Director: Robert Schwentke
Starring: Max Hubacher, Frederick Lau, Bernd Hölscher, Waldemar Kobus, Alexander Fehling, Samuel Finzi. Germany. 1h 50m
Here is another chilling nightmare from the German home front, as the end of the war begins to loom into reality and defeat is imminent, a lone German runs deep into the woods while being chased by some overprivileged soldiers blowing horns and taking pot luck shots at him. The man manages to evade death and recapture and eventually stumbles on an abandoned car and uniform of a high ranking officer.
This crystalline black and white brutal masterpiece, possible shot in this style inspired by Spielberg’s Schindler’s List (1993) shows that the talented director Schwentke has gone back to basic and delivered something beautifully stark and somewhat monstrous. Continue reading Der Hauptmann / The Captain (2017)
Director: Ian Bonhote.
Writer: Peter Ettedgui UK. 1h 41m
Having lived through the mastery and magic of McQueens stunning artistry until his untimely tragic death, I felt as robbed as anyone who was inspired by the brilliance that McQueen brought into the world. After reading several books and watching numerous documentaries about him and his beguiling muse Isabella Blow (another character I hold close to my heart), I thought I really knew it all, but this thought provoking film brings so much more raw emotion and in depth background to the surface, including very personal testimonies from those who lived and worked so very closely to the legend. Continue reading McQueen (2018)
Director: John R. Hand
Starring: Arnold Odo, Fernando Cano, Bri Bynon. . USA . 1h 25m
A majority of serial killer movies are based on a few well known names, which can get repetitive as directors try their socks off to make an impressive, accurate and daring movie. Sadly most of them are total rubbish, missing the point,going off key missing out important details and even fabricating events.
But in all honesty films about serial killers will never really be what the die hard enthusiasts are looking for because those insensitive details are not cinema friendly. Most of the time the killers have been executed and promoting their ideals and theologies just don’t make the cut, but in the case of Joel Rifkin (Odo), the New York Ripper, there’s so much more opportunity to make a really in depth study about the incarcerated killer and it was totally missed here. Joel is still with us and has executed some really detailed and personal interviews where he expresses more about himself and the murders he committed than his movie does. Continue reading Joel (2018)