AKA Robot Jox 2 : Crash and Burn Director: Charles Band Starring: Paul Ganus, Megal Warn, Jack McGee, Eva LaRue, Bill Moseley .USA. 1h 25m
Originally being a concept for the follow up to Robojox, a much harder end of the world scenario is placed in Band’s post apocalyptic sci fi thriller. Crash and burn does recycle some aspects from Robojox, most noeably the stop motion aniated robots themselvees but it slaps a can of terminator and max mad on to it’s murder mystery plot.
The film is set several years after a global economic collapse, and after Covid it’s easier to imagine than it was in 1990. All of fears of the future from the classic writers are dropped throughout the film, global warming, nuclear poisoning and corporation control all raise their ugly heads and Crash and Burns gives us a glimpse of what it might be like to try and live with all these oppressions but there is hope, a group of freedom fighters attempt to jam TV signals and promote messages for people to rise up against the corporations. The world is pretty dismal, it’s hot, sueper desert hot all the time, there are frequent power cuts and water is hard to find and when you drink it is probably recycled only hours before. Kids learn via some kind of interactive TV and have no connection with each other. it’s life but not a happy one.
Sea fever, much like cabin fever strikes when everyone least’s expects it, sometimes it can be contained and only affects one person, other times it turns into group hysteria and it can be a struggle to figure out what’s real and not., but in Hardiman’s offbeat body horror, with ties to Celtic mythology, emerges a story that becomes a deep dive into our small part in the ecology of this watery planet.
The only way to confirm that you were watching a horror movie in the 1980’s was the moment a pair of boobs were flashed across the screen, the exposure of flesh was the indicator that you were in for some slaherific blood and gore, monsters and creeps and this 1988 film is a perfect victim of its age! The intro plays out like a dated underwear advert (something the director was king of having filmed over 600 of them), but this panty advert lasts what feels like 20 minutes, but luckily the models are soon hacked to pieces so don’t get too attached..
Falling in love just might be the easy part in this explosive Nigeria classic, not only do a couple of friends both find the women of their dreams, they manage to lose them due to irrational reactions and lack of attention and empathy.
Frederick Leonard plays an attractive bachelor, who’s hooked up with an old flame and within months of reuniting they are getting married. The love is lost and all goes bad on the wedding night when his new bride wakes up, and before she’s got her faculties together and in a total daze, she’s asking to be paid for her nightly rate! Utterly shocked Frederick realises he’s married ex prostitute, disgusted and pained verbally beats the woman down, leaving her in their hotel suite with some cash, the message is clear, the arrangement is over. At her most vulnerable state her best friend also takes advantage of her and ashamed she moves on with her life.
Without wanting to sound like a broken record, this monotonous found footage romp in the forest is very much like Blair Witch (1999), with hints of Paranormal Activity (2007), but at this stage in the game after so many films that end up mimicking the Maryland thriller, what would it take for a lost in the woods found footage, horror to not be like Blair Witch? Sadly this Indian scareless horror doesn’t offer any answers to this puzzling conundrum.
Director: José Padilha Starring: Joel Kinnaman, Samuel L Jackson, Michael Keaton, Gary Oldman, Michael Kenneth Williams, Abbie Cornish . USA. 1h 57m
It’s taken me a long time to watch this as I have such a deep connection with the original film, for me Robocop is a saint and I was almost insulted that anyone would dare to remake the movie, but this is a very loose remake that pretty much relies on you having seen the original too get make sense of some of the benial content. But don’t take my low rating as a sign that I am a total fangirl of the Verhoeven classic, I have taken a lot of energy to think outside of my little box.
In this rendition of the tragic life of Alex Murphy (Kinnaman), he’s a brilliant righteous cop who is on a questionable case that keeps giving him and his partner Lewis (Williams) the slip. Continue reading Robocop (2014)→
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