Director: Konstantin Lopushansky
Starring: Viktor Mikhaylov, Vera Mayorova,Vadim Lobanov, Irina Rakshina, Aleksandr Rasinsky, Iosif Ryklin, Yu. Sobolev, Vladimir Firsov. Russia/Soviet Union/West Germany/Switzerland. 2h 16m
The jaw dropping, mind bending and highly disjointed follow on to Dead Man’s Letters (1986), shows that Lopushansky has lost none of this amazing vision of the world after an apocalyptic disaster. Usually history is written by the victors but who really comes out on top when the entire planet sinks into a nuclear winter?
From it’s dark crimson opening, it’s clear that the world is a very different place in this complicated post-apocalyptic future, that carries on from living memories of Chernobyl. The world attempts to keep things moving as a tourist attempts to traverse the barren landscape to visit a museum buried deep below the ocean. Clothed in a long black coat and carrying a single suitcase he stumbles through massive piles of waste, fights through clouds of dangerous dust and catches the saddest looking train I’ve ever seen limp down a track. Eventually he makes it to his “hotel” a house run by rich elites that looks out onto a vibrant shore that leads to a hidden fabled Museum. Continue reading Posetitel Muzeya / A Visitor to a Museum (1989)
AKA The Presence
Director: Kevin S. Tenney.
Starring. James. W. Quinn. Kathleen Bailey, Linnea Quigley. USA. 1h 20m.
Sometimes films are just so freaking bad they turn out to actually be really enjoyable, this just might be one of the best of this rare category.
I believe that in the beginning there was a brilliant idea to make some kind of creepy occult based gory horror with a wise cracking team of police officers to play skeptic against an advanced paranormal team who have to team up to fight some kind of grand occultist, but that concept seemed to be hazed by whatever happened during production of this chaotic horror.. Continue reading WitchTrap (1989)
Director: Don Sharp
Starring: George Sanders, Beryl Reid, Nicky Henson, Mary Larkin, Roy Holder, Robert Hardy .UK. 1h 35m
AKA Death Wheelers
Sadly this is the only hippy occult psychotropic suicidal biker gang musical cult horror that Beryl Reid ever made, a movie that was the final nail in the coffin for George Sanders and one which most of the actors hated making but one of the first British cult motorcycle horrors that lives in the hearts of many fans.
Australian-born British film director, Don Sharp, is best known for his deeply atmospheric Hammer movies, in the 1960s, his titles included The Kiss of the Vampire (1962) and Rasputin, the Mad Monk (1966). In his early days he often appeared in B rated movies, this lead to him being adept at making the most of any meager budget, something which he demonstrated with his 17th Century based movie Witchcraft (1964) elegantly shot in monochrome and it’s follow up Curse of the Fly (1965) but his strangest picture is Psychomania. Successfully managing to combine the Hippy agenda of freedom and peace with a dark frog worshiping satanic cult, Sharp blends all of this with a tongue in cheek humor but without much of a plan as to the hows and whys of immortality and untapped power, the film wasn’t made to make sense but as a feast for the senses. Continue reading Psychomania (1973)
Director: Galder Gaztelu-Urrutia
Starring: Iván Massagué, Zorion Eguileor, Antonia San Juan, Emilio Buale Coka, Alexandra Masangkay .Spain. 1h 34m
When we have the truth of our social or cultural climate thrown in our face in graphic ways it’s quite common for people to feel ashamed, disgusted or maybe intrigued by its complexity. Taking something which most are unable to comprehend or actively turning a blind eye too, and reinventing it, is threaded throughout this spectacular Spanish Sci Fi Thriller.The Platform is an incredibly busty portrayal of our current tragedy of the commons but this one is a touch harsher than the Allegory of the Long Spoons fable.
It’s a popular trend for movies made for a more astute audience to often hit the ground running, chucking it’s characters and audience into an odd situation and assuming that grey matter will get them through the fleshing out of the plot, this is so welcomed than a third of the movie being taking by the director hammering home what they want the audience to think. So after watching a Michelin style kitchen prepare perfect foods, Galder opens with the lead Goreng (Massague) waking up on a bunk, on a platform with a strange man who keeps saying obviously.. there should be a warning to buckle up because things are going to get strange, violent and incredibly deep. Continue reading El Hoyo / The Hole AKA The Platform (2019)
Director: Richard Shepard
Starring: Allison Williams, Logan Browning, Steven Weber. USA. 1h 30m
There is something surprisingly poetic about, Paul Haslinger’s unabating film, a movie which is pretty easy to fall into and follow despite it constantly throwing the audience a curved ball by rewinding time and showing things from a different perspective, it’s charming but for me there just wasn’t enough obscure strangeness, instead that was reserved until the bitter…. sweet end.
