Director: Marcus Adams
Starring: Joe Absolom, Tom Bell, Lara Belmont, Lukas Haas, James Hill, Alex Newman, Mel Raido, Marsha Thompson . UK . 1h 35m
When a was a youngster the local Odeon was my all time favourite place to hang out, sticky popcorn floors, ushers who didn’t age check you and tickets I could afford with my SU card, tons of free film postcards and on the odd occasion a seat that wasn’t stained. Sadly it closed around the early 2000’s but I had a handful of postcard adverts for films I planned to see before the doors shut, but I didn’t make it 😦
Long Time Dead was on the top of the pile but I totally forgot about it.. A few years ago I found a copy in a charity shop by the seaside and it’s alright.. I guess… It feels as if a British director was trying to make a Hollywood movie, and really Brits make amazing horrors without needed to fall into the American Cliché soup. Continue reading Long Time Dead (2002)
Director: Imran Naqvi
Starring: Danny Dyer, Tamer Hassan, Simon Phillips, Ronan Vibert. UK. 1h m
This violent post apocalyptic thriller is set in modern London and tells the confusing and frustrating story of seven people who unknowingly seem to be the only people left after a cataclysmic event has wiped out the rest of humanity. While they struggle with their partial amnesia each assumes his role in banding together which becomes more urgent as they are stalked by a strange hooded figure an angel of death who is stalking and killing them. Continue reading The Last Steven (2010)
Director: Skip Kite
Starring: Walt Kissack, Gary Sharkey, Ada, Lewis. UK. 1h 24m
Peter Sutcliffe has had a terrible reputation for a long time, and despite his feelings of remorse in this latter years public opinion hasn’t changed much. This drama is supposed to take you into the mind of one of the UK’s most notorious serial killers, using real archive footage it pieces together the biggest manhunt as well as dramatising Peters inner thoughts while he attempts to reflect internally. Continue reading Pe+et / Peter (2011)
Director: Dave Tynan.
Starring.Emmet Kirwan, Sarah Greene, Seana Kerslake, Ian Lloyd Anderson. Ireland/UK. 1h 39m.
I assumed this was going to be more about older irish problems and feelings towards the British, maybe I’m still on a high after watching Black 47 (2018), but this is more of a cross between It’s all gone Pete Tong (2004) and Trainspotting (1996) but without that certain spark or energy instead it’s way more realistic (than Trainspotting) and totally poetic both in narrative and throughout it’s dialogue. There are many drug addicts here, some have succumbed and others literally only use it to enhance their recreation.
So this movie tells a story of Jason (Kirwan), an aspiring DJ who spends those few hours between drug field trips in the streets of Dublin, he stumbles on his educated and long time addicted brother Daniel (Anderson). The two subsequently bond and clash as they batter through their differences and in a strange Irish way, catch up with each other. Jason is determined to reach his goal at DJing a very special illegal rave while trying to win his ex back, this young man really has a lot on his plate and struggles every step of the way. Continue reading The Dublin Oldschool (2018),
Director:Ross Hockrow, Gary Cohen
Starring: Eddie Hall, Hafthor Bjornsson, Brian Shaw, Zydrunas Savickas UK. 1h 25m
Back in the blistering 1970’s Arnold Schwarzenegger amazed us with Pumping Iron (1977), the summer of late/early 70’s was to be his final Olympia but the grimy insight into the back stage world of body building really fueled another generation. And while the sport is similar this vein of the weight lifting community is alive and thriving and this, much like Pumping Iron is an introduction to it’s hero and champions.
Born strong identifies the four strongest men on the planet and their journey to qualify for the Arnold Strongman Classic. This arm of the sport isn’t about aesthetics but in creating a body that is incredibly powerful, each of the men weight at least 400 lbs and while they are able to pull a train they can’t put on their own sock or at times successfully wipe their ass. Continue reading Born Strong (2017)
Director: Aislinn Clarke
Starring: Lalor Roddy, Helena Bereen, Lauren Coe, Ciaran Flynn . Ireland / UK. 1h 17m
This found footage horror is set in the swinging 60’s but it isn’t influences by mini skirts and being hip instead the women involved are quite different, Devils Doorway sees Father Thomas Riley (Roddy) and Father John Thornton (Flynn) despatched by the vatican to investigate reports of a miracle in a Catholic asylum based in the wilderness of Northern Ireland.
At this remote asylum for immoral women, the statues of the Virgin Mary have been weeping blood. The two priests open their investigation by filming each other, the younger, Father John arms himself with a 16mm camera to record their findings and often interrogates father Thomas about his life and beliefs as a priest, after some adjustments they head to the vast home and begin their investigation but are confronted by some fiercely protective nuns who see their presence as insulting and can’t wait to see the backs of them. Continue reading The Devil’s Doorway (2018)
Director: Gareth Evans.
