Director: Aislinn Clarke
Starring: Lalor Roddy, Helena Bereen, Lauren Coe, Ciaran Flynn . Ireland / UK. 1h 17m
This found footage horror is set in the swinging 60’s but it isn’t influences by mini skirts and being hip instead the women involved are quite different, Devils Doorway sees Father Thomas Riley (Roddy) and Father John Thornton (Flynn) despatched by the vatican to investigate reports of a miracle in a Catholic asylum based in the wilderness of Northern Ireland.
At this remote asylum for immoral women, the statues of the Virgin Mary have been weeping blood. The two priests open their investigation by filming each other, the younger, Father John arms himself with a 16mm camera to record their findings and often interrogates father Thomas about his life and beliefs as a priest, after some adjustments they head to the vast home and begin their investigation but are confronted by some fiercely protective nuns who see their presence as insulting and can’t wait to see the backs of them. Continue reading The Devil’s Doorway (2018)
Day 5 of 31
Director/Writer/Producer: James Bickert
Starring: Jett Bryant, Madeline Brumby, Paul McComiskey. USA. 1h 21m.
I wasn’t prepared for this film.. so let me prepare you for this film. I chanced upon it in HMV in the horror section and looking like a cross between Baytown Outlaws, Pig Hunt and Devils Rejects.. but while it’s brilliant in it’s own rights it’s just not like any of these films.. it’s not like any other film… thankfully..
The Impalers are an outlaw motorcycle gang who are constantly on a full on GTA style rampage with a rival club Satan’s Own. And after riding through some nuns and fighting this gang the surviving members seek refuge in a secluded cabin deep in the mountains. The family who were having a small celebration in their cabin are soon preyed upon by the rebel biker gang but a mysterious girl who is locked in the basement holds secrets to a flesh eating monster lurking in the woods and a nazi mastermind behind all sorts of wrongness.
There is no safe haven, every level of wrongness is explored in a similar vein as to other modern comedy exploitation movies such as Hobo with a Shotgun (2011) similarly both films pay little attention to making the film look retro with a few grain lines that are soon disregarded, but unlike the original exploitation films this just rips everything apart in a parody so bad it’s good. Continue reading Dear God No (2011)