Director: Edgar G. Ulmer
Starring: Marguerite Chapman, Douglas Kennedy, James Griffith, Ivan Triesault, Carmel Daniel, Boyd “Red” Morgan .USA. 58m
Even if you’re a criminal on death row there’s always someone out there who’s worse than you, but while the moral compass spins around and around in this balsy film noir sci fi thriller there’s a poignant message that you have to do the right thing once in a while especially when faced with a evil tyrant.
Ulmer was a prolific director, hailing from the Czech republic and claiming to have worked on a number of classics like M and Metropolis, but without much evidence of this, however there is solid proof that he did work on Der Golem. Never really giving up his horror histories, he went on to direct a number of sci-fi, horror and film noir movies, while this adventure came near the end of his career he combined all that he learnt over the years.
Continue reading The Amazing Transparent Man (1960) →
Director: Konstantin Lopushansky
Starring: Viktor Mikhaylov, Vera Mayorova,Vadim Lobanov, Irina Rakshina, Aleksandr Rasinsky, Iosif Ryklin, Yu. Sobolev, Vladimir Firsov. Russia/Soviet Union/West Germany/Switzerland. 2h 16m
The jaw dropping, mind bending and highly disjointed follow on to Dead Man’s Letters (1986), shows that Lopushansky has lost none of this amazing vision of the world after an apocalyptic disaster. Usually history is written by the victors but who really comes out on top when the entire planet sinks into a nuclear winter?
From it’s dark crimson opening, it’s clear that the world is a very different place in this complicated post-apocalyptic future, that carries on from living memories of Chernobyl. The world attempts to keep things moving as a tourist attempts to traverse the barren landscape to visit a museum buried deep below the ocean. Clothed in a long black coat and carrying a single suitcase he stumbles through massive piles of waste, fights through clouds of dangerous dust and catches the saddest looking train I’ve ever seen limp down a track. Eventually he makes it to his “hotel” a house run by rich elites that looks out onto a vibrant shore that leads to a hidden fabled Museum.
Continue reading Posetitel Muzeya / A Visitor to a Museum (1989) →