Tag Archives: s

Spider (2002)

Director: David Cronenberg
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne .UK/Canada. 1h m

In the early 2000’s David Conenberg packed away the New Flesh and made an intensely beautiful and fascinating account of Patrick’s McGraths novel. Even without the body horror and gore, psychotropic vibes and the paranoid surreal, Conenberg still manages to disturb.

Starring Ralph Fiennes, as a deeply disturbed middle aged man, simply known as Spider. He’s just been released from a long term mental institution into a drab boarding house in London’s King Cross area. The tatty rooms and pealing wallpaper permeate a 1950’s atmosphere and isn’t the idea surroundings for recovery, however it’s here that Spider travels back to his childhood, spiraling back into the trauma as he remembers his obsessive belief that his father (Bryne) did away with his mother (Richardson) to start up a new life with a prostitute.

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Brothers In Arms / Semper Fi (2019)

Director: Henry Alex Rubin
Starring:Jai Courtney, Nat Wolff, Finn Wittrock, Arturo Castro, Beau Knapp .USA. 1h 39m

It’s hard not to feel a little bit conflicted with the ending of Brothers In Arms AKA Semper Fi. The film successfully builds up a golden camaraderie between a pair of brothers Callahan (Courtney) and Oyster (Wolff) who, along with their Marine Corp Reserve Brothers, they manages to pull off the impossible and with the best intentions but in the big scheme of righter and wronger, was it really justified?

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Shutter Island (2010)


Director: Martin Scorsese Starring:Leonardo DiCaprio, Emily Mortimer, Mark Ruffalo, Ben Kingsle, Max Von Sydow, Patricia Clarkson, Ted Levine, John Carroll Lynch, Elias Koteas USA. 2h 18m

Scorsese is a legendary director but more often I find I can work out his films from the get go and this one I called in the intro and then didn’t enjoy a single second of the movie because for me it was so clear what was going on. But in hindsight I can see the appeal for anyone who didn’t clique what was going on, it must have been gripping and playing on all of their emotions.

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Site 1 (2018)

Director: Matias Page
Starring: Matias Page. UK/USA. 1h 13m

How far can one man go into different realms before he literally finds himself? Site 1 unwraps with Matthews Phillips (Page), arriving at a secret location with a set of specific rules flashing up on the screen, his attempt to take part in a curious experiment. His personal intention is to discover the whereabouts of his brother who “went in before him”. While adhering to the rules Phillips ends up performing an elaborate ritual, but what is the aim and what is he letting himself into? After entering the home he finds a recorder, which alludes to more serious instructions which allude to a break in reality and the need to adhere to certain constraints in order not to slip through the crack himself.

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Suntan (2016)

Director: Argyris Papadimitropoulos
Starring: Makis Papadimitriou, Elli Tringou. Greece. 1h 44m

Suntan is a movie that’s as slow burning as it’s lead characters’ heavily protected skin. An epic adventure into the darker races of the human condition that follows a middle aged man, who embarks to a remote Greek island to be the only doctor, but instead he thrust into a hedonistic paradise and once the holiday season beings, he finds himself shunted further into an unfamiliar world of casual free love and a dangerous obsession. Directed by Argyris Papadimitropoulos, a Greek filmmaker whose work is totally unknown to me but after watching this shocking and incredibly sad story of sexual obsession. His outlandish style,ability to capture and develop hyper real character and throw some absurd black comedy into such a serious drama, he deserves to be recognised alongside contemporaries such as Yorgos Lanthimos.

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Stratton (2017)

Director: Simon West
Starring: Dominic Cooper, Austin Stowell, Gemma Chan, Connie Nielsen, Thomas Kretschmann, Tom Felton, Derek Jacobi. UK. 1h 34m

British director Simon West has a huge action highlight reel consisting of succulent titles such as Con Air, Lara Croft Tomb Raider, The Mechanic, and even the mega blockbusters, The Expendables 2. But his latest addition, a smaller scaled Brit Espionage Thriller, Stratton, seem to have all the right components of a big budget action flick but just no heart and soul, which is bound to leave many viewers feeling cheated.

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The Silencing (2020)

Director: Robin Pront Starring:Nikolaj Coster-Waldau, Caleb Ellsworh-Clark Josh Crudda, Annabelle Wallis, Zahn McClarnon . Canada. 1h 33m

Backwoods horrors seem to have traveled from the deserts of the southern American into the cold forests of the north, incorporating indigenous folklore along the way. The Silencing tries to keep itself in the here and now, offering a grimy armchair detective mystery with icy drama, some daring thrills and a fathers promise to find his missing daughter at all costs.

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The Salvation (2015)

Director: Kristian Levring.
Starring. Mads Mikkelsen, Eva Green, Eric Cantona, Mikael Persbrandt, Douglas Henshall, Michael Raymond-James, Jeffrey Dean Morgan, Jonathan Pryce.USA/Denmark/South Africa. 1h 32m.

Westerns have long been a tough genre for me, I grew up watching them with my mother and grandfather and I really started to hate them. I suppose any entertainment that makes the adults lose interest in how cute you are will do that to a child’s psyche.. the only entertainment was playing with Gramps while he slept through some of the classics. Later on in life, when I got over the trauma, I rediscovered Spaghetti Westerns and I started to accept the genre back into my life, unless there’s a Mexican revolution a haunting Ennio Morricone soundtrack and less white people attempting to make believe that America has always been white, then the better things start to get. I’ve loved the reassurance of darker and more graphic horror westerns such as Seraphim Falls (2006), Brimstone (2016) and the almost instant cult classic Bone Tomahawk (2015), which have won me over. But without having a mythical foe or a revolution, there’s a striking grasp of The Salvation which has a more believable story of two immigrant brothers just trying to get ahead in the wild west and meeting ugly adversity.

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(The Possession) of Nurse Sherri (1978)

AKA Black Voodoo, as well as Beyond the Living, Hospital of Terror, Killer’s Curse, and Hands of Death.

Director: Al Adamson
Starring: Jill Jacobson, Marilyn Joi, Geoffrey Land , Prentiss Moulden. USA. 1h 28m

Nurse Sheri is a dramatic possession horror/slasher from the height of the exploitation era it tantalises with sexual innuendos and buckets of psychedelic entity antics as Sheri tries to battle against a dark forces that were brought into the hospital by a dying cult member.

Al Adamsson uses a combination of grindhouse trashy murders with mediocre acting, a touch of eroticism and some animated graphics to highlight the story of a nurse who is accidently present when an occultist dies in her hospital and becomes a vessel for an otherworldly feind on a mission.

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Skylines (2020)

Stylized as SKYLIN3S

AKA Skyline 3

Director: Liam O’Donnell
Starring: Lindsey Morgan, Jonathan Howard, Daniel Bernhardt, Rhona Mitra, James Cosmo, Alexander Siddig .USA. 1h 50m

Long after the failure of Skyline and the mediocre success of the sequel, it’s plain to see that the new format is the new template for all future movies, now that Liam O’Donnell is in the driving seat. While O’Donnell’s fine tuning has made a drastic improvement in the Skyline trilogy it’s taken the film down a strange rabbit hole but is this third installment a breath of fresh air or just the final nail in the Skyline coffin? Continue reading Skylines (2020)