Director: Scott Derrickson
Starring: Eric Bana, Edgar Ramirez, Olivia Munn, Chris Coy. USA. 1h 58m
Adapted from: Beware the Night – Ralph Sarchie
From the dawning of The Exorcist every possession movie attempts to become the scariest movie ever made, and yet, through the decades there’s a building up of different styles and techniques which seems to flavour the films throughout the decades and sadly Deliver Us From Evil falls into a series of modern tropes while bringing together some brilliant actors who are often underused for a plot which is apparently based on real events.
Continue reading Deliver Us From Evil (2014) →
Director: Juraj Herz
Starring: Rudolf Hrusinsky, Vlasta Chramostova, Jane Stehnova. Czechoslovakia. 1h 47m
Based on : The Cremator by Ladislav Fuks
A darkly comedic gothic misadventure into the psyche of a brilliant deranged lunatic. After being lost for several years, Cremator has been resurrected by the Brothers Quay, who painstakingly sourced the film and worked on its resurrection, this extraordinary intense meditation of the political horrors of 1930’s Europe are fantastically chilling in this early Czech New Wave film.
Continue reading Spalovac Mrtvol / Cremator (1969) →
Director: Peter Greenaway. Music: Michael Nyman
Starring. Brian Deacon, Eric Deacon, Andrea Ferreol, Frances Barber UK/Netherlands. 1h 51m.
It’s impossible to mention Greenaway without Nyman, the two work so well together (until their falling out.. ) but it’s noteworthy to mention that this is the first collaboration with cinematographer Sacha Vierny and who he referred to as the most important collaborator, Vierny passed in the 1990s.
The film has lots of subtexts; the first is loss and grieving. Twin zoologists, Oswald and Oliver Deuce are at work studying animal behaviour when their wives are killed in a car tragic accident involving a large white swan which crashes through the windscreen, the eccentric woman who was driving the car, Alba Bewick (Ferreol) survives but has to have her leg amputated. Continue reading A Zed & Two Noughts (1985) →