Director: Brian Smrz
Starring Ethan Hawke, Xu Qing, Paul Anderson, Rutger Hauer, Tyrone Keogh, Nathalie Boltt, Liam Cunningham, Jeremy Yong .USA. 1h 39m
The overall character is like a science fiction bourne movie, the strengths lie in the espionage action thriller but you can’t ignore the countdown timer in the leads arm. But the film has a huge anchor and this drags along in a sea of theology Travis is a man on a mission but it’s plagued with ghosts of the afterlife, as he stands looking into the abyss it’s looking back at him and he’s reminded that he needs to make amends.
Travis Conrad (Hawke) is introduced as a drunk, hanging out with his father-in-law they are fishing and drinking in preparation for spreading some ashes, afterwards the old man, played by the enigmatic Rutger Hauer passes out and Travis heads to the tittybar, grabs a hit and notices some men following him, in a shifty trick he immobilize them and sits down next to the man who sent them, his old friend who offers him a job worth $2 million. Accepting his new job of executing a unknown man he has to find him, and so he starts tracking the family of an operative who’s been hired to protect him. While learning the whereabouts he spares Lin (Qing) but she kills him after plugging him in the chest, but Travis awakens on a hospital bed where’s he’s quizzed about the location, after givin up the news he soon realizes his mistake and that he’s time is up (again) but he breaks free, the doctor explains that he’s got a timer which gives him 24 hours to live again he spares another woman and escapes to get back at his employer by protecting his previous target but to summarize the film in one phrase, Travis is having a particularly bad day. Continue reading 24 Hours to Live (2017)
Director: Jeremy Kenyon Lockyer Corbell
Starring: George Knapp, Jeremy Kenyon Lockyer Corbell, Colm Kelleher .USA. 2h 07m
Based on the best-selling book by George Knapp and Dr. Colm Kelleher, Hunt for The Skinwalker is a documentary about the most intensive scientific study of a “paranormal” hotspot in human history.
The film is an alluring documentation of a deep scientific look at highly strange paranormal events, in what seems to be a hotspot for a malevolent consciousness that is constantly changing a slowly becomes more disturbing as they investigators charge on with their experiments in the Uintah Basin.
Technically this is two documentaries for the price of one that haphazardly switches between new and older footage, some filmed over a decade ago but each scene is equally relevant and usually just as shocking. Continue reading Hunt for the Skinwalker (2018)
Director: Erdal Ceylan.
Starring. Alyson Walker, Tony Giroux, Meelah Adams. USA. 1h 15m.
Selfie from Hell, started out as a 2 minutes horror movie that for millions of views on YouTube years ago, but now we have this full length feature that’s supposed to up the ante and the short answer is that.. “nope” it just doesn’t come across as being more frightening or more compelling than the horror short.
So some girl gets terrorised by a shadowy figure which is stalking her in her selfies, any other photo is totally fine but whenever she takes a picture of herself this dark monster begins to get closer, until one picture later and boom it’s upon her and while she’s now bedridden her “niece”? (I really couldn’t care for the relationship, the build up to this point was slow and .. boring) visits to help look after her, and starts to dig into the story and is soon hunted by the same entity but luckily she has a laptop and starts to find answers on the dark web… Continue reading Selfie from Hell (2018),
AKA Friday the 13th: Part V
Director: Danny Steinmann
Starring: Melanie Kinnaman, John Shepherd, Shavar Ross, Richard Young. USA. 1h 32m
One of the more kooky and tame sequels in the Friday the 13th universe, sees Jason or his “ghost” terrorising and possessing an unlikely bunch of social misfits that are being cared for in fictional halfway house, one of the first deviations away from Camp Crystal Lake that envisions the return of iconic cult serial killer and the kid who killed him in the previous movie.
The murderous spirit of Jason Voorhees is enough to strike fear even when he’s assumed to be dead, and the entire plot of this mad horror hinges on the mystery around whether he’s possessing the body of his murder or potentially returned from the grave. Continue reading Friday 13th: A New Beginning (1985)
Director: Scotty Baker
Starring: Doug Jones, Marina Sirtis, Morgan Lariah, Mindy Robinson, Armin Shimerman, David Lim.USA .1h 29m.
In the opening scenes a woman’s body is retrieved from a space vessel, while recuperating, her memories of the events that led up to her rescue are watched by Marina Sirtis, who’s an agent trying to find out what happened to the crew, in order to report to a committee she is charged with viewing the memory “playback”.
In a turbulent maladjusted future there are two distinct classes, Citizens and Non-Citizens, the later class are considered bottom feeders who have very little rights and are generally only entrusted with meanal jobs, looking after livestock etc. But one woman stands out among them, Eve (Lariah) a technical officer despite her exclusion from the higher class. Continue reading 5th Passenger (2018)
Director: Daniel Leone
Starring: Constantin Tripes,Ashton Leigh, Max Rhyser, Brandon deSpain, Boomer Tibbs. USA. 1h 45m
I find it’s adorable that this century old story is still influencing directors today, Mary Shelley’s Frankenstein has been one of my all time favourite novels since I was a wee bearn, and the ancient histories of North Africa has been a huge influence, both villains have been huge horror characters since cinema began and finally they meet in the dank basement of an American University in this sketchy horror, it could have flourished into something with more substance but is still entertaining, more so than others in the genre but don’t expect your socks to be blown off.
Heavily inspired by the Gothic novella and possibly a few Hammer Horrors in between, this tepid horror attempts to pull together two monsters for an epic battle but totally misses its own mark and churns out a terrible romance story which slows the movie down and doesn’t give much space to maneuver these foes. Continue reading Frankenstein Vs The Mummy (2015)
Director: Ricardo Islas.
Starring: Michelle Shields, Adam Stephenson, Tim Krueger .USA. 1h 31m
This indie Frankenstein movie has it unique charms but ultimately falls at a few hurdles before crashing through a dull and predictable ending.
Dr Frankenstein (Stephenson) returns to his family home with a new bride, a gorgeous black woman who is fluent in French and slowly learning English with his attentive sister,on returning to his family’s modest cabin in the woods his sister is enchanted to have a fellow woman around his blind father is a bit more reserved.While praying in the woods, Victors bride is murdered by a vicious monster, who then goes a step further and kills the rest of his family. Victor is aware of the monster and soon awakens to the reality that the monster is determined to kill any person Victor becomes attached to, but it doesn’t stop him, the prat decides to get married again to a young lady named Elizabeth (Shields) but to ensure that the wedding goes ahead without a hitch he hires some mercenaries to protect him and his bride. Continue reading Frankenstein: Day of the Beast (2011)
Director: Rene Perez
Starring: Robert Bronzi, Karin Brauns, Alanna Forte, Nicole Stark, Charlie Glackin, Robert Kovacs .USA. 1h 17m
I was a bit confused about this movie, the cover made it look like Charlie B has come back from the dead to hunt a monster in the desert, and I’d buy that for a dollar. This indie film is only slightly different in that it actually stars Robert Bronzi who is an Ukranian actor who made it big as a Charles Bronson impersonator.. In this Horror Western he’s an experience hunter and tracker who is on hot pursuit for a deranged serial killer who’s been stalking women in the desert and wrecking their bodies in a similar style as a certain well known London killer. Continue reading From Hell to the Wild West
Director:James Bryan, Brother Bryan .
Starring. Jack McClelland, Mary Gail Artz,James P. Hayden,Angie Brown. USA. 1h 22m.
This is a total no brainer horror, but one of the uncanny I’ve seen from this era for quite some time. at first it seems that it’s going to build into something special in that b movie kinda way but I feel this is one of the Sharknado, Icetastrophy, Zodiac of the apocalypse low budget flops of yesteryear that didn’t mature well.
A group of young people head into the wilderness for some “fun” mostly pratting around splashing water at each other and pulling stupid pranks but unbeknownst to them there’s a lunatic in a joke shop viking outfit that stalks the woods and kills tourist on a whim. Usually the teens are a bit more liberal, heading out into nature for sexy good times and probably ludicrous amounts of drugs, but back in the 70’s it was usually just a chance to make out. While there’s not a lot of naughtyness there is a fair amount of slashing, for a slasher.. So one by one they are stalked by this crazy guy wearing skins who lives off trash and the land, he doesn’t say much apart from some odd screeching but he can book it for a fat guy. Continue reading Don’t go into the woods (alone) (1981)
Director: Jeremy Saulnier
Based on: Hold the Dark by William Giraldi
Starring: Jeffrey Wright, Alexander Skarsgård, James Badge Dale, Riley Keough, Malcolm Blair, Tantoo Cardinal, Julian Black Antelope. USA. 2h 5m
With just two major titles under his belt, Saulnier’s next project, was so highly anticipated it derailed the hype train, but the resulting ambitious drama was so different from the taut thrillers, Blue Ruin (2013) and Green Room (2015) that no one could really appreciate it in the same way and it generally got panned by the fans.
This misfire isn’t a total disaster, no one can find fault with the beautiful crafting that went into the film, Saulnier is so masterful that even if you didn’t get the movie you can easily enjoy watching it, but for me it’s just a perfect shot for a different audience. I found it just as gritty and nearly as bloody as the others, but the pushing and pulling between two fundamental ideas within the movie that would either make it a thriller or fantasy doesn’t ever come to a neat conclusion, leaving a gaping open ending which is going to piss off a lot of people but for me it’s a highly alluring project which is perfect as it is. Continue reading Hold the Dark (2018)