Starring.Clems Ohameze, Mike Joseph, Chinyere Nwabueze, Chioma Ifemeludike, Yemsi Obi, Cece Edeme, Golden Black. Nigeria. 1h 56m.
Not often enough, a Nollywood movie will have a poignant message, they are typically littered with high emotional drama, horrible women being taught a lesson and people learning from their mistakes and finding religion, but there are some really big issues facing Africa and I champion any Nollywood movie which takes some timeout from the average thrall and attempts to tackle these issues, especially when they aim to change archaic views and aim to give people a better quality of life and equality, but sadly this cause is such a pivotal part of the plot I can’t go into detail. Continue reading The Fallen (2019)
Starring😕 Nigeria. 1h 28m
There isn’t much to this short Nollywood production, although for some unknown reason one distinct story seems to gets swallowed by another part way through, maybe everything went to hell during the production, or the director has a change of heart, it becomes confusing but results in more hectic drama and heartbreak but sadly doesn’t make a better movie.
The film comes together over the cruel and mindless layabout trying to make some money, constantly scrounging from his friends, the lazy douchebag spends his days laying on a sofa watching TV and promising to pay everyone back when he gets his next big role, because this actor is apparently going places, it’s the markets fault for being so darn dry. When this excuse starts to wear thin he hatches a new devious plan. Using facebook he entices a young woman into the home promising her an acting role but first she has to submit a fee and act out a special sex scene for him, not realising that she’s being prostituted the girl goes ahead, free sex for friend and he gets to watch. Continue reading Vile blackmail (2018)
Director: Darren Paul Fisher
Starring: Daniel Fraser, Eleanor Wyld. UK. 1h 45m.
Synopsis : Are human conditions, actions, relationships determined by fate, free will, or a combination of both? At any rate, if it we cannot control it – should we care?
Initially the slow drama of Frequencies starts out at school, where not only is the young and emotive Zak (Fraser) an outcast due to his low frequency he’s also deeply in love with the top girl Marie (Wyld) who is a victim of her high frequency, which totally rids her of any emotions or feelings. In this unconventional universe when they meet, their unusually high and low frequencies creates tremendous havoc. In their 60 seconds or less meetings they form a strained friendship, Zak being the lab rat while Marie tests the effects of their encounters. Later on in life, Zak’s persistent attempts to raise his frequency with the help of his best friend leads him to a discovery that not only uncovers our past but unlocks many secrets and has the potential to change all of our futures. Continue reading Frequencies / OXV: The Manual (2013)
AKA: For my sister, Story of a Whale.
Director: Catherine Breillat.
Starring: Anais Reboux, Roxane Mesquida, Libero De Rienzo, Arsinee Khanjian. France. 1h 35m.
Catherine Breillat’s dark drama inspects the lives of two young sisters at a pivotal moment in their development into womanhood with all the graphic insights that Brielliat is akin to producing for her fans and mostly for her critics.
Anais (Reboux) and Elena (Mesquaida) are two sisters who are poles apart, the film opens with them walking into town from their families holiday home, discussing losing their virginity and sex, which is quite advanced for such young girls but Elena is firm in her beliefs that it should be between two people who really love each other and her huskier sister; Anais, is on the thought train of losing one’s virginity should be just done to get it out of the way, she’s convinced that any stranger will do then she’ll just get on with her life.
Be careful what you wish for. Continue reading A Ma Soeur / Fat Girl (2001)
Director: Michael Pearce
Starring: Jessie Buckley, Johnny Flynn,Geraldine James .UK. 1h 46m
Director Michael Pearce has constructed a commanding movie with a complex layered story, this deeply psychological drama/thriller is a smouldering beauty with lots of eerie undertones.The films flaming lead Jessie Buckley gives an excellent lead performance who’s beauty gives the film a touch of piercing clarity, as Pearce builds mystery with intense fascination, often revealing big scenes with fine balance as he grips the viewers attention with climatic stages.
Set in Jersey while a serial killer has murdered several young girls, the village tries to solder o while there’s a giant elephant in the room. In among the normies is Moll (Buckley) a 27 year old who’s a deeply unhappy woman and put upon daughter by an extremely domineering mother (James) she lives out her days under the total control of her mother and carrying out a soulless job as a tour guide. There is a reason for the watchful eye of Moll, she has a dark secret that manifested in her past school girl days, and in turn she’s still basically treated as a child while her siblings are on their own pedestals. Her sister manages to upstage her at her own birthday party while announcing her pregnancy, Moll, having enough of the family antics storms out abandoning her family and Cliff, a stuffy young police officer who wanted to make Moll his new girlfriend. Into the night she runs and joins another party, meeting the mysterious and alluring Pascal (Flynn). Continue reading Beast (2017)
Director: Catherine Breillat
Starring: Amira Casar, Rocco Siffredi. France 1h 17m
Based on: Pornocratie by Catherine Breillat
This slightly strangely off putting art house erotica drama see the plights of man vs woman and slowly discovers what we always knew, and that the sexes really are planets apart.
