Tag Archives: thriller

Tempus Tormentum (2018)

Director: James Rewucki.

Starring. Tyhr Trubiak, Darren Johnston, Dr. Rage, Paul McWhinney .Canada 1h 28m.

I love cheesy low budget horror movies, not only do they often explore uncharted territory but they don’t have too much hype to live up to and they managed to stay true to what fans want. Tempus Tormentus is a strange chase horror about a drifter who  ends up in the wrong town, Directed by James Rewucki. and starring Tyhr Trubiak,  who also starred in a previous production Aegri Somnia (2008) also by Rewucki this compact and very likeable, but at times it can be a bit repetitive but all is forgiven for the WTF ending.

Don’t build your hopes up too much, this isn’t the “best B movie” ever, remember this is personal opinion and I have unusual tastes. The motives of the drifter are never explained, but he’s bumming rides until, late one night he end up at an unnamed town, checking into a cheap motel inspects his room which is equipped with a typewriter, and heads out to an all-night diner where he meets a trio of unusual characters who take special interest in him. After freaking him out, the bulky stranger returns to his room and settles down for the night but later on he awakes to find himself strapped to the bed and being injected with unknown fluids. Then the chase is on. The rest of the film sees Mr Mouse (Trubiak) being chased like wild prey, at times he’s literally the bunny in the headlights while the trio are chasing him through the town in their car. Continue reading Tempus Tormentum (2018)

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Perdizioni mortali / Tulpa (2012)

Director: Federico Zampaglione
Starring: Claudia Gerini, Nuot Arquint, Michele Placido, Ennio Tozzi, Ivan Franek, Michela Cescon, Federica Vincente. Italy. 1h 24m

As dedicated nod to the 70’s Giallo movement Tulpa sees a successful business women, Lisa Boeri (Gerini) get pulled into a grotty underworld while living a vivid double life.

Opening with a gore filled sado masochistic murder. A man enters a deadly game as a dominant but soon becomes the victim of a leather gloved maniac with a wild moral compass, out of the thick bloodied and drawn out scene the story of Lisa, a ball busting,  successful business woman, well respected and admired but she keeps her nocturnal activities a painstakingly repressed, after hours she’s an eager member of a esoteric underground club, named Tulpa, owned by a strange tibetain character, a true embodiment of the hierophant played by the otherworldly Nuot Arquint . Unfortunately for Lisa, her two world’s are set to collide when her sexual partners from the club are savagely slaughtered. Continue reading Perdizioni mortali / Tulpa (2012)

Conspiracy (2012)

Director: Christopher MacBride.

Starring. Aaron Poole, James Gilbert  Canada. 1h 24m.

Usually found footage movies are cheap and easy to make, often addressing unusual subjects and laced with fears and shocks. Conspiracy has all of these elements along with a convincing storyline with an unusual compelling ending

The film starts with Aaron and James mocking a guy on YouTube who spends his days trapsing around  with a box, a loud speaker and a board of information, and spends his days proclaiming various conspiracy theories, while James is happily laughing at him, Aaron is intrigued by the amount of people in the comments agreeing with him (along with the usual YouTube troll patrols). It’s clear that Aaron and James are both playing “themselves” and that Aaron is the (Mulder) believer while James (Skully) is totally sceptical about all of this but he tags along for this documentary. Continue reading Conspiracy (2012)

La Piel Fria / Cold Skin (2017)

Director:Xavier Gens.
Starring. Aura Garrido, David Oakes, Ray Stevenson. Spain. 1h 48m.

The background of this mesmerising  thriller is reminiscent of stories straight from the imagination of HP Lovecraft, but the film is actually based on a story by Albert Sanchez Pinol with the same title. They both involve a lone man on the edge of his sanity who lives locked tight in a light house on a remote and uninhabited island, existing like a hobo and fighting off deadly sea creatures each night.

The film breaks open at sea, a fine-looking ship is being chased by dolphins as a young Irishman named Friend (Oakes) travels to this remote island in the South Atlantic to work as a meteorologist, the only inhabitant of the island is the caretaker of the lighthouse, a tough character called Gruner  (Stephenson). After a cold and abrupt introduction Gruner informs Friend that the previous meteorologist died from typhus. The crew depart leaving Friend to cosy in his new cabin he watches Gruner in his fortified lighthouse with intense curiosity, why would someone need to defend a lighthouse? Friend unpacks and finds a journal from the late meteorologist, detailing nightly attacks from strange creatures form the sea, assuming this was feverish dreams of a dying man he drifts off to sleep until a slimy webbed hand feels under the door and he finds himself under attack. He managed to fight off the intruders, the next day he tries to get Gruners attention but is ignored. He spends the day fortifying the cabin and finds a gun. Awaiting another attack but he’s overrun and in the fight ends up burning the cabin to the ground, hiding on the rocks of the beach with a blanket he spends the night hiding. Continue reading La Piel Fria / Cold Skin (2017)

Solace  (2016)

Director: Afonso Poyart
Starring:Abbie Cornish,Jeffrey Dean Morgan,Colin Farrell, Anthony Hopkins,Marley Shelton, Kenny Johnson  USA. 1h 41m.

Solace appears to be one of the modern thrillers speeding in on the heels of the Se7en (1995) phenomenon, a group of mismatched detectives with the addition of an aged psychic are on the trail of a serial killer whose victims seem to have nothing obvious in common. Merriweather (Morgan) plays an fairly unconvincing and over friendly detective who has loosely tied together a handful of homicides together, along with his feisty sidekick Katherine Cowles (Cornis) who aims to build a psychological profile for this person but is struggling and thus causing an age of an old friend as psychic John Clancy played by the brilliant Anthony Hopkins who reluctantly aides them in their task. It’s a mish mash of mediocre thriller and cop drama cliches with some adaptive CGI from new director Afonso Poyart. Continue reading Solace  (2016)

Mad Max (1979)

Director: George Miller
Starring: Mel Gibson, Hugh Keays-Bryn, Joanne Samuel, Steve Bisley, Tim Burns, Roger Ward, Geoff Parry. Australia. 1h 35m

Let me just start this off with a short introduction to explain that I absolutely live for this film and can’t even come close to express my obsession with it with mere words, I’m going to try and remain as calm as possible while writing this short review as I feel I need to put something on my blog but there will be a Post Discussion where I’ll get into much more details and pour my heart out even more..

This bleak dystopian thriller stars Mel Gibson as “Mad” Max Rockastansky, a seasoned police officer who prefers to work alone but begins to fear that he’s becoming as crazy as the people he hunts down in high speed chases across the Australian desert roads. Continue reading Mad Max (1979)

Repulsion (1965)

Director: Roman Polanski
Starring: Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux. UK. 1h 45m

In Polanski’s highly thrilling black and white drama that kick started his tenant trilogy (which consists of  two other classic films  The Tenant (1976)  starring Polanski himself,  and the Cult classic Rosemary’s Baby (1968) ,  and this dark thriller, a young beautician drops deep in a claustrophobic insanity possibly spurred on by a suppressed family trauma as her feline sexuality sparks great interest from many suitors.

Repulsion is strangely enjoyable, and is a deep internal  nightmare that transpires through any age, and is easily relatable to. Adapted by Gérard Brach it is fantastically brought to life by Polanski and on a meager budget of £65,000, this debut  English film the budding director lost his footing at first, but as the dialogue vanishes he turns up the atmospherics and the results are quite dark and bold.

A beautiful timid girl Carole (Deneuve) is left alone in an apartment shared by her sister and her sisters husband, they are off to Europe for their holiday, leaving her some outstanding rent money for an angry landlord they skip town. Instantly the first cracks start to show in the relationship with her boyfriend  and soon she starts making mistakes at work. Very slowly we see the layers of Carole’s psyche peel away leaving a vulnerable kitten and murderous vixen.

It’s quite easy to write off Carole in the early throes of the films, you hardly notice the little mouse in contrast of her sisters sultry boldness overwhelms her and she spends a lot of the time hiding behind her bleached blonde 60’s bouffant hair, but as her character changes, she starts to give up the goods and her performance is tremendous, her charisma teamed with the reclusive scenes of the apartment and shocking effects persuades the

viewer to miss the realities of what’s going on. Blending themes from Dementia 13 (1963) and Persona (1966).

The ingenuity of the effects are really beautiful not only do you literally see the cracks appearing in Carole life but her fears are coming out of the walls and dark shadows of her apartment. Polanski plays the art house card now and again, there are silent shots of rotten vegetables and dirty plates that co exist with the knife wielding madwoman episodes, but

these are short and frantic, but cause as many ripples as any Hitchcock Psycho scene and emphasis her meltdown and the effects it’s having on the real world.

It’s hauntingly stark at times but a real tour de force once it gains momentum, the horrific faces of the returning couple finding their apartment in disarray reflects the faces of any avid viewer. It’s very unusual for this style of horror/ thriller to have a knife welding psychotic serial killer but with several hints at previous sexual abuse and possible incest it’s no real shocker that this girl is this fucked up.. Her next step would be Haute Tension (2003)

Rating 8/10

R: Haute Tension (2003) , Dementia 13 (1963), Persona (1966), Rosemary’s Baby (1968), The Tenant (1976)

L: Black and White Thrillers, Femme Fatals
5s : Roman Polanski

Post Discussion.

 

Cloverfield Paradox (2018)

Director: Julius Onah,
Starring. Daniel Bruhl, Aksel Hennie, Gugu Mbatha-Raw, David Oyelowo, USA. 1h 42m

There was an amazing phenomenon back in 2008 when the original  Cloverfield (2008) movie was released, it was interesting and enjoyable but it started and ended so obscurely, but the mystery gained the film fans and soon it became a franchise. The sequel, 10 Cloverfield Lane (2016) is a brilliant, thriller, so very different from the original and yet so very scary with Alfred Hitchcock vibes but had hardly anything to do with the original film apart from the final 10 minutes. Looking forwards for a continuation of the story I was a bit shocked that there was a side step into the past but finally there is a reason why a giant bat-like beast appeared on the earth and took the head of the statue of liberty, but again this film has very little to do with the original movie, detail on why at the end of the review. Or just scroll on fanboy. Continue reading Cloverfield Paradox (2018)

Leatherface (2017)

Director:Alexandre Bustillo – Julien Maury

Starring: Stephen Dorff, Lili Taylor, Sam Strike, Sam Coleman, James Bloor, Jessica Madsen, Vanessa Grasse. USA. 1h 30m

Finally a modern prequel that actually has some substance and a wild dark nature!! The sequels and remakes tried to pick leatherface from the rest of the family and turn him into another serial slasher such as Jason Voorhees or Michael Myers and while this new prequel again singles him out it gives a larger insight into his family, hopefully next we’ll be able to see what turned Grampa into the hammer wielding nutter as I feel that’s the most interesting character (fan fiction anyone)? Continue reading Leatherface (2017)

1922 (2017)

Director:Zak Hilditch .
Starring. Thomas Jane, Molly Parker, Neal McDonough. USA. 1h 48m.

This hot and melting messy murder film is quite an interesting brooding moralistic thriller. At first the rocky love affair between Wilfred Jane) and his feisty wife Arlette (Parker) is something on parallel to a Tennessee Williams play,  but it’s no secret that he’s planning to kill his wife for her land and cash, but it doesn’t seem plausible until he slowly bullies his son, Henry into helping him hold her down and slit her throat in a torrid gurgling bloody mess. He disposes of her corpse down the well soon after then the rats appear, crawling in and out of her corpse, the scene shocks him but he has some cleaning up to do and a lot of police dodging, until the Henry discovers that his teenage true love is pregnant and he has to escape the town and the two go on the run leaving Wilfred alone on the farm with the ever present rats for company.

Continue reading 1922 (2017)