Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, LaKeith Stanfield, Bradley Whitford, Lil Rel Howery, Caleb landry Jones, Stephen Root .USA. 1h 44m
The title comes from a history of black audiences shouting “Get Out” to any black cast members in horror movies, it’s a trope that has been played to death more recently as we being to embark on the serious questions of race and stereotypes, and it’s during this brave new wave that Jordan Peele has unleashed some amazingly creepy and mind bending stories centering around the black community.
Continue reading Get Out (2017)
Director: Thomas Carter
Starring: Robert Sean leonard, Frank Whaley, Barbara Hershey, Noah Wyle, Martin Clunes, Christian Bale, Kenneth Brannah . USA. 1h 54m
In Thomas Carter‘s bold coming of age melodrama, three friends find themselves having to become men in a world being ripped apart by hitler’s iron hand, when all they want to do is dance the night away to Harlem jazz. Sadly they are children of a world that they didn’t make, but the free spirits find themselves in trouble and soon swinging to the mantras of a fascist regime.
Carter seems to have this habit of working on lots of TV shows then cracking out a startling film usually entangled into a taboo or some kind of controversy like his later hit Coach Carter (2005). Continue reading Swing Kids (1993)
Starring: Alfred Abel, Gustav Frohlich, Rudolf Klein Rogge, Fritz Rasp, THeodor Loos, Brigitte Helm. Germany. 2h 28m
Despite the age and the various cuts of this groundbreaking movie it’s still a powerful and disturbing film, it’s one of those titles that a lot of people are aware of but haven’t really watched and I have to admit that I’ve only seen it 3 times and each time it’s been a different cut but the darkness of the story remains constant, Regardless of HG Wells comments about the plot being “silly” it’s hard not to see how it’s a forerunner for those stark dystopian projects such as 1984 (1949), High Rise (1975-2015) and dare I even say Terminator (1984).
Opening with lavish scenes of an efficient and idealist future cityscape, the Metropolis is busy and filled with beautiful people, one of these stunning hipsters is Freder (Frohlich) his father Joh Fredersen, is a rich and powerful man who basically owns the city and runs the world above and below from his penthouse office. While Freder is playing with his friends in a pleasure garden, their playtime is interrupted when Maria (Helm) intrudes with a group of children who exist in the underground, who have come to see how the other half live, Freder is bewitched by Maria’s beauty and follows her into the depths of the city, and into a world which he’d been kept apart from all of his privileged life by this rich father who just happened to own the city.. Continue reading Metropolis (1927)
Director: Lance Daly.
Starring. Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keogham, Sarah Greene. USA. 1h 40m.
This brilliantly dark poetic revenge flick from the bleakest part of Irish history is rough but so intense. Based on the Irish Language short called An Ranger by PJ Dillon and Pierce Ryan, this lengthy retelling is focused on an Irish Ranger returning home from war and finding his homeland is very different to how he left it.
Starting on another tangent, the film opens with Hanna (Weaving) losing his temper with a prisoner, a member of the Young Irelander movement, while losing his temper he strangles the man he sips from his canteen while another guard realises Hannah has killed the prisoner.
Meanwhile Martin Feeney (Frechville) a former Connaught Ranger arrives in Connemara, west Ireland in 1847, the worst part of the Great Famine, he finds family home hollowed out and filled with pigs, he learns that his mother died from starvation and his brother was hanged after stabbing a bailiff during the family’s evection. Feeney stays with his brothers widow (Greene) who are squatting in one of the few remaining houses. Soon the landlord arrives to evict the family, killing Feeney’s nephew and destroying the home. Feeney is arrested but managed to kill his captors and destroy the barracks and re returns to find his sister in law and her daughter dead from exposure. This sparks something dark inside of Feeney and he begins to seek a tortuous bloody revenge on the men who have wronged him. Continue reading Black 47 (2018)