Director: Takeshi Kitano.
Starring. Takeshi Kitano,Omar Epps,Claude Maki,Tetsuya Watari USA/Japan/France/UK. 1h 44m.
I’ll start my review by saying that I adore everything about this quirky film, even the bad bits, so buckle up for a fangirl review of what is commonly thought of as a bad movie.
It’s never easy when a foreign director attempts to break into different cinematic style, for me John Woo totally struggled with his western movies, Jean-Pierre Jeunet didn’t get much applause for Alien Resurrection but was made a god for any of his French movies, (it goes both ways) and Kitano seemed to have been lost in translation while still maintaining his signature cool style, and I think he made a wise choice in starring in the movie to try and hold on to whatever he could from his previous great titles. One of Kitano’s strong facets is that you can kinda link his character throughout his movies, growing and becoming tougher and cooler each time, if you thought he reached his peak, you’ll be mistaken he’ll level up forever. Continue reading Brother (2000)
Director: Dennis Gansel.
Starring. Jürgen Vogel, Frederick Lau, Max Riemelt, Jennifer Ulrich. Germany. 1h 47m.
Based on: The Wave, by Todd Strasser
Some of the most daring and provocative dramas in modern cinema have come from the diverse experiments led by questionable scientists. In this case a loose canon of a teacher, Ron Jones who back in the early 60’s experimented the notion that a group of children could easily be led into a fascist regime after applying a totalitarian state in his classroom. He was fired once his dark social experiment was discovered but this led to a detailed book by Todd Strasser and then it’s adaption of the same name, The Wave.
Gansel draws on a gritty documentary style to his movie, with a very fluid camera and fly on the wall experiences are quickly paced and incredibly gut wrenching to see these hopeful youths fall into the abyss after being led to it by their outcast tutor. Continue reading Die Welle / The Wave (2008)
Director: Lynne Ramsay
Starring: Joaquin Phoenix, Judith Anna Roberts, Ekaterina Samsonov, Alessandrro Nivola .USA. 1h 35m
Writer : You Were Never Really Here by Jonathan Ames.
Sometimes simple is best, and there’s not a lot of pfaffing around in Lynne Ramsay’s hypnotic and sometimes deeply savage drama that follows a few days in the life of a volatile man who lives to protect women. The Scottish director returns from her disturbing cult classic from 2011 We Need to Talk About Kevin, with an equally challenging movie. Ramsay’s ability to tell a straightforward story with incredible backstories, undercurrents that twist and turn really enforces her powerful approach to storytelling.
Joe (Phoenix) is deadly to everyone around them and possibly himself, by day he spends his time comforting his charming mother (Roberts) and being a wonderful upbeat son, there are signs of something more disturbing lingering somewhere behind his cold stare he suffocates himself for kicks when alone in his room and plays with knives in a Damoclesian fashion. When night falls, Joe spends this time smacking bad guys with hammers and rescuing damsels in distress. After picking up a job from a desperate senator, searching for his daughter (Nivola) Joe finds himself tangled in a web of conspiracy and danger, while things spin wildly out of control he might just get his wish for death fulfilled. Continue reading You Were Never Really Here (2017)
District 9 (2009) – I was flabbergasted when I realised just how much this film was hated, I got my copy for free when I asked if anyone has seen it, people were giving it away.. so I was a bit dubious about watching it, but I was hooked within seconds.. it’s a mockumentary look at a group of alien (workers) who have go stuck in South Africa. The effects are brilliant, both the alien technology and “Prons” design look and “feel” impressive. Obviously the setting is key, the messages are deep an poignant. The film is elevated by the amazing and life changing performance from ?? who plays Vikers he goes through every emotion and reacts in non Hollywood’s way, giving a more interesting and diverse story. Personally I find it so attuned and turned on, I was really hoping for a sequel, but I guess I’ll have to sit quite tight. [REVIEW]10/10 Continue reading La Weekend August 1