him hold her down and slit her throat in a torrid gurgling bloody mess. He disposes of her corpse down the well soon after then the rats appear, crawling in and out of her corpse, the scene shocks him but he has some cleaning up to do and a lot of police dodging, until the Henry discovers that his teenage true love is pregnant and he has to escape the town and the two go on the run leaving Wilfred alone on the farm with the ever present rats for company.
Continue reading 1922 (2017)
Day 5 – Night Caller
Director: John Gilling
Starring: John Saxon, Maurice Denham, Patricia Haines, UK. 1h 25m
There is always a huge amount of respect to be had for early sci fi, the imagination and passion that gave us so many of the inventions that are commonplace in modern times…. Or in this case the sciences is mostly about space and aliens and concepts which are a little out there… but are crazy enough to be enjoyable.
Scientist Jack Costain (Saxon) and his colleagues track and investigate a meteorite that crash lands in the British countryside, the strange spherical asteroid defies science as we know it. The asteroid is taken to the laboratory to be studied but it seems inert, but the army remain on stand by. Eventually Dr Morley (Dedham) discovers that it is an alien device from Ganymede, a moon of Jupiter and it acts like a gateway, this is only activated when people are alone, usually female. A creature emerges, and stalks Ann (Haines) eventually; using her as bait, they capture a tall alien and take it to their lab, but it escapes. Continue reading Night Caller from Outer Space / Blood Beast from Outer Space (1965)
One of those life changing movies, and continues to be my go to film from time to time, a small indie movie graced by some impressive names, just because it’s that darn good of a film. Ghostdog is a lonely character, is only friend is a French speaking ice cream seller, his passion is Bushido and his Pigeons. After being saved by a mob boss, his adapted the way of the Samurai and looks upon this man as his master and he is a retainer. The mafia uses his dedication and sends him out to do hits. One goes awry and the mob turn on Ghostdog, but they don’t’ know who they are fucking with. Forest Whittaker plays the main character and he’s perfect, RZA had a hand in it’s production and the soundtrack takes a facet from each style of black music, it almost started a movement, (black) urban samurai 9/10
Continue reading La Weekend July 5
Soooo.. it was a long night, I did get started early, straight in and onto Law(n) and Order, I’m slowly working through the Boxset, no idea why I find it so thrilling lately but I do…
So after that conundrum I got back to the movies..
I started watching this first movie at the weekend but it go so boring I stopped and I got back to it today… and it didn’t improve…
*Gray Lady (2017) A seasoned police officer loses his sister and wife to the same criminal mastermind while on a respite he carries on his investigations into their murders on the island of Nantucket, going back to his origins uncovers more than he bargained for. There are hints of a deep and tangled web of treachery but it’s so lame, there were no shockers or twists as everything is lovingly sign posted and predictable is theme to this flick. being distributed by Anchor Bay I was expecting something outstanding in some way but I didn’t know they started shoveling shit.. I must admit I was hoping for a ghost story, but it turned out to be a bit of a family feud started over a tragic misunderstanding .As the details unraveled instead of the film becoming more interesting I just lost the ability to give a shit. Actor turned Director John Shea hasn’t done anything since Southie (1998) despite his cameo in this film he should stick to acting. The funniest aspect of the film for me how everyone is a look alike to someone awesome, the lead detective and all round good guy Eric Dane looks like a poor relation to William Petersen and the rough and ready rouge of the island Chris Meyer looks incredibly like a chubby Karl Urban 2/10 Continue reading Last Night’s Movies 24.07.2017