Director: Richard Shepard
Starring: Allison Williams, Logan Browning, Steven Weber. USA. 1h 30m
There is something surprisingly poetic about, Paul Haslinger’s unabating film, a movie which is pretty easy to fall into and follow despite it constantly throwing the audience a curved ball by rewinding time and showing things from a different perspective, it’s charming but for me there just wasn’t enough obscure strangeness, instead that was reserved until the bitter…. sweet end.
Opening with a somber tone, a woman lays wide eyed on her deathbed, her daughter looking on with a 1000 yard stare, there is a slight sign that something is not quite right , through a montage we see her getting pulled from a prestigious school to return home and look after her mother, scenes of self harming and a girl desperate to escape , but also something much darker from her past. She’s damaged but is hopeful of a better future. She calls her old mentor for help, her mother has gone and now she wants to return to Anton (Webber) the person who was painstakingly training her to be the best cellist in the world but the world has moved on and he has a new best, the stunning Lizzie (Browning) her face plastered all over the streets of Shanghai, China, she’s utter perfection but the hint of jealousy falls into lust when the two virtuoses spend a night on the town then ends up in the bedroom, something pretty strange for rivals but these girls are also striving for the best and see it in each other but this flashy romance won’t last. Continue reading The Perfection (2018)
Director: Adam MacDonald
Starring: Laurie Holden, Nicole Muñoz. Canada. 1h m
There are so many various types of horror movies some are deeply atmospheric, other rely on fantasy or special effects, some are purely creature features and scare it’s audience by showing graphic monsters that disgust. In more modern times we have a resurgence of found footage, torture gore and this new wave of cerebral horrors that often leave audiences left feeling let down, mostly due to the fact that they didn’t SEE anything. This divides horror fans, it’s much like that of Science Fiction fans who are now heavily reliant on special effects for their kicks as opposed to those who are leaning toward LoFiSciFi.
Now I didn’t do much research into Pywacket and I just assumed it was going to be a big beastie monster in the woods type of horror, but I got a very big shock, it’s more highbrow horror than I ever could have imagined. While it has some minor faults, it could have been done with some refining and maybe a little bit more research into the mechanics but alas it’s still a very well crafted horror that has the ability to really eat into the consciousness and makes you rethink a lot of your personal philosophy. Continue reading Pyewacket
Director: Nicolas Pesce Writer: Ryû Murakami
Starring: Christopher Abbott, Mia Wasikowska, Laia Costa. USA/Japan. 1h 21m
Piercing, a movie about a man who plans to kill a prostitute in his hotel room, was an instant for my to watch list, but after seeing it get run into the dirt by many reviewers I did start to question myself. A tiny bit of research renewed my passion when I realised that this thriller is based on a book by Ryû Murakami, yep, the twisted individual that wrote the novel Audition who’s film adaption comes highly rated with it’s dark surreal undertones and horrific gore scenes. Top this off with the director of The Eyes of my Mother (2016) I can’t see how this could really be so bad..
A young father, Reed (Abbott) struggles to restrain himself from stabbing his baby daughter with a skewer, the pressure forces him to find a way to get this deadly desire out of his system. He hatches an incredibly details plan to hire a hotel room, rent a hooker and play out his stabbing fantasy, once she’s dead he hopes to return to his happy normal life.Unfortunately the unhinged hooker he encounters, Jackie (Wasikowska) has her own demons to exorcise and the two of them play an destructive game of cat and mouse. Continue reading Piercing (2018)
Director: Skip Kite
Starring: Walt Kissack, Gary Sharkey, Ada, Lewis. UK. 1h 24m
Peter Sutcliffe has had a terrible reputation for a long time, and despite his feelings of remorse in this latter years public opinion hasn’t changed much. This drama is supposed to take you into the mind of one of the UK’s most notorious serial killers, using real archive footage it pieces together the biggest manhunt as well as dramatising Peters inner thoughts while he attempts to reflect internally. Continue reading Pe+et / Peter (2011)
Director: Brian M. Cassidy, Melanie Shatzky
Starring: Various, all cast as themselves .USA. 1h 08m
Asylums, homes, and other residential institutions are some of the least known places to the masses, more films and documentaries are made about prisons as there’s some sense that we know what life inside is like. The common perception is that the inmates of other houses don’t have interesting tales to share with us. The Patron Saints, is a stark reminder of the life and stories are still alive in the oldest generation and through this challenging piece of work I found a new respect for those who we should praise more than others in their golden years. Continue reading The Patron Saints (2011)
Director: Shane Black.
