Director: Mikael Håfström Starring: Anthony Hopkins, Ciaran Hinds, Alice Braga, Toby Jones, Ruther Hauer, Colin o’Donoghue. USA. 1h 54m
Loosely based on a book that centres around a real life priest Father Grey Thomas, this choppy and sentimental possession movie attempted to enlighten viewers with real possibilities of demonic possession and gives a more relaxed approach to exorcism process, sometimes it takes times to battle a demon but in the ending showdown the movie reverts back to the classic trope of a priest vs demon verbal slagging match.
Director: Matt Jaissle Starring: Deanna Cockrum, Ezekiel Alexander Enriquez, William Jassle, Rich Massey, Don Mature, Adolf Mulzer. USA. 1h 16m
It’s great to see that the truer elements of BMovies haven’t quite died out just yet. And Matt Jaissle is one of the busier directors, having a ton of interesting titles under his belt including… and then there’s the grindhouse epic of Revolution 666 blending together a pseudo Manson cult and a zombie Helter Skelter plot to destroy the world.
Director: Russell Mulcahy Starring: Christopher Lambert, Robert Joy, David Cronenberg, Leland Orser .USA. 1h 48m
With a recognisable cast and no budget, there’s a clear distinction between Resurrection and the movies it’s imitating, but despite its imilations it’s still a fun watch, but one which could have been extraordinarily gruesome and chilling if put in the right hands.
Christopher Lambert and Leland Orser team up as a bmovie Mills and Somerset as they hunt a deranged killer who’s emabring on a pet project to construct the body of christ, much like John Doe in Se7en this twisted mastermind is incredibly intelligent and masterfully deviant. There’s a huge strive to match the dark oppressing cityscape that Se7en is based in, but having the main officer, John Prudhomme (Lambert) painted as a superstitious cajun there’s a lot of hoops to jump through for a mainstream audience.
Director: James McTeigue Starring: John Cusack, Alice Eve, Luke Evans, Brendan Gleeson,Oliver Jackson-Cohen, Sam Hazeldine, Dave Legeno. USA. 1h 51m
Journalism and celebrity are the subjects of this Victorian clad detective story. Fictionalising the final days of Edgar Allen Poe, giving him some majesty while being down and out in Baltimore 1849. No one wants to publish his iconic flavour of the macabre anymore and his life is in tatters.
Director: Michael Feifer Starring: Corin Nemec, Andrew Divoff, Tony Todd, Debbie Rochon .USA. 1h 32m
This was Michael Feifer’s first, bold attempt to retell the bloody history of a serial killer. Chicago Massacre follows the childhood and killing spree of one of America’s most deranged individuals, Richard Speck. This debut saw Feifer pair up with Corin Nemec, playing the lead role of a prominent killer. A year later the two would reunite for Bundy: A Legacy of Evil (2008). This could have continued with Nemec playing Gacy, Gein and even Kemper if the duo had the desire but it seems this is all we’re getting folks!?
It feels that the movie was conceived with a lot of promise, a couple of well known names were thrown into the mix, Todd and Divoff , who seemed eager to help as law enforcement officers trying to understand and track a man who single handedly slaughtered a number of women in july 1966, but their acting expertise is often overshadowed by the need to show Speck not killing people, they could have been the B Movie versions of Somerset and Mills, however the focus is on Speck and not the people tracking him, although their scenes are quite special, but always seem like some kind of pensive Film Noir.
Director: Juan Piquer Simón Starring: Jack Scalia, R. Lee Ermey, Ray Wise, Ely Pouget, Deborah Adair,John Toles-Bey. Spain/USA. 1h 19m
If you’re a fan of underwater horrors such as The Abyss, Leviathan, DeepStar Six etc, then this film will feel really familiar to you. Often seen as a BMovie version of the movies mentioned above due to its lack of originality in the plot, the film is often praised for providing a decent entertaining sucker punch for it’s limitations. Considering that 1989 was the sterling breakthrough for deep sea thrillers involving a host of alien and mutant creatures, it’s a strange step backwards to watch Endless Descent ride on their back 2 years later, but for all its flaws it’s incredibly watchable.
Director: Richard Billingham Starring: Patrick Romer, Richard Ashton, Justin Salinger, Ella Smith, Tony Way. UK. 1h 50m
This strangely hypnotic movie doesn’t really have a beginning, middle and an end, per say but there’s a strange introduction to characters, and they are very unusual creatures. Once you get over the initial shock of their squalid lives and attitudes the movie kinda meanders until a pivotal moment where everyone’s life changes, most notable the teller of the story, Richard, and his little brother Jason, who at one point would rather sleep rough than go home, but what would drive a child to do this?
Director: Jim Klock Starring:Jim Klock, Mike Capozzi, Chad Ridgely .USA. 1h 26m
This is quite a tidy moody piece of theology noir, as two investigators embark on a spiritual journey while searching for a missing police officer.
After watching the officer pass through a door while answering an emergency call he’s never seen again and his distraught wife asks for additional help to find him. Jim and Mike answer the call, each at different ends of the spectrum of religious belief, although Mike, while pious, had the remarkable skill of being highly psychic, and is reluctant to take this particular job but goes along to help his bestest bud. Continue reading Red Letters (2019)→
Director: Antonia Bird Starring: Robert Carlyle, Guy Pearce, David Arquette, Jeffrey Jones, Jeremy Davies, Stephen Spinella, Nail McDonough, John Spencer .USA/UK/Czech Republic. 1h 41m
Through all the beautiful landscape shots and bloody battles, Ravenous is a poetic journey of one man dealing with the mental conflicts of honour and cowardice set in a allurgin remote mountain location and having to deal with one of the most ferocious Algonquian legends. The film raises tough questions on how heroes are perceived and the effects on the individual, what if a moment of bravery is pure accidental luck, how can a man continue to live the lie before he’s found out?
After their first two initial weeks of filming the original director Mick McCluskey was sacked and leading cast member Robert Carlyle called on an old friend Antonia Bird to complete this prestigious project. Antonia had previously directed him in a brilliant English council estate mobster film called Face (1997) where Carlyle stars alongside Ray Winstone as an average Joe socialist who forms a gang to rob a bank, the movie still has a strong cult following and is highly rated along other Brit classics such as the highly acclaimed Nil By Mouth (1997) and really cemented burden Carlyle in the memories of dedicated fans. Continue reading Ravenous (1999)→