Opening with a somber tone, a woman lays wide eyed on her deathbed, her daughter looking on with a 1000 yard stare, there is a slight sign that something is not quite right , through a montage we see her getting pulled from a prestigious school to return home and look after her mother, scenes of self harming and a girl desperate to escape , but also something much darker from her past. She’s damaged but is hopeful of a better future. She calls her old mentor for help, her mother has gone and now she wants to return to Anton (Webber) the person who was painstakingly training her to be the best cellist in the world but the world has moved on and he has a new best, the stunning Lizzie (Browning) her face plastered all over the streets of Shanghai, China, she’s utter perfection but the hint of jealousy falls into lust when the two virtuoses spend a night on the town then ends up in the bedroom, something pretty strange for rivals but these girls are also striving for the best and see it in each other but this flashy romance won’t last. Continue reading The Perfection (2018)
Director: Adam MacDonald
Starring: Laurie Holden, Nicole Muñoz. Canada. 1h m
There are so many various types of horror movies some are deeply atmospheric, other rely on fantasy or special effects, some are purely creature features and scare it’s audience by showing graphic monsters that disgust. In more modern times we have a resurgence of found footage, torture gore and this new wave of cerebral horrors that often leave audiences left feeling let down, mostly due to the fact that they didn’t SEE anything. This divides horror fans, it’s much like that of Science Fiction fans who are now heavily reliant on special effects for their kicks as opposed to those who are leaning toward LoFiSciFi.
Now I didn’t do much research into Pywacket and I just assumed it was going to be a big beastie monster in the woods type of horror, but I got a very big shock, it’s more highbrow horror than I ever could have imagined. While it has some minor faults, it could have been done with some refining and maybe a little bit more research into the mechanics but alas it’s still a very well crafted horror that has the ability to really eat into the consciousness and makes you rethink a lot of your personal philosophy. Continue reading Pyewacket
Director: Nicolas Pesce Writer: Ryû Murakami
Starring: Christopher Abbott, Mia Wasikowska, Laia Costa. USA/Japan. 1h 21m
Piercing, a movie about a man who plans to kill a prostitute in his hotel room, was an instant for my to watch list, but after seeing it get run into the dirt by many reviewers I did start to question myself. A tiny bit of research renewed my passion when I realised that this thriller is based on a book by Ryû Murakami, yep, the twisted individual that wrote the novel Audition who’s film adaption comes highly rated with it’s dark surreal undertones and horrific gore scenes. Top this off with the director of The Eyes of my Mother (2016) I can’t see how this could really be so bad..
A young father, Reed (Abbott) struggles to restrain himself from stabbing his baby daughter with a skewer, the pressure forces him to find a way to get this deadly desire out of his system. He hatches an incredibly details plan to hire a hotel room, rent a hooker and play out his stabbing fantasy, once she’s dead he hopes to return to his happy normal life.Unfortunately the unhinged hooker he encounters, Jackie (Wasikowska) has her own demons to exorcise and the two of them play an destructive game of cat and mouse. Continue reading Piercing (2018)
Director: Skip Kite
Starring: Walt Kissack, Gary Sharkey, Ada, Lewis. UK. 1h 24m
Peter Sutcliffe has had a terrible reputation for a long time, and despite his feelings of remorse in this latter years public opinion hasn’t changed much. This drama is supposed to take you into the mind of one of the UK’s most notorious serial killers, using real archive footage it pieces together the biggest manhunt as well as dramatising Peters inner thoughts while he attempts to reflect internally. Continue reading Pe+et / Peter (2011)
Director: Brian M. Cassidy, Melanie Shatzky
Starring: Various, all cast as themselves .USA. 1h 08m
Asylums, homes, and other residential institutions are some of the least known places to the masses, more films and documentaries are made about prisons as there’s some sense that we know what life inside is like. The common perception is that the inmates of other houses don’t have interesting tales to share with us. The Patron Saints, is a stark reminder of the life and stories are still alive in the oldest generation and through this challenging piece of work I found a new respect for those who we should praise more than others in their golden years. Continue reading The Patron Saints (2011)
Director: Shane Black.
Starring. Thomas Jane, Boyd Holbrook, Keegan Michael Key, Sterling K Brown, Trevante Rhodes, Alfie Allen, Jake Busey, Yvonne Strahovski, Olivia Munn USA. 1h 58m
For a while I had a lot of faith that after Shane Black’s death by the hands of the original Predator back in the 80’s cult classic jungle sci fi mayhem epic adventure, and his subsequent career as a director, that he could be trusted with this remake. But then I remembered he’s Shane Black and you cannot trust this man! To be fair Shane is totally okay and I still regained some faith but the writer, Fred Dekker was an odd choice. His previous classics are cult but for very different reasons, Night of the Creeps, Monster Squad (written with Shane Black) were high for their levels of comedy antics. Dekkers contributions for House (1986) gave the film a surreal and yet again comedic undercurrent, and his more recent work included Robocop 3 which ruined the trilogy by adding in some cute kids and morals… this is when I knew someone has fucked up. Continue reading The Predator (2018)