Director:James Bryan, Brother Bryan .
Starring. Jack McClelland, Mary Gail Artz,James P. Hayden,Angie Brown. USA. 1h 22m.
This is a total no brainer horror, but one of the uncanny I’ve seen from this era for quite some time. at first it seems that it’s going to build into something special in that b movie kinda way but I feel this is one of the Sharknado, Icetastrophy, Zodiac of the apocalypse low budget flops of yesteryear that didn’t mature well.
A group of young people head into the wilderness for some “fun” mostly pratting around splashing water at each other and pulling stupid pranks but unbeknownst to them there’s a lunatic in a joke shop viking outfit that stalks the woods and kills tourist on a whim. Usually the teens are a bit more liberal, heading out into nature for sexy good times and probably ludicrous amounts of drugs, but back in the 70’s it was usually just a chance to make out. While there’s not a lot of naughtyness there is a fair amount of slashing, for a slasher.. So one by one they are stalked by this crazy guy wearing skins who lives off trash and the land, he doesn’t say much apart from some odd screeching but he can book it for a fat guy. Continue reading Don’t go into the woods (alone) (1981)
Director: Philip Gelatt.
Starring. William Jackson Harper, Rebecca Henderson USA. 1h 42m.
Based on: They Remain by Laird Barron.
Exploration is the focus of this psychological sci fi thriller, but the execution is as conflicting as the main characters grasp on reality and eventually the slow burning just fizzles out after several meandering mistakes which were supposed to build tension. They Remain explores a relationship of two scientists , Keith (Harper) and Jessica (Henderson) who are employed to investigate an area which was once a camp for a mysterious cult. It’s not very clear what they are doing for a long stretch of the movie, the two seem to have bizarre conversations while looking at camera feeds and “researching”, apparently sent by a mysterious corporation identifies by it’s geometric corporate logo and no more.
Continue reading They Remain (2017)
Director: Nick Szostakiwkyj
Starring: Shane Twerdun, Michael Dickson, Carl Toftfelt, Marc Anthony Williams, Andrew Moxham, Timothy Lyle, Steve Bradley. Canada. 1h 39m
Like a creepy love letter to John Carpenter’s; The Thing (1982) from a methed out HP Lovecraft, Black Mountain assembles a dark story the slowly gets more sinister until a bleak but strong ending.
Much like the thing, there are a small crew working in harsh icy conditions of Northern Canada, but this team are a group of archaeologists who uncover an ancient structure and some artifacts which date around the last ice age, perplexed by the date of the objects and in wonderment of the people who crafted them, the men continue to investigate and study the pieces but their presence spook the native members of the crew who quickly abandon them then their communications fail and their supplies are cut off, but this is the least of their problems. Continue reading Black Mountainside (2014)
Director: David Bruckner
Writers: Joe Barton and Adam Nevill’s The Ritual
Starring: Rafe Spall, Arsher Ali, Robert James-Collier, Sam Troughton. UK. 1h 34m
One of the perks with Netflix is that it gives you the opportunity to watch on the go, which I tried to do with Ritual, but after watching the opening scene I had to stop the film, get home, get comfortable and absorb this film as it instantly grabbed my attention.
It opens with a few guys, not really willing to admit they are getting older but needing to get out on an adventure, or just the yearly lads holiday, Ibiza!? no they are getting to old, camping, that’s too boring.. so what? The discussion goes into the street and on the way home a couple stop to get some vodka, the night is young and it must be continued while picking up the booze in the offie, they become aware that the place is being robbed, Luke (Spall) hides behind a display while his best friend tries to talk the situation down, it doesn’t work they start attacking him, and he bleeds to death while staring at his cowardly friend… this is the first lesson of this movie but the location changes to the deep dark forests of Sweden and the stakes get higher. Continue reading The Ritual (2017)
Day 7 – It Comes At Night
Director:Trey Edward Shults .
Starring. Joel Edgerton, Riley Keough, Christopher Abbott, Carmen Ejogo, Kelvin Harrison Jr. USA. 1h 37m.
In the aftermath of a apocalyptic virus that has wiped out most of our modern civilisation a family tries to carve out an existence in the backwoods of the USA, after bringing in some outsiders their laus trophic tale brings the two families together before everything gets ripped apart.
Trey Edwards Shults (a name that’s hard to forget but easy to misspell) worked as a crew member on Terrence Malick movies and it seems that the experience has left a big impression on him, after his low budget debut SXSW, about an eccentric woman show up to a family reunion, he now digs his heels into horror that’s not quite horror… *gulp* post horror? This impressive movie whose title seems to have little to do with the content of the film. Continue reading It Comes at Night (2017)
Director: Jason Zada.
Producer(s): Tory Metzger, David S. Goyer
Starring: Natalie Dormer Taylor Kinney Yukiyoshi Ozawa Eoin Macken. USA. 1h 39m
After Goyer realised that no film has been made about the famed Aokigahara forest, or Suicide Forest in Japan, he soon put together an outline and the Forest was born. And with the premise of telling a story based in one of the most haunted and protected areas in the world, the film held a lot of potential for being one of the top horrors of 2016… Continue reading The Forest (2016)
Director: Robert Eggers.
Starring : Anya Taylor-Joy, Ralph Ineson, Kate Dickie, Harvey Scrimshaw, Wahab Chaudhry. Canada. 1h 32m.
In this conscientious and terrifying horror, the age old concepts of witchcraft, magic and possession and brought together in this bleak forest folklore film. A family are exiled by the church and forced to scratch a living on the outskirts of an ominous forest where evil is believed to lurk. Strange and devastating things begin to happen. An infant goes missing, crops fail, and the livestock starts taking on strange personalities. The family are taken to the limits of their faith and sanity as they are starved and tormented on a daily basis, the mother (Kate Dickie) seems to become possessed by an evil spirit and suspicions fall upon the eldest daughter Thomasin (Anya Taylor-Joy) who is suspected to be a witch but denies the charges. As loyalties become frayed and each family member is tested in unforgettable ways, the true nature of the haunting becomes apparent but at what costs to his pious family!?
A New England Folktale
Continue reading The Witch (2015)
If you’ve ever read my blog, you’ll know I’m a weakling for black and white movies and I can’t mention Vampyr (1932) without ranting on about the version with the the soundtrack lovingly created by virtuosis of Year of No Light (https://yearofnolight.bandcamp.com) which adds a whole new level of atmosphere and really enhances the movie to no end…
Now because I have no life and live for movies, I am going to get really geeky and suggest 5 movies that could possibly benefit from a darker and more powerful sound track. To be honest I don’t know why bands and fans don’t really score more films, obviously silent ones are easier and there are plenty more of those to do… hint hint!!
Atmospheric music generally perceived as….
“Atmospheric black metal is a sub-genre of black metal which relies on heavy incorporation of atmospheric, sometimes even dreamy textures, therefore moving away from its parent into a less aggressive direction. Atmospheric black metal often features synthesizers or classical instrumentation, typically for melody or ethereal “shimmering” over the wall of sound provided by the guitars. The music is usually slow to mid paced with rare blast beat usage, without any abrupt changes and generally features slowly developing, sometimes repetitive melodies and riffs, thus providing another notable distinction from its parent and other black metal sub-genres. Subject matter usually concerns nature, folklore, mythology, and personal introspection.”
sourced from the wiki.. Continue reading Films that would benefit from a Atmospheric Black Metal OST