Director: Matt Allen
Starring: Brian Thompson, Ben Browder, Shoshana Bush, Cheryl Texiera, Adrienna Barbeau. USA. 1h 32m
Matt Allen follows up his Aces and Eights short movie with a debut feature HOAX! which turns out to be a quirky faux mockumentary thriller about an investigation into the existence of Bigfoot, after a spate of teen disappearances in the Colorado mountains.
It’s easy to call it just another Bigfoot movie: but there has been a recent run of lowish-budget features that have broadened the creature featutes horizons by taking things to a new place, especially the fan favourite Bigfoot: The Lost Coast Tapes (2012). Somehow, without many clues or prompts or evidence, it does keep the question open in order to keep the viewers guessing until the very end, but does bigfoot exist or is there an alternative reason why teens are being slaughtered in the hills? And either way why would you want to go out with limited resources to find out? Continue reading Hoax (2019)
Director: Flying Lotus.
Starring. David Firth, George Clinton, USA. 1h 45m.
I have to be totally honest when I say that I really don’t know how to describe or classify this movie, which makes it way more interesting for me I’ve watched it twice know and while I’m morbidly obsessed with it, there’s so much I can’t deal with while watching it.
If I had known that the movie was made by Flying Lotus with David Firth as back up I could have been properly prepared, but I chanced upon this by total accident. The film has a loose wrap around plot to which 5 stories are attached, split up into small segments and clouded with experts only suitable for a deranged subculture on the edge. Continue reading Kuso (2017)
Director: Paolo Sorrentino
Starring: Sean Penn, Frances McDormand, Judd Hirsch .UK/Ireland/USA. 1h 58m
Italian director Paolo Sorrentino emerges with some triumph as one of the masters of modern cinema with this English Language film This Must be the Place, starring Sean Penn as a Robert Smith inspired aged rock star Cheyenne. Retirement doesn’t bring as much action as the rocker passes his time living a non existent life in Dublin spending his days alone in his mansion or with his best friend Mary (Hewson) while his American wife (McDormand) is content with her job as a firefighter.
The approach is superbly elegant and has a mix of looming camera movements and bursts of dynamic action mixed with Penns dry humor that sinks into a hallucinatory landscape, which at points is so massive swallows up the characters. Continue reading This must be the place (2011)
Director: George McCowan.
Starring.Ray Milland, Sam Elliott, Joan Van Ark, Adam Roarke, Judy Pace, Lynn Borden, Mae Mercer, David Gilliam USA. 1h 31m.
You’ll have to forgive me for the review you’re about to read, but I adore this low budget eco horror which is widely considered to be a very poor movie, but for me it’s cinematic gold and I make very few apologies for adoring it, and thankfully writer Fran Lebowitz agrees with me when she called this movie “the best bad movie I have ever seen in my life.”
If YOU Are Squeamish Stay Home!!!
Many eco horror movies are quite subtle in their approach, the most famous is probably Long Weekend (1978) where a couple struggle to deal with their personal issues while taking it easy in the outback until nature decides to throw them a curveball, but others are more dramatic and usually after some kind of negative human influence, be it radiation, pollution or a truck load of PCP, the wildlife come to life and rally against mankind. From the dynamic Birds from Hitchcock, to Franco Prosperi ‘s Wild Beasts (1984) where a zoo’s water supply is compromised, sending an array of wildlife into a frenzy stalking the city streets. Continue reading Frogs (1972)
Director: Pascal Laugier.
Starring: Taylor Hickson, Anastasia Philips, Kevin Power, Rob Archer, Mylene Farmer, Crystal Reed, Emilia Jones, USA. 1h 31m.
Pascals past record, in my opinion is chequered, in his early career he assisted on one of the most perfect films ever made, Le Pacte Des Loups (2001) he broke the mold and may stomachs with the New French Extreme visceral classic, Martyrs (2008) then let me down with the confusing and long winding, No Slender Man tale of the Tall Man (2012), but he’s come back swinging with a perfect blend of all the best psychological and physical horror from his past, with a sublime film that gives the creeps and will rattle a few cages along the way. His approach to this twisting tale is unique in that it plays on a strange story this is presented from different perspectives each slipping in and out of each other seamlessly but the dynamics are hauntingly beautiful and yet covered in as much nostalgic creepiness as the house it’s set in.
The two young sisters at the centre of this film, couldn’t be more different, Beth (Reed/Jones) is a sensitive horror writer, always lost in her thoughts about Lovecraft inspired texts but faints at the sight of blood, her ballsy sister is pretty awesome, hot tempered and ready for a fight but they are sisters, just so different the fiery Vera (Philips/Hickson) is a delight. Continue reading Ghostland (2018)
AKA Hitler’s Wild Women
Director: Kenneth Hartford and David L Hewitt.
Starring. Robert Vaughn, Merrie Lynn Ross, Keenan Wynn, Aldo Ray. USA. 1h 31m.
After a sizable layoff, B movie genius David L Hewitt returns with this dreary espionage flick with tantalizing potential but an obscure approach. For some reason someone made a terribly poor Man from UNCLE movie with Vaughn himself but for unknown reasons the film wasn’t released, be it too short or just incomplete, but with Hewitt/Hartford to the rescue, the fearless duo added a strange futuristic wrap around a man in our distant future, seemingly a lone survivor who attends to “his garden” but in between working he stops in to consult a super computer which reveals the footage of the exploits of mankind including this twisted spy tale.
Rescue movies rarely make much sense, but they can work, take the two Cloverfield spin offs that were two separate projects entirely, but working with such a strange story and adding in something totally left field didn’t help in anyway but for all its faults this is totally unique! Continue reading The Lucifer Complex (1978)
Director: Tod Browning.
Starring. Wallace Ford, Harry Earles, Olga Baclanova, Leila Hyams, Roscoe Ates, USA. 1h 04m.
This has long been one of my favourite movies since I was a young child, I think my parents realised that I was going to be watching what I liked but my mother was always a spokeswoman for learning history and basics, so I read and watched the classics, which included The Freaks! I had a hand me down horror book which I still hold dear to my heart, I obsessed over the grainy black and white photos and was really drawn to the sideshow misfits of Tod Browning’s The Freaks which I still have to admit are a huge thing for me, not just the movie but the history and scientific research and study, encouraging me to travel the world visiting museums like Mutter and seeking out Cabinet of Curiosities worldwide.
Being one of the first and (possibly) only movie with a predominant cast of genuine “circus freaks” this tale is quite European in it’s make up, with a range of fair maidens, lost love and bitter revenge it’s something quite magical, but don’t get lulled into a false sense of security this fairy tale is grotesque and dark as fuck. Continue reading The Freaks (1932)
Director: Stefan Ruzowitzky.
Starring. Eric Bana, Olivia Wilde, Charlie Hunnam, Kate Mara, Treat Williams, Kris Kristofferson, Sissy Spacek. USA/Canada. 1h 35m.
Children change everything, but asshole parents and terrible family relations are the driving force of this strange thriller. Everything about the opening suggests that this is going to be a cold heartless chase to the death, that can only get grittier and more dangerous but each step of the way but each step towards this badass edge is followed by some daddy issue drama until family relations eventually kills the fun completely.
Eric Bana plays Addison a wild eye psychopath on a mission to get across the border to Canada, his beloved sister is making a similar route but the choice to split up is a necessity and for her protection. Despite his quick trigger finger Addison does have a strange moral compass which does sometimes sway in favour of protecting women but this soft approach doesn’t reduce his kill count by much. Continue reading Deadfall (2012)
Director: Stiles White
Starring: Olivia Cooke, Daren Kagasoff, Douglas Smith, Bianca Santos. USA. 1h 29m
This film is just constantly bad. I want to end the review there but I owe a full explanation, and here it is…
Ouija has become the in thing among teens and adults, that little edgy thing that divides groups of believers and non believers, those who see them as a parlour game and others who see them as elements of evil, every few years the mysticism about this “game” raises its head and creates more urban myths, believers and skeptical non believers. Along with this rise in fame comics, books, tattoos, movies and music are all heavily influenced by the spirit board and it’s planchette accessory. Continue reading Ouija (2014)
Director: Andy Milligan
Starring: Allan Berendt, Hope Stansbury, Patricia Gaul, Michael Fischetti . USA. 1h 9m
This bloodfest has everything in it, monsters, romance, carnivorous plants, a host of deformed servants, affairs, crooked solicitors and a batshit crazy old woman, and all in just over an hour, Andy Milligan really knew how to make a thrilling movie on no budget but with a bucket of originality and a touch of lowbrow comedy.
A stuffy estate agent takes a doctor to view a new property, there he attempts to make his excuses about the state of the property and show the man around but before he can lay on the bullshit he’s given a hefty cheque and forced out the house with reasoning not to return, the second his foot is out the door screaming shrouded figure is rushed in the back door by two crippled servants and a crazy freakish woman. The ghoulish melting corpse they uncover is one of the more gross scenes in the movie and it’s legendary that it’s done so early in the production, it turns out this vile thing is really the beautiful wife of Doctor Orlovsky, a brilliant scientist who’s returned home to claim his family fortune to further fund his experiments. Continue reading Blood (1973)