Director: Phillipe Mora Starring: Barry Otto, Max Fairchild, Imogen Annesley, Frank Thring, Michael Pate, Burnham Burnham, Barry Humphries. Australia . 1h 38m
Easily the most Australian of the Howling franchise and possibly the most Australian movie ever. If you’re a fan of the 80’s Australian Horror genre then you might just have a soft spot for this turd instalment in an iconic werewolf series. In saying that, if that’s not your into garish lit scenes, vulgar humor, vile body horror and ransom nun, commandos and Aboriginal spiritual warriors popping in at random points then this might be hard to get into. I do wholeheartedly agree that it’s not a brilliant made movie, it doesn’t really make sense, and is more comedy than horror, but is Howling 3 really that bad? A film so bad it didn’t even get a cinematic release in its home country?
Director: Alexandre Courtes Starring: Rupert Evans, Dave Legeno, Anna Skellern, Richard Brake .USA. 1h 25m
No matter how crazy you can get in one lifetime; there’s one thing that is certain, that’s the fact that you’re going to need nourishment, this simple fact of life seems to be the driving point of this punk rock hop through body horror hell.
Alexandra Courtes has a long history in making music videos including that iconic monochrome dream that is Seven Nation Army by White Stripes, so he can create very stark and stunning aesthetics which he does in two different ways in Asylum blackout. Initially the world is a bleak white world of aesthetically clean halls but once the lights go out it’s an insipid black nightmare. But aesthetics aside there’s a lot of crazy people doing some fucked up shit in the later half of the movie which takes some sudden psychological turns and keeps it’s audience on their toes. Continue reading Asylum blackout (2011)→
AKA: Demons III Director: Lumberto Bava Starring: Virginia Bryant, Sabrina Ferilli, Paolo Malco, Patrizio Vinci. Italy. 1h 34m
So many classic horror novels are produced from the bizarre dream of the writer, Frankenstein was a fever dream so powerful that Mary Shelly had to get the essence down on paper in a male dominated world, going against the grain she knew that her unique mix of man playing god and the promise of some dark everlasting life was literary gold. Other writers have often marveled how they bring their nightmares and dreams to live in their writing and films, which is the premise of this scrawny horror. Made for TV in the mid 80’s there’s a lot of 70’s backlash in this Bava effort, which made up a trilogy of direct to video/tv film series.