Director: Ari Aster
Starring:Florence Pugh, Jack Reynor, William Jackson Harper, Vilhelm Blomgren, Ellora Torchia, Archie Madekwe, Will Poulter . USA/Sweden. 2h 18m
Ari Aster has a bone to pick with our perceptions of folklore and his method is to scare and intrigue us by old practices which somehow feel familiar to us but also keep us up at night. By his own admission, his own personal demons and fear of germs helped centre him as the central character, something which might have spurred on his need to move away from horror, he loves musicals and rom coms, who’d have thunk it? Despite his love of folky cult themed horrors, he does have a great eye for colour and dramatics, so maybe his distinctive style will happily manifest in other dramatic and loud ways, but I don’t doubt for a second that whatever he dreams up next will be unmistakably Asterish. Continue reading Midsommar (2019)
Director: Elliott Goldner.
Starring. Gordon Kennedy, Robin Hill, Aidan McArdle, Lee Arnold, Patrick Godfrey. UK. 1h 29m.
There are some strange going on in Elliott Goldner’s dark found footage horror set in the beautiful rural Devon landscape. After a miracle at a small church close to being closed down, a team of Vatican expert investigators and a plucky technician head out to prove or disprove the supernatural activity only to discover the truth is harder to believe than the miracle.
Goldner successfully sets up a plausible reason for the cameras and maintains a really good combination of shaky and static cam set up. Starting in South America the camera follows the authorities barging into an abandoned church, Brother Deacon (Kennedy) is screaming into the phone that everyone is missing as the cops find hidden microphones and equipment, it’s an obvious religious scam, “get that camera out of my face” fade to black. Continue reading Borderlands \ Final Prayer (2013)
Director: Hiroshi Katagiri
Starring: Eva Swan, Sean Sprawling, Katherine Taylor, Simon Philips, Doug Jones, Lance Henriksen. USA/ Japan. 1h 45m
Katagiri’s feature length debut opens up with an embellished biblical quote from Matthew 18:9, but instead of casting your eye into hell fire, the word is changed for Gehenna, this cuts away for a group of natives performing a ritual involved cutting off a mans face and walling him up in a cave.
After the bloodshed, the film cuts to a pristine office, where Morgan (Henriksen) speaks with his daughter about checking out a new spot in Saipan, the family business is tied with tourism and they have acquired a new piece of land which Paulina (Swan) is determined to check out as she’s planning on taking over the family business soon, this is all you’ll see of Henriksen so don’t get your hopes up Henny fans.
Continue reading Gehenna: Where Death Lives (2016)