Come out and play (2012)

Director: Makinov
Starring: Vinessa Shaw, Ebon Moss-Bachrach .Mexico. 1h 40m
Based on: El juego de los niños by Juan José Plans

In a bold attempt to update and update the 1976 classic Who Can Kill a Child but Narciso Ibanes Serrador, Makinov has basically just remade it with little care to really expand the story and somehow it now seems slightly underpowered and drawl in all areas which could have been improved.

A young couple, Beth (Shaw) and Francis (Moss-Bachrach) are on holiday and travelling around remote islands before the birth of their child. On arriving at a new island they discover a lone boy fishing but make their way into town finding it pretty vacant. Settling down in an abandoned bar they make themselves drinks and food, assuming that everyone is sleeping off the after math of festival season.

Veronica (2017)

Director: Paco Plaza
Starring: Sandra Escanaba, Bruna Gonzalez, ana Torrent, Claudia Picer, Ivan Chavero, Carla Campra. Spain. 1h 46m

So much about Veronica is like all the other ouija, catholic demonic inspired movies although it does have a few quirks and charms which make it stand out, not as something inventive and new but something relatable.

Veronica and her best friend have planned secret ouija based seance to contact Veronica’s deceased father, their golden opportunity is when the entire catholic school will be on the roof and outside to watch an eclipse.  There are are no awards to guess the rest of the movie, the ouija session goes terribly wrong and soon Veronica is the experiencing lots of paranormal activity around herself and home, but when this dark entity starts attacking her family, Veronica starts to research and does all she can to protect them.

Just because you close your eyes it doesn’t mean the world ceases to exist.

Plaza has found fame through a series of wholly gory Rec series which really broke through a new age of possession/zombie hybrids, and I believe like everyone else I was expecting the same from this movie which was initially billed as prequel.

El castillo de la pureza / Castle of Purity (1972)

Director: Arturo Ripstein.
Starring: Claudio Brook, Rita Macedo, Diana Bracho, Arturo Beristáin, Gladys Bermejo, David Silva, María Rojo. Mexico. 1h 41m

After seeing the epic Dogtooth (2009) by the cult director Lanthimos, I was mystified by the circumstances, the basis of the story is a man raising his family in such isolation,  their offbeat lifestyle seems so extraordinary to the eye of any outsider, the whys were never really answered the film just happens. But after a little digging i discovered that the film isn’t a remake but has a similar storyline to El castillo de la pureza, an excellent Mexican drama where a man isolates his family to protect them from “the evils of human beings”. While I thoroughly enjoy Dogtooth everytime I see it, there’s something deeper in this retro classic as it digs under the skin of the abnormal situation.

Gabriel Lima (Brook) and his gorgeous wife Beatriz (Macedo) have invented a brilliant homemade rat poison, their children all have roles in helping them manufacture this brilliant powder. Each day they get up and get to work, always in silence when working, then their father gets dressed in formal clothes and goes out to sell the rat poison to local shops and businesses, meanwhile the children have to exercise, learn and for a while they play.
Things start to breakdown, slowly at first, but as the movie builds pace it becomes a waves of crushing emotions for the disciplined and sexually driven father and more jail time for the children. Leaving their poor mother looking on at the madness.