Director: Paul Crowder Starring: Michael Fassbender, Niki Lauda, James Hunt, Jenson Button, Lewis Hamilton, Michael Schumacher. USA.1h 52m
An insanely personal insight into the creation and golden years of formula one, the world’s most glamourous and dangerous sport, the characters who have pioneered the safety and key changes in the sport are honored in a well crafted documentary.
Being less on the side of stats and figures, dates and events, the main focus of the film is to connect some of the lifelong players’ memories of the sport and some of the fallen heroes with a humbling dedication to their hours of daring death on every corner.
Director: Jon S. Baird Starring: James McAvoy, Jamie Bell, Eddie Marsan, Imogen Poots, Gary Lewis, Brian McCardie, Jim Broadbent, Kate Dickie, Shauna Macdonald .UK. 1h 37m
It seems to have taken the british public a while to regain their footing after Trainspotting hit the big screens, the movie became the voice of a generation, but while Welshe’s entire book collection began flying off the shelves it was a while before another book was transformed from paper to screen. There were a few shorts, a couple of TV movies but after such a success and literally acclaim it baffles why there was such a wait. The original book’s atmosphere and 90’s risque narrative seems pale when released 15 into the future.
Mad God (2021)
Director: Phil Tippett
Starring: Alex Cox, Niketa Roman, Satish Ratakonda, Harper Taylor .UK. 1h 23m
It’s beautiful when an artist manages to present their life works, their magnum opus, their artistic love child piece, and finally after 30 years of on and off graft Phil Tippett was able to, with the help of Shudder , unleash Mad God onto the world and it hit the scene gaining nothing by admiration and rightly so.
In Fabric (2018)
Director: Peter Strickland
Starring: Marianne Jean-Baptiste, Fatma Mohamed, Hayley Squires, Leo Bill, Julian Barratt, Steve Oram, Ricahrd Bremmer .UK. 1h 58m
As much as totally fangirl for Strickland and was so eager to watch this movie dedicated to the tales of a haunted or cursed dress, I knew it wasn’t going to be the typical hollywood horror, I knew it was going to be bizarre and strange and hauntingly beautiful but I wasn’t quite expecting it to be just so chilling and yet wrapped up in the mundane… and yet it remains terrifying and mesmerizing.
Director: Ben Wheatley
Starring: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. UK. 1h 47m
Ben Wheatley hit the movie scene with a handful of cracking gritty and unusual films which instantly gained my a cult status and loyal fans, a mix of hard british brutality, comedy and strongest flavoured his early titles and it was only going to be a matter of time before he got bigger budget movies and we all knew this was going to be a downfall for him. He proved that with Rebecca and High Rise he was able to make a movie outside of his own prescribed type cast but ultimately these films weren’t half as interesting as his other gripping and guttural work.
Shifty (2008)
Director: Eran Creevy
Starring: Riz Ahmed, Daniel Mays, Jason Flemyng, Jay Simpson .UK. 1h 26m
You could argue that the British Urban genre is still in its infancy, or at least it’s fixated on youth and troubled adolescence that it’s hard to see it in a mature sense. However debut director Eran Creevy raises the bar with this uber smart, darkly funny and engaging drama all stuck together on a meager budget. Usually the scene is something daryl troubled like Kidulthood, Cherry Tree Lane, and they all have their visceral points to make but Shifty is more chilled and less aggressive but it does highlight street violence and the grimey underbelly of our streets but it’s achievement of highlighting the friendship of two amazing friends and the characters they meet along the way will make an audience smile before smacking them with a gory ending.
Director: Jesse V Johnson Starring: Scott Adkins, Craig Fairbass, Thomas Turgoose, Leo Gregory, Nick Moran. UK. 1h 30m
Scott Adkins breaks away from Boyka for a moment to seamlessly blend in with the leftover cast from the Rise of the Footsoldier series to take on a slightly different London Gangster/ Prison flick. Casting a few Kung fu kicks into the story of a young gym owner who finds himself slammed into an overly oppressed prisons situation but why?
Director: Benedict Andrews Starring: Ruby Stokes, Rooney Mara, Ben Mendelsohn, Tobias Menzies .UK. 1h 34m David Harrower (based on his play “Blackbird”)
From its moody opening juxtaposed with PJ Harverys iconic Down By the Water there’s a clear insight into how dark and difficult Benedict Andrews drama is going to be. There’s a long and complicated tale that has to be adapted from stage to screen, one that describes a relationship that too many of us couldn’t fathom and even after watching the sterling performances, it’s still a tainted pill to swallow.
Director: Peter Mullan Starring: Connor McCarron, Greg Forrest, Joe Szula, Mhairi Anderson,. UK. 2h 4m
There’s no doubt that whenever Peter Mullan is in front or behind the camera there’s some kinds of magic occurring, one of the least talked about and yet most cherished and influential actors/directors in the UK, this personal project about a young boys decent reom Academic glory to Violent Street Culture has to be one of his deeper shining titles.
NEDS is a tragic drama about a young and gifted boy who’s obsession is with the kids from the wrong side of the tracks and his own inner anger help carve his future. Directed and co-starred by the british Meistero Peter Mullan, who in my opinion can do no wrong, NEDs is one of his top films as Mullans nostalgic eye behind the camera sets the scene for the most realistic British coming of age drama, something a lot of people wouldn’t want to face but admittedly couldn’t deny is plausible and engrossing.
Sea fever, much like cabin fever strikes when everyone least’s expects it, sometimes it can be contained and only affects one person, other times it turns into group hysteria and it can be a struggle to figure out what’s real and not., but in Hardiman’s offbeat body horror, with ties to Celtic mythology, emerges a story that becomes a deep dive into our small part in the ecology of this watery planet.
Admit One Film Addict 