Starring. Thomas Jane, Boyd Holbrook, Keegan Michael Key, Sterling K Brown, Trevante Rhodes, Alfie Allen, Jake Busey, Yvonne Strahovski, Olivia Munn USA. 1h 58m
For a while I had a lot of faith that after Shane Black’s death by the hands of the original Predator back in the 80’s cult classic jungle sci fi mayhem epic adventure, and his subsequent career as a director, that he could be trusted with this remake. But then I remembered he’s Shane Black and you cannot trust this man! To be fair Shane is totally okay and I still regained some faith but the writer, Fred Dekker was an odd choice. His previous classics are cult but for very different reasons, Night of the Creeps, Monster Squad (written with Shane Black) were high for their levels of comedy antics. Dekkers contributions for House (1986) gave the film a surreal and yet again comedic undercurrent, and his more recent work included Robocop 3 which ruined the trilogy by adding in some cute kids and morals… this is when I knew someone has fucked up. Continue reading The Predator (2018)
Director: Matthew Holness
Starring: Sean Harris, Alun Armstrong .UK. 1h 25m
There’s a place that some dark artist like to go, it often involves gloomy and eerie aspects from a fuzzy past that are easily recognised but often pushed back to those obscure corners of our minds, like a suppressed memory Possum manages from slither its way out of the dank interior of an old English home, and hides itself in the brown bag carried by a disgraced children’s puppeteer as he embarks on a journey to confront his stepfather and his own inner demons.
The film opens with Philip (Harris) wandering aimlessly around a remote area of Norfolk with his bag clutched tightly to him, after some atmospheric art house scenes backed by a heavy Radiophonic Workshop soundtrack. He spys a few teenage boys on a train he tries to talk with one but he runs away from the creepy man, Philip returns to his home, a dank rundown home with a disheveled garden, here he opens his bag and chucks the contents into a metal barrel with the promise to destroy the leggy creature, eventually we are made aware of Maurice (Armstrong), a sly and controlling character who seems to want to encourage Philip to keep his puppet, while constantly keeps asking if he’s going to burn it, which Philip agrees to but then never does. Little by little Maurice exerts control over Philip and suggests different places for him to visit, while the puppet is slowly revealed and each time the effects on Philip get more disastrous. As a news story about a missing school boy flourish in the news, questions are raised over Philips possible involvement. Continue reading Possum (2018)
Director: Osamu Dezaki. Japan . 1h 31m
I’ve never really been swept off my feet by Bond movies, although I did get sweaty palms over some of the wonderful toys and gadgets. But the actual bond character changed with every incarnation and while everyone brought their own twist I couldn’t really find him all that believable. In contrast we have Rambo (stay with me here) Rambo is the toughest man alive (no question about it) a tough hombre who little kids wanted to be when they were all growed up, but then I discovered Riki-O (1991) a amazing invincible tough guy who makes Rambo look like a pussy. In the same vein Golgo 13 makes Bond looks equally pussified. He’s an assassin who is always one step ahead of the game, women falling over themselves willing to die just for one night with him, no shot if ever off and he’s like teflon in hand to hand combat. There really isn’t anyone better than Golgo 13.
With that mighty introduction, what else is left to say? You now have the opportunity to see the toughest man alive do bossanova things.. Get going.
Continue reading ゴルゴ13 / The Professional : Golgo 13 (1983)
Director: Federico Zampaglione
Starring: Claudia Gerini, Nuot Arquint, Michele Placido, Ennio Tozzi, Ivan Franek, Michela Cescon, Federica Vincente. Italy. 1h 24m
As dedicated nod to the 70’s Giallo movement Tulpa sees a successful business women, Lisa Boeri (Gerini) get pulled into a grotty underworld while living a vivid double life.
Opening with a gore filled sado masochistic murder. A man enters a deadly game as a dominant but soon becomes the victim of a leather gloved maniac with a wild moral compass, out of the thick bloodied and drawn out scene the story of Lisa, a ball busting, successful business woman, well respected and admired but she keeps her nocturnal activities a painstakingly repressed, after hours she’s an eager member of a esoteric underground club, named Tulpa, owned by a strange tibetain character, a true embodiment of the hierophant played by the otherworldly Nuot Arquint . Unfortunately for Lisa, her two world’s are set to collide when her sexual partners from the club are savagely slaughtered. Continue reading Perdizioni mortali / Tulpa (2012)
Starring. Aura Garrido, David Oakes, Ray Stevenson. Spain. 1h 48m.
The background of this mesmerising thriller is reminiscent of stories straight from the imagination of HP Lovecraft, but the film is actually based on a story by Albert Sanchez Pinol with the same title. They both involve a lone man on the edge of his sanity who lives locked tight in a light house on a remote and uninhabited island, existing like a hobo and fighting off deadly sea creatures each night.
The film breaks open at sea, a fine-looking ship is being chased by dolphins as a young Irishman named Friend (Oakes) travels to this remote island in the South Atlantic to work as a meteorologist, the only inhabitant of the island is the caretaker of the lighthouse, a tough character called Gruner (Stephenson). After a cold and abrupt introduction Gruner informs Friend that the previous meteorologist died from typhus. The crew depart leaving Friend to cosy in his new cabin he watches Gruner in his fortified lighthouse with intense curiosity, why would someone need to defend a lighthouse? Friend unpacks and finds a journal from the late meteorologist, detailing nightly attacks from strange creatures form the sea, assuming this was feverish dreams of a dying man he drifts off to sleep until a slimy webbed hand feels under the door and he finds himself under attack. He managed to fight off the intruders, the next day he tries to get Gruners attention but is ignored. He spends the day fortifying the cabin and finds a gun. Awaiting another attack but he’s overrun and in the fight ends up burning the cabin to the ground, hiding on the rocks of the beach with a blanket he spends the night hiding. Continue reading La Piel Fria / Cold Skin (2017)