AKA The Washington Snipers
Director: D Alexander Moors
Starring: Isaiah Washington, Tequan Richmond, Rim Blake Nelson. USA. 1h 34m
A deeply atmospheric and emotive recount of the strange relationship between the unique pair of individuals who basically brought Washington to its knees in 2002. John (Washington)and his “adopted” Antigen son Lee (Richmond), are brought together out of love and necessity, but soon their turbulent relationship became needed and cold violence. A highly provocative insight into the killers from D Alexandre Moors, his first full length feature, shows incredible talent. Later on he was able to display further capabilities is his more appreciated project Yellow Birds (2017).
John is a highly strung individual, moving from sofa to sofa, from friend to favour as he rages at the world around him, hooking up with a protective friend he manages to tutor his new son in a military fashion, their daily lives are a mix of regimental and relaxing with friends, cook outs and sniper training. Continue reading Blue Caprice (2013)
Director: Michael DeGrazier, Benjamin Paulides
Starring. Jaryd Atadero, DeOrr Kunz Jr., Nate Eaton .USA. 1h m.
I was slightly on the wrong track with this movie, no pun intended.
After listening to the Mysterious Universe Podcast (since season 5 check out the awesome podcast here https://mysteriousuniverse.org ) I’ve heard/read a lot about Missing 411 persons, but obviously with the theme of the podcast these tales go into high strangeness often involving Bigfoot and UFOs etc etc. I was expecting to see some crazy trail camera footage and maybe some abandoned staircases in the woods, or even recounts of historical unsolved cases. In contrast this documentary movie is more about a handful of cases which represent the tip of the iceberg of Missing 411’s but with a slight connection, all cases involve young children often with hearing impairments. Continue reading Missing 411 (2004)
Director: Robert Schwentke
Starring: Max Hubacher, Frederick Lau, Bernd Hölscher, Waldemar Kobus, Alexander Fehling, Samuel Finzi. Germany. 1h 50m
Here is another chilling nightmare from the German home front, as the end of the war begins to loom into reality and defeat is imminent, a lone German runs deep into the woods while being chased by some overprivileged soldiers blowing horns and taking pot luck shots at him. The man manages to evade death and recapture and eventually stumbles on an abandoned car and uniform of a high ranking officer.
This crystalline black and white brutal masterpiece, possible shot in this style inspired by Spielberg’s Schindler’s List (1993) shows that the talented director Schwentke has gone back to basic and delivered something beautifully stark and somewhat monstrous. Continue reading Der Hauptmann / The Captain (2017)
Director: Ian Bonhote.
Writer: Peter Ettedgui UK. 1h 41m
Having lived through the mastery and magic of McQueens stunning artistry until his untimely tragic death, I felt as robbed as anyone who was inspired by the brilliance that McQueen brought into the world. After reading several books and watching numerous documentaries about him and his beguiling muse Isabella Blow (another character I hold close to my heart), I thought I really knew it all, but this thought provoking film brings so much more raw emotion and in depth background to the surface, including very personal testimonies from those who lived and worked so very closely to the legend. Continue reading McQueen (2018)
Director: John Curran
Starring: Jason Clarke, Kate Mara,Bruce Dern. USA.
Jason Clarke impresses as the last Kennedy whose reputation sank along with the demise of a young supporter in murky mystery.
The history of the Kennedys and their prominence in the hearts of the American public as they rose to new heights of the country’s political area. But after the demise of Bobby and and Joe Jr, everything landed on the shoulders of Ted. This is all mapped out in Chappaquiddick, attentively directed byChappaquiddick (2018). The writing was all down to Allen and Logan, a screenplay not adapted from any specific research as no one knows what actually happened. But this becomes part of the point. But Chappaquiddick isn’t all about the facts from this fateful night, it’s microscopic lense is pointed at the Kennedy’s behaviour during the turmoil, and eventually turns it’s analytical finger at the audience and makes you question what you would do with such a powerful network at your disposal and a presidency at risk. Continue reading Chappaquiddick (2017)