Director: Scott Derrickson
Starring: Eric Bana, Edgar Ramirez, Olivia Munn, Chris Coy. USA. 1h 58m
Adapted from: Beware the Night – Ralph Sarchie
From the dawning of The Exorcist every possession movie attempts to become the scariest movie ever made, and yet, through the decades there’s a building up of different styles and techniques which seems to flavour the films throughout the decades and sadly Deliver Us From Evil falls into a series of modern tropes while bringing together some brilliant actors who are often underused for a plot which is apparently based on real events.
Continue reading Deliver Us From Evil (2014)
Director: Aaron B Koontz
Starring: Melora Walters, Zachary Knighton, Noah Segan, Stan Shaw, Devin Druid, Bill Sage .USA. 1h 36m
While being blown away with the wild violence on Bone Tomahawk (2015) I wondered if it was going to mark a revival of the Horror Westerns and luckily it did, The Nightingale (2018) and The Wind (2018) soon followed and really kept up the momentum, pioneering new levels and atmospheres in the genre, then things started to spiral out of control and the low budgets are now having a bash at grisly film with a western feel.
The Pale Door has one of those movies titles that sounds poetic and could allude to a rabbit warren of possibilities, sadly they picked a really strange combination of events to try and build a story on. Continue reading The Pale Door (2020)
Director: Don Sharp
Starring: George Sanders, Beryl Reid, Nicky Henson, Mary Larkin, Roy Holder, Robert Hardy .UK. 1h 35m
AKA Death Wheelers
Sadly this is the only hippy occult psychotropic suicidal biker gang musical cult horror that Beryl Reid ever made, a movie that was the final nail in the coffin for George Sanders and one which most of the actors hated making but one of the first British cult motorcycle horrors that lives in the hearts of many fans.
Australian-born British film director, Don Sharp, is best known for his deeply atmospheric Hammer movies, in the 1960s, his titles included The Kiss of the Vampire (1962) and Rasputin, the Mad Monk (1966). In his early days he often appeared in B rated movies, this lead to him being adept at making the most of any meager budget, something which he demonstrated with his 17th Century based movie Witchcraft (1964) elegantly shot in monochrome and it’s follow up Curse of the Fly (1965) but his strangest picture is Psychomania. Successfully managing to combine the Hippy agenda of freedom and peace with a dark frog worshiping satanic cult, Sharp blends all of this with a tongue in cheek humor but without much of a plan as to the hows and whys of immortality and untapped power, the film wasn’t made to make sense but as a feast for the senses. Continue reading Psychomania (1973)