A strangely beautiful and violent thriller from cult classic director Miike, who, in recent years has slowed down and mellowed a little but swinging back with this sophisticated drama with slick fighting scenes and the odd touches of animation and quirkness really elevates an already brilliant story that’s acted out to perfection.
Miikes track record of outlandish movies really made a huge impact, and after a short stint of re rebooting iconic Japanese cinematic pieces such as Seven Samurai and Hara Kiri, his approach to bigger and bolder cinema has been fine tuned. This charming little piece follows Leo, an emerging boxer who is facing the darkest chapter of his life after he passes out in the ring and his doctor warns him that he might have a brain tumor. On his way home he rescues a screaming woman who’s being chased by an unknown man and the two catch feelings.
Continue reading Hatsukoi / First Love (2019)
Director: Kazuto Kodama
Starring:?.Japan. 1h 4m
This collection of unrelated creepy tales seems to have been a for runner for the popular V/H/S series (despite them being released in the same year) This Japanese collection just feels like a raw pre runner to the more polished American effort, but as per usual the raw unabridged versions always have that curious edge to them, and like time and time before, Japan finds a new way to creep out the cinematic world.
A team has painstakingly recovered and viewed a number of home\hand made movies accidentally capturing spooky events, but they don’t leave it there, they track down the stories behind each video trying to get to the bottom of the mystery. Continue reading Tokyo Horror Movies (2012)
Director: Takeshi Kitano.
Starring. Takeshi Kitano,Omar Epps,Claude Maki,Tetsuya Watari USA/Japan/France/UK. 1h 44m.
I’ll start my review by saying that I adore everything about this quirky film, even the bad bits, so buckle up for a fangirl review of what is commonly thought of as a bad movie.
It’s never easy when a foreign director attempts to break into different cinematic style, for me John Woo totally struggled with his western movies, Jean-Pierre Jeunet didn’t get much applause for Alien Resurrection but was made a god for any of his French movies, (it goes both ways) and Kitano seemed to have been lost in translation while still maintaining his signature cool style, and I think he made a wise choice in starring in the movie to try and hold on to whatever he could from his previous great titles. One of Kitano’s strong facets is that you can kinda link his character throughout his movies, growing and becoming tougher and cooler each time, if you thought he reached his peak, you’ll be mistaken he’ll level up forever. Continue reading Brother (2000)