This taboo sequel to the equally taboo shocker Romance X (1999) see Catherine Breillat boldly challenge many more darker crevices within the sexual psyche of a woman who, in Romance was shunned by her lover, seeking love and affection then sex and kink elsewhere, while in the Anatomy of Hell, we discover more about the boyfriend, adoringly known as Man and played by porn star Rocco Siffredi, we see his reasoning behind his unusual character.
A lonely and dejected woman, whose only known as The Woman (Casar) throughout the film stalks the streets at night looking for company, stumbling into a gay bar she drinks, bumps into all the gay guys and seemly out of it, hits a new low, her suicide attempt in the clubs toilets is thwarted by a concerned stud, after rescuing her she makes him a proposition, she invites him to visit her and watch her silently for four nights while she’s “unwatchable”. Begrudgingly he agrees to continue to help and the two being a strange journey. Continue reading Anatomie de l’enfer /Anatomy of Hell (2004)
Director: Giorgos Lanthimos.
Starring. Aggeliki Papoulia, Aris Servetalis, Johnny Verkis, Ariane Labed, Maria Kirozi. Greece. 1h 33m.
After the amazing Dogtooth (2009) project, Lanthimos was a closely watched director, but his next project seemed like an amazing idea on paper but even with his surreal approach to film, personally I felt as if he missed his own target by being too realistic and not fantastical enough, or maybe the hype train mutated my anticipations to a level that not even a great director could reach.
ALPS is part is about a group of therapists who set up a business to allow families to get through the grieving process by supplying them with “trained” actors to play the roles of their loved ones, so they can have those precious last moments with them, say goodbye or to just have the feeling that they are still around for a few days. The drawbacks are that the actors don’t look like the people they are impersonating and they have to improvise on details the families give to them, hand written scripts and a few left over clothes but they make do, as method actors are especially adapted to do. Continue reading Alps (2012)
Director: Arturo Ripstein.
Starring: Claudio Brook, Rita Macedo, Diana Bracho, Arturo Beristáin, Gladys Bermejo, David Silva, María Rojo. Mexico. 1h 41m
After seeing the epic Dogtooth (2009) by the cult director Lanthimos, I was mystified by the circumstances, the basis of the story is a man raising his family in such isolation, their offbeat lifestyle seems so extraordinary to the eye of any outsider, the whys were never really answered the film just happens. But after a little digging i discovered that the film isn’t a remake but has a similar storyline to El castillo de la pureza, an excellent Mexican drama where a man isolates his family to protect them from “the evils of human beings”. While I thoroughly enjoy Dogtooth everytime I see it, there’s something deeper in this retro classic as it digs under the skin of the abnormal situation.
Gabriel Lima (Brook) and his gorgeous wife Beatriz (Macedo) have invented a brilliant homemade rat poison, their children all have roles in helping them manufacture this brilliant powder. Each day they get up and get to work, always in silence when working, then their father gets dressed in formal clothes and goes out to sell the rat poison to local shops and businesses, meanwhile the children have to exercise, learn and for a while they play.
Things start to breakdown, slowly at first, but as the movie builds pace it becomes a waves of crushing emotions for the disciplined and sexually driven father and more jail time for the children. Leaving their poor mother looking on at the madness. Continue reading El castillo de la pureza / Castle of Purity (1972)
Director: Georg Wilhelm Pabst
Starring: Louise Brooks, Fritz Kortner, Franz Lederer, Carl Goetz, Alive Roberts. Germany / Austria. 1h 49m
This iconic film is deeply based on Frank Wedekind’s play “Lulu”, and despite it not being popular at the time of release, it now remains; nearly 90 years after its release; one of Europe’s silent cinema’s crowning achievements. A catastrophic portrait of sexual obsession, that the American actress Louise Brooks provided an outstanding performance as the prostitute Lulu, a femme fatale who unleashes uncontrollable desires in the people around her. Continue reading Die Bülchse der Pandora / Pandoras Box (1929)
Starring: William Fichtner, Jessica McNamee, Jean Louisa Kelly USA. 1h 45m
A quiet and unassuming man Mike (Fichtner) drifts through his morning routine, he writes technical manuals, his wife, Lisa (Kelly) is an ambitious teacher, they barely cross each others path, with little to talk about, his mind wanders…. He notices new neighbours unpacking and instantly becomes infatuated with Jenna (McNamee), and in turn he develops a deep hatred for her loud mouth and abusive boyfriend. Slowly things break down even further with his uncaring career driven wife as he comes to realise that he’s stuck in a stagnant relationship and dead marriage, but he has a strange backup plan, as a special friendship grows with Jenna to the point of obsession, he keeps a watchful eye over her and helps with her gardening, they even hit the pipe together so its gotta be love right?! Mike is meek, gentle and cares with his heart not his brain, you can see a deep ocean of emotions washing over this psychee ever time he sees her. After his wife kicks him out and Jenna promises to leave Mr quick fists everything seems to be okay but Mike is soon to becomes his worst enemy. Continue reading Last days of summer AKA The neighbour (2018)