Starring. Dan Stevens, Lucy Boynton, Mark Lewis Jones, Bill Milner, Kristine Froseth, Paul Higgins, Michael Sheen. USA. 2h 10m.
Gareth Evans’ Apostle is a troubled journey into the dark nature of man being forced upon the nature around him in the guise of a new religious cult who have hauled up on a remote island. Evan’s previous projects are considerably different in nature, mostly the Raid (2012) and Raid 2 (2014), which saw a lot of action and violence, although he did perfect sidestep into horror in the V/H/S 2 (2013) anthology when he co directed the Safe Haven segment but again his horror came with a fast pace. But in this epic horror, he manages to divide the film into something more brooding before it picks up speed and descends into a casserole of blood or torture. Much like Panos Cosmatos Mandy (2018). When you think you’ve “got” the movie, suddenly there’s a shift into something unexpected and there’s not going back.
Continue reading Apostle (2018)
Director: Andy Roberts
Starring: Jack Angel, Andy Roberts, UK. 1h 06m
While not wanting to dumb down the power of this movie, but it has to be said that this is like a British version of The DaVinci Code (2006) set around the city of Bath
and surrounding countryside, Andy (Roberts) is a talented young student in photography and film hooks up with his psychic uncle Jack (Angel) and friends to uncover the secret mysteries behind the architecture and history of the city. Jack, has a knack of hearing supernatural entities and sensing presences that are ethereal in nature, after getting his young nephew to join him in filming his investigations, young Andy starts noticing some life-changing events.
Drawing on the success of various other found footage and mockumentary films, there’s a lot of charm in occult angel. Initially a digs deep into the history of the city and the formation of famous landmarks and churches, and then it starts to look at the prehistory, pagan beliefs and uncanny connections between prestigious buildings and pagan icons. Continue reading Occult Angel (2018)
Director: Lance Daly.
Starring. Hugo Weaving, James Frecheville, Stephen Rea, Freddie Fox, Barry Keogham, Sarah Greene. USA. 1h 40m.
This brilliantly dark poetic revenge flick from the bleakest part of Irish history is rough but so intense. Based on the Irish Language short called An Ranger by PJ Dillon and Pierce Ryan, this lengthy retelling is focused on an Irish Ranger returning home from war and finding his homeland is very different to how he left it.
Starting on another tangent, the film opens with Hanna (Weaving) losing his temper with a prisoner, a member of the Young Irelander movement, while losing his temper he strangles the man he sips from his canteen while another guard realises Hannah has killed the prisoner.
Meanwhile Martin Feeney (Frechville) a former Connaught Ranger arrives in Connemara, west Ireland in 1847, the worst part of the Great Famine, he finds family home hollowed out and filled with pigs, he learns that his mother died from starvation and his brother was hanged after stabbing a bailiff during the family’s evection. Feeney stays with his brothers widow (Greene) who are squatting in one of the few remaining houses. Soon the landlord arrives to evict the family, killing Feeney’s nephew and destroying the home. Feeney is arrested but managed to kill his captors and destroy the barracks and re returns to find his sister in law and her daughter dead from exposure. This sparks something dark inside of Feeney and he begins to seek a tortuous bloody revenge on the men who have wronged him. Continue reading Black 47 (2018)
Director: David Cronenberg
Based on – Naked Lunch by William S Burroughs
Starring: Peter Welller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider. Canada, Japan, UK. 1h 55m
This bold, Kafkaesque putrid remake of the legendary novel by William S Burroughs, is possibly as vivid and imaginative as the original book, but if you’ve read the book you’ll realise that no film could ever really be a true adaptation, so the screenplay is a metatextual adaption. Detailing characters and scenes from a complex novel and other works from Burroughs, both fictional and from his journal and the events which lead to the 1951 death of Joan Vollmer, Burroughs’s common law wife. So while it’s not entirely Naked Lunch, it should at least FEEL like Naked lunch and at times it feels a lot like Burroughs but slightly more coherent.
As a surreal autobiographic piece the film follows the life of William Lee, who is basically Burroughs, a bug exterminator who discovers his wife is stealing his insecticide and using it to get high. Lee is arrested and starts hallucinating because of his exposure to the powder. Believing that he’s a secret agent he beings a strange relationship with two handlers, one is a insect typewriter and an alien “Mugwump“. The typewriter assigns him a mission of killing Joan, she’s allegedly an agent of an organization called “Interzone”, Lee dismisses this notion but on returning home he finds Joan having sex with a friend and kills her, inadvertently carrying out the mission, he flees to interzone, a city in North Africa where he spends his time writing reports to his handlers, this slowly becomes the Naked Lunch book and after taking more mind altering drugs and getting a new typewriter, a Clark Nova, this insect stresses that he needs to find Dr Benway by seducing Joan Frost who’s a doppelganger of his dead wife and then things get really weird, and with the addition of a drug that is made from a centipede. Continue reading Naked Lunch